사랑해요

I had the pleasure of meeting L.B. at a record signing in California in 1978. I gushed my admiration for him for almost two minutes before I realized he didn't speak English! Nevertheless, we did manage to communicate coherently, and he was so nice and gracious. He was phenomenal in concert! An eternal BRAVO!!👏😁💯🎶🎹

insteresting pedaling

When was this film shot?

Snappy and younger here than 1926. Very fine ! Oh! And the rendition! Makes on want to get up and MOVE!

GRANDEUR I would attach to the play of this master. How utterly uplifting !!

Первый раз услышала эту пианистку,в восторге

C'est très beau mais son interprétation sonne peut-être plus comme du Debussy que comme du Ravel, cette fois-ci.

Where does it comes from ? Please

Exceptional ..thanks

What a revelation. 109 in the purest of renditions, so unaffected by personalite, technicalities...what a guide !!!

One of my idols.a real piano Giant!!!!thank you!!!

with van cliburn?

С любовью и благодарностью с Родины Юрия Александровича Егорова его соседи, коллеги и друзья. Помним , любим, гордимся . Казань, Татарстан, Россия 🇷🇺

always nice to hear Planté, what about the picture?

Why are the performances of people from the past so vivid?

Nice interpretation, not special, and lots of wrong notes, like they did it in the old days.

marvelous. I was a bit burned out practicing the etudes but these older recordings stand out: they are full of life !

incredibly sensible playing, full of joy, creativity and respect in one. You can sense the place and time in the recording.

I LOVE this guys playing

Alfred Cortot c'est toute ma vie 80 ans , sa façon particulière de jouer Chopin MERCI ❤

Alfred Cortot est toute ma vie , j'ai 80 ans , il avait une façon particulière de jouer . Écoutez le

Ist das ne andere Tonart.??

Mesmerizing and timeless. Big thanks for uploading. Marvelous to see that recordings from very early in the 20th century were somehow preserved long enough to get digitized. Liked, playlisted (hopefully this is a permanent public upload). Paz.

Светлая память Дорогим людям.Тигран Абрамович,Вас тоже уже нет....я училась вЦМШ ,тогда же училась дочка В.Софроницкого- Вивиана...где она теперь? Мне 62,Виве должно быть примерно столько же...привет тебе,где бы ты ни была.

Arrau plática la interpretación. ❤

Exquisite. Thank you.

It's actually a silent film. The sound (not Hofmann unless it's a roll) is added.

Oh the very kind Mozart and this very deep pianist ❤

The best of all time!

Immense pianiste ❤

This (and the following part II kzbin.info/www/bejne/jamwl4qQpdN7i5Y ) is not a "reference recording"!!! Why? Since nobody could play it even close to it... But it does not mean that other recordings aren't good. I also admire the Martha Argerich rendition kzbin.info/www/bejne/ipDGfHmjiZ6hsK8

Love how pianists of late 19th/early 20th century use so little damper pedal

CANCELLI LA BOBINA ahahaha non ha torto, sti corvi con microfoni e camere. come diceva lui per gonfiarsi le tasche

Wonderful! Thank you very much!

So few thumbs up from a meagre number of listens? ABM was born to play THIS.

Exceptional playing and very interesting pedalling throughout; but. Left out all of 2 minutes, the importnt middle grazio section ..why?

True master

Can anyone tell me what song it is 3:00 ? Thanks you.😁

Lazar Berman! Here for once he is found as cheery and upbeat. 'Am so glad to learn that he could be, for all the other times I'd observed him, he seemed very sad. Perhaps it was due to that he was in France.

A very humble man. Great!

Rare!! 👏🏻👏🏻👏🏻

The Welte recording system was a very sophisticated system based on the detection of key speeds by offset electrical contacts. Which controlled the more or less rapid opening of bellows (one per note) whose emptying was regulated by calibrated holes. This set of bellows with progressive opening acted by small levers on a rotary valve which ensured the registration of the different curves slow or fast crescendos or decrescendos available in the reproduction system (push up). We are therefore very close or even identical to what Ravel recorded in 1913

How can he play so quickly and effortlessly doing so huge fingers motions

On est dans l'admirable. Il n'y a rien à ajouter.

Une interprétation qui s’écoute sans déplaisir, certes, mais qui n’a ni l’épaisseur,ni le chant saisissant et douloureux d’un Schubert au seuil de la mort. Pour cela, il convient de se tourner vers le magnifique Richter des années 60, vers cette immense et inqualifiable Yudina, plus terrible encore, ou vers les envolées célestes d’une Clara Haskil. Bref, on peut aimer retrouver Vienne avec Brendel et ses interprétations légères et dansantes mais on est en droit d’attendre plus du Schubert des dernières années, tragique et poignant jusqu’à l’insupportable. Il serait très exagéré toutefois de dire que cette interprétation manque de valeur: je la ressens même comme une des plus achevées de Brendel.

Chopin in Orchestra - arr. Glazunov kzbin.info/www/bejne/nnXahmNmmrGBbdksi=uDvad5nfmimHY5GV

Quel plaisir d’entendre cet homme parler avec autant de délicatesse et de simplicité devant un Jacques Chancel toujours déférent, un peu compassé, mais habile à solliciter les confidences. Telle était l’époque des grands entretiens avec Rubinstein, Arrau, Cziffra et bien d’autres (souvent dans le cadre du « Grand Echiquier »).

Despite the gramophone noise, there is a unique and clear reproduction. Listening to Rachmaninoff's Liszt is the ultimate feeling. Not only his advanced pianism and clarity of tones are expressed, but also the incredibly heartfelt and romantic exuberance; the gifted Rachmaninoff is not familiar with technical difficulties.