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@iloveyo_on 17 сағат бұрын

42:20 46:48 54:35

@joek6729 6 күн бұрын

a performer once told me that a dotted crotchet tied to a quaver followed by a crotchet in 6/8 was the same as a minim followed by a crotchet in 3/4. try saying that to Feldman :)

@bruh4348 7 күн бұрын

15:16 Mephisto waltz 3

@DomFileoreum 9 күн бұрын

Is this the same dude who wrote that uhhhhh....'piano concertos'? This is actually a nice short piece

@LeSheetMusicBoi Күн бұрын

Yes same composer who wrote the piano concertos and English Country Tunes. Finnissy is a prolific composer.

@benlindsay6012 10 күн бұрын

These charming piano pieces are truly delightful to listen to!

@FrancisGoel 14 күн бұрын

Sounds like Rachmaninov? 😂

@liorfox 15 күн бұрын

15:51 sounded very atonal

@choijiwonballetclassmusic 16 күн бұрын

17:13 29:24 38:05 42:02

@central9823 17 күн бұрын

0:03 33:20 35:33 44:46 48:29 54:07 1:13:02

@LkFia_ 19 күн бұрын

Reminds me of schumman

@PM_ME_MESSIAEN_PICS 20 күн бұрын

This song touches my soul in the same way it did nine years ago I was 13 at that time, very depressed and mentally ill. This Piece gave me a place to escape to when I was going downhills.. I said to myself, that I'd be able to play this piece someday. That day was today and I'm crying waterfalls... It's unbelievable what a diffrence nine years can make. I'm healthy now and unbelievably proud of my 13 year old me, that she didn't gave up and fought through all of that... This song got a special place in my heart for ever.

@stacia6678 21 күн бұрын

It's the same chord as at the beginning of Nuages Gris but inverted and transposed up a fifth 😳

@martinlest 25 күн бұрын

I listened to the whole work yesterday, for the first time in some years. I loved it enough once upon a time to buy the full score - fascinating stuff (as both composer and organist myself - though a million steps behind Olivier Messiaen on both counts, I hasten to add!). And yet one's tastes change. After a while, I began to long for a period of 'extended composition', rather than so many short, sharply differentiated episodes separated by pauses, the whole repeated several times to make a movement. It is all so terribly fragmented to my ear these days. At the end of the day, the 'communicable language' and religious quotations are irrelevant to anyone who sits without the score and listens to the work as pure music: and I would contend that any piece of music has to stand up as pure music, no matter what external ideas or designs were used in its composition. I also experienced severe 'note fatigue': "too many tritones, Mr. Messiaen", to paraphrase a famous quote. I really did start to get the impression that in this work, Messiaen's attention to the extra-musical scheme made him lose sight somewhat of the musical content itself. (I say that not just as a listener, but as someone who has written music, organ works included: all too easy to do when writing and all too painfully obvious when it comes to hearing one's music performed). The movement I enjoyed the most was 'la joie de la grace', the only one which is really 'through-composed' - perhaps the epitome of Messiaen's birdsong writing, 'Catalogue d'Oiseau' notwithstanding. (And the very ending of the whole work is staggeringly impressive). But otherwise, I found yesterday's session a very long haul, I have to admit! (I had listened to Meditations sur le Mystere de la Sainte Trinite the previous week, again with the score, and was overwhelmed by it, as I have always been, so it's certainly not that I don't enjoy Messiaen's music any more). Just wondering if anyone else (should they chance upon this comment) feels the same about the present piece. I am a huge admirer of Messiaen, a great master of 20th century music - I even had the pleasure of meeting him in the 1980s (I used to work for his publisher, Edition Leduc, in Paris), but I am not sure Le Livre du Saint Sacrement really is the best of him. Is it??

@santibeis Ай бұрын

0:53 C natural broke the spell

@dario8220 Ай бұрын

i like it

@alinafromglasgow3064 Ай бұрын

Great piece! Superb Scottish composer.

