@@oxigenarian9763 Your comment reinforces my idea of ​​making a video where I explain something about my work. I really like that you connect with this way of presenting the human being without idealization, sometimes almost as an existential concern. At the moment you can see a lot of text on my blog.

@@tintachina The idealization of nudes is one reason I dislike classic posed portraits. Real people don't look so perfect! IMO, if an artist wants to capture feminine beauty, the artist must first accurately capture her emotions. This gives context to her physical beauty instead of turning her into an object. I like to comment on relationship channels that no amount of makeup can compete with the beauty of a genuine smile. This is because the real source of feminine beauty comes from within her, not her outside. :)

@@brucetidwell7715 It is not usual but sometimes there is no other option. In the blog I explain that you need a good quality paper

Gràcies Pilar. S'ha de pintar de tot!

Omar Romero Es papel de acuarela, de grano fino pero buen gramaje: ambas cosas necesarias, para que se deslice el instrumento de dibujar, para que no se doble demasiado al mojar. El instrumento, como he comentado unas cuantas veces en este foro, es un simple palo afilado, un trozo de rama seca, o un trozo de madera... se moja en tinta y si ya funciona, adelante. La gracia de la técnica es que es algo irregular, a veces sale demasiada tinta, a veces demasado seco... en parte impone su propia personalidad al trabajo. Gracias por su comentario.