@@infectionsman Using breath. See the uninterrupted dynamic flow video

@@LawofThree Can the midi software track the note indefinitely if you just do the "foxy lady intro" type of vibrato?

@@Soulshine77 I’ve had the technical facility since I was 13. I would say both technical and improvisation skills were not fully developed till I was around 25. Around 30 years ago well before internet. I think it’s important to note both Shawn and Allan were relatively unknown by the guitar community until EVH put Allan on the map. Shawn was the same. It took decades for him to become known. Same for Scotty Anderson and anyone else poking their head above the parapet. Anyone pushing the envelope goes through a ‘trial by fire’ process. They all like myself got/get a LOT of push back and gaslit to the hilt by the envious/jealous. I’m not unknown to big names. They all know who I am. What is important is I do this because I love it. I’m not bothered about becoming better known. If it happens great. If not, it was never meant to be. I am continuing regardless and pushing myself daily to be a better musician. Shawn knew who I was but at the time I played Epcot in Disney back in 1999/2000 he was just beginning to make serious waves in the Guitar World and I was practically unknown anywhere outside of Scotland. Not sure about Holdsworth. I would say he didn’t know about me but I can’t be sure. What’s sad about both Lane and Holdsworth is they never got to fully enjoy the benefits of their hard work when they were alive. But now they are dead, they have a huge online fan base, tons of album sales and everyone wanting to buy the same gear he used. I guess it’s safe to love something when it’s no longer a threat to fragile egos. I guarantee that wouldn’t have happened if either came from a wealthy background! This for another video. Thanks for your post. Slainte!

@@LawofThree thanks Roy for the detailed response. I have guitarist friends who did the networking thing in LA trying to make it, and it's really a closed system like you say. However we are very run of the mill guitarists so not surprised but it saddens me that the mega rich neon guitar playing "gods" wouldn't lend support to the likes of you or Shawn or others, instead of just propping each other up in their tours. I want to clarify that while your technical skill is absolutely beyond anything seen to date, you're complementing that with really sophisticated musical ideas. I cant think of what else one needs to do in order to get recognition on a wider scale. Well if you were a cute girl with cleavage I think you'd be touring with the headline acts. Oh well. Im glad youre playing for the love of music. Truth in Shredding as they say - the truth will eventually and always prevail. Thanks for being such an inspiration of what is possible.

@@elijahakin5141 One of those days i’ll get round to it 🙏🏻

@@cameddy4081 Thank you! I can’t quite believe that was recorded back in 97 and released 20 years ago in 2005. My discontinued CD is up now on my Bandcamp for free. It was the first time in guitar history the entire Hungarian Gypsy Airs piece was transcribed, played and recorded for electric guitar. I thought nobody was that interested. Turns out I was wrong. Slainte!

@@applegarden2448 Cheers! There are many reasons I don’t use high gain for my own music. Mostly because hi gain lacks dynamic range. The other is I haven’t found a tone yet for me I actually like. My clean tone changes all the time and I use that because I can get full dynamic range perfectly.I could do what everyone else does and use hi gain and I have done for sessions but I’m more interested in following the sound in my head and having those dynamics in there. This also for another video. That said I enjoy when others use it. The search continues. Slainte!

@@johnmccullim …on the way

@@MesonStrata Cheers matey!

@@AndoniDiazPuerta I will be sharing here over the next few months :)

Welcome 🙏🏻

@@SixEightSixty Had that guitar custom built in 1993. A good four years before Vigier put the surfretter out. I should do a video on that guitar. It’s quite a story. Used to be an old 1989 Ibanez 560

@@LawofThree You should definitely make a video about it, its really cool. Also I didn't fully understand what you meant by using wrist and forearm rotation together, do you think you could further explain it?

@ Next video buddy

@@LawofThree Thank you! I'll look out for it!

It was in Kazakhstan I had a sit down with virtuoso musicians who played the ‘Dombra’ Mostly open hand techniques. But it was in Uzbekistan in 2002 I got an education on actual undiluted ‘Sarod’ playing. Quite an experience!

@@D92Torre Thank you Davide! And thanks again for not just understanding but having an ear. The drive to push the sound closer to what I hear in my head is a daily battle and constantly under review. It’s rare I sound the same twice because of this. Infact I spend more time on that aspect than any other. So thank you for your kind words. I’ve left two links below for your interest. One to the new Law of Three album and another to my own music.🙏🏻 Slainte! Roy lawof3.bandcamp.com/album/law-of-three roymarchbank.bandcamp.com/

​@@Pumpurum-c8t 🤣Tell your mom she can buy that eraser here for you! www.roymarchbankguitar.com/phat-bhoy-pick/

@@death_metal On this guitar 8’s. On other’s sometimes 7,8 or 9 depending on the guitar. Acoustic 13-15 gauge. Classical medium-hard

@LawofThree thanks! i think light gauge is good for shred maybe that's right!

@@64siskat96 Yes. I’ve been playing like this and developing my Hybrid Sarod method for over 40 years. Sarod is a very old system 3-6000 years old. I’ve worked and toured with musicians in Central Asia who play pure Sarod. My version isn’t the same, hence ‘Hybrid Sarod’ More content on this soon.

@@64siskat96 I needed something that would work shooting at multiple angles because guitarists were asking for that. I had three old iphones I needed to use to shoot simultaneously. I picked up some standard suction cup car phone holders for a couple of bucks. Did the job plus I can use the entire neck without being restricted in any way.

@@DPmusictelevision Roy Marchbank school of thought. The incomparable Shawn Lane and Holdsworth were hugely influential without a doubt. More content on the way. Thanks for the support.

@@ronlee2606 kzbin.info/www/bejne/g6XRZ52Pi8Sbqbsfeature=shared Here’s a video on it :)

@@LawofThree Thanks very much for your response and for the info. I've been checking our some of your other videos. Crazy technique you have there!

lawof3.bandcamp.com/album/law-of-three For our CD link above. See description. As far as I know the other complete sessions are not for sale but you can follow the G world collaboration series on KZbin kzbin.info/www/bejne/pWekqZKQqsejapIfeature=shared

@@LawofThree Ok cool. I've already got your CD and am looking forward to more from your band!

@@alexbibdel thx for your support Alex :) it’s much appreciated. Here’s a link for my own Bandcamp if you have not visited already. roymarchbank.bandcamp.com/

@@MangPu-p1s I have the notation for this I must get round to sharing but have long forgotten the solo itself as it’s already 3 years old. There’s much more live and imo better footage recorded now. More content on way. Thx for the support!

@@thewayithastobe (see description)

@@cameddy4081 More content on the way. Thanks for the support ! :)

@@saiyaniam Agreed! I believe it’s called a marketing team