@mtheblepalopYT Ай бұрын

i have no idea what is actually going on here but i like it

@christophedevos3760 Ай бұрын

Just brilliant. And then fizzle out in piano after all the firework, very lovely. 😊

@flower12.usu9 Ай бұрын

at first listening it will seem insignificant, but if you try to play these mincemeats ,this melody, I don’t even know how to describe it, it’s such a delight, something eternal, ancient, unchanging, time

@christophedevos3760 Ай бұрын

Somehow a bit similar to C. M. von Weber's sonatas as well, also admired by Chopin.

@christophedevos3760 Ай бұрын

Very nice. Which recording is this by the way? Live or a digital piano or something else?

@LeSheetMusicBoi Ай бұрын

This is a grand piano, studio recording

@christophedevos3760 Ай бұрын

@@LeSheetMusicBoi I see.

@scronx Ай бұрын

How absolutely marvelous. Nice normal music!

@yegfreethinker Ай бұрын

Interesting how it develops it sounds like just total trash and dissonance at first but then you start to hear the patterns and the harmonies emerging through the dissonance

@scriabinismydog2439 Ай бұрын

11:30 - 12:13 wow!

@LeSerialist 12 күн бұрын

I didn't think you were still alive... Have you heard of "The Second Darmstadt School" or have you moved on from discord entirely?

@ChalumeauLOL Ай бұрын

(っ◕‿◕)っ ♥

@mikalhowitzer5438 Ай бұрын

My god, he is a genius

@78625amginE Ай бұрын

Nice to take a break from music every now and then.

@Varooooooom Ай бұрын

Wow, that 4th study is incredible

@danmartinazzi Ай бұрын

Stunning!!!!

@LeanneHolloway-cy2uo 2 ай бұрын

so very beautiful

@somsinelse4398 2 ай бұрын

Oh, drop, drop, my slow tears of joy as I hear this testacular piece! I feel it as I hear these angels use their voices. Please offer me the answer God!

@quazart_piano 2 ай бұрын

Vincenzo Maltempo joue sur un piano d'époque !! Ses interprétations d'Alkan sont fantastiques. Merci pour cette publication, cette "esquisse" opus 50 n°2 est tellement peu jouée...

@LeanneHolloway-cy2uo 2 ай бұрын

stunning piece

@dopaminewizard7133 2 ай бұрын

Shigatsu fans crying in G minor

@nicolasgoulet4091 2 ай бұрын

this is le artificial le pianist playing

@LeSheetMusicBoi Ай бұрын

Nope, this is Laurent Martin

@tayloresbenshade9291 2 ай бұрын

not an organist but i like arranging things from organ/piano - that being said, in no. 16 how are multiple harmonies being played in the melody when only 1 line of music is written? i swear i hear full triads in the melody. whats written in the part to notify the organist of this? how can i as a non organist tell whats being played without having to try and hum the note i hear and use TE Tuner or something?

@LeSheetMusicBoi Ай бұрын

I'm not an organist either, but I always thought its the harmonics

@rollo2007 Ай бұрын

I am guessing it is probably use of organ stops like mixtura III and IV. The voices are asigned to a key but at an interval (eg. Mixtura III playes a third above). But it's just my guess. Also I don't know the name of the organ voice in other language then polish, it isn't probably mixtura in english.

@rollo2007 Ай бұрын

Found it (probably) here: 1:43:32 it is notated that there should be used voices nazard 2 2/3 and tierce 1 3/5. Those voices have length of a pipe non divisible by 2 thus thay create sound that is not at octave. Also judging by the fact that tierce means third in thrench i think that it may be voice causing that interval you hear

@canalesworks1247 2 ай бұрын

Beautiful harmonies.

@patrikherman_ 2 ай бұрын

Love it

@michaeledwards1172 2 ай бұрын

A lovely piece, no doubt - but a touch too fast in this performance. There's another performance, I think by Ivan Davis, but not sure, which is a little slower, which I find better for this piece.

@MooPotPie 2 ай бұрын

Agreed 100% Oddly unmusical for Pennario . . . like he doesn't quite understand the piece.

@Jean-MarcLesage1959 2 ай бұрын

Merci de proposer un enregistrement de Jehan Alain né en 1911 et mort pour la France en 1940 à 29 ans ! Cette oeuvre est incomplète : on ne sait pas si on doit mettre la pédale forte et certaines mesures sont imprécises rythmiquement... Néanmoins ce compositeur mérite notre attention.