Outstanding Amma on bringing out the life and Music of M Dixit and I have forwarded to about 200 music lovers and upasakas.keep up your professional work
@MLM_EC2 ай бұрын
Thararaina is alapana
@MLM_EC2 ай бұрын
Yes, mam- Time.
@MLM_EC2 ай бұрын
Creating melody with set pattern creates a raga!!!!!
@MLM_EC2 ай бұрын
EXCELLENT !!!
@muraliram88023 ай бұрын
In your lecture , which is very well planned, you have taken an excerpt at 18.00 minutes, at which a respectable vidhwan wonders whetherAny composition of Trinity in the RAAG , sankarabaranam, starts from Gandharam. I was taught a Thigaraja Swamy ‘ s kriti, set to Rupaka thalam, which , has ( though “ Alpa “ prayogam in quantity) , starts with GMG…. “ RAMA NINNU VINA, NANNU RAKSHIMBA” . I may be excused if this pointer looks like an effort to out smart the vidhwan, as , that is not my intention.
@pksanthoshkumar3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@user-fb6ou2jp5j4 ай бұрын
❤❤❤❤❤❤
5 ай бұрын
Excelent.
@sobhanapavithran3525 ай бұрын
The Raja among the musicians, and the musician among the Rajas.
@adarshguptak7 ай бұрын
21:57 so well said, "not very aesthetic." Actually, if every swara has heavy gamakas, listener (rasika) would miss or not appreciate that significant gamaka which beautifies the whole phrase. My analogy is, it is like drawing on a plain canvas vs drawing on a newspaper. SP Balu garu also explained it once in Paduta teeyaga!🙏
@AraksharaVipin8 ай бұрын
Please do a video on Koraippu and korvai madam...
@sakthi2udc8 ай бұрын
Excellent teaching madam
@raviravishankar20228 ай бұрын
Gangeyabhushini sounds so much like Nattai!
@muraleedharabhat80168 ай бұрын
Beautiful explanation 🎉
@swasamacupunctureacademyhe825810 ай бұрын
Excellent Sir Where are you sir God bless you sir Pls give your number
@ngreater8711 ай бұрын
Super madam...God bless you 🎉
@jasmineayling Жыл бұрын
Thank you for this amazing course, half way through. Your knowledge is as generous as you :)
@sailalithar9258 Жыл бұрын
What a seriel, hoping it to b retelecasted a request to SUN TV
@rikky0078 Жыл бұрын
Excellent presentation, even a layman like me some what gather something about carnatic music
@gopalr5383 Жыл бұрын
How can I join this course
@k.rantony8900 Жыл бұрын
Thanks Teacher for your vedios
@manukaruchola3359 Жыл бұрын
Wonderful explanation mam I like your vedios thank you 🙏
@Kar08Mie Жыл бұрын
This is a great video that displays the amazing approaches of 2 different forms of music. However, I am curious as to why the teacher says that "Indian music has no place for harmony" 6:41 Since Indian music of other forms (other than classical) do use harmony: We know cinema music does use harmony (AR Rahman for example)... Also, even Indian classical music might use it if you consider the 'shruti'... would that not be a harmony with the singer where multiple notes are being played simultaneously in a song? For if the vocalist is 'off' in harmonizing with the shruti, everyone would be able to notice. In a crude sense, even the tabla harmonizes with the shruti and the vocalist. So i dont think the concept is really that foreign in Indian music... it is used in pretty much every other form of music in the world also!
@niranjana8982 Жыл бұрын
It was a very good lecture for those who wants to know about carnatic music ❤
@cMajormusic_maliarachchige Жыл бұрын
Sri lanka
@alexyuwen Жыл бұрын
Amazing resource. Thank you 🙏
@jasmineayling Жыл бұрын
*tries to do the same 😅
@operadood Жыл бұрын
Unfortunate for an English speaker trying to learn that the portions in Tamil (or Telugu?) are not translated and that the CC do not line up with the speech. This is my only complaint about this otherwise excellent course offering!
@manukaruchola3359 Жыл бұрын
Madam please tell me the ragam of this thillana very nice 🙏
@maitri74 Жыл бұрын
Do not listen to the girls. They are misleading.
@akhilgupta8280 Жыл бұрын
Very nice
@ravindrabangaloresrinivasr4814 Жыл бұрын
Thank you very much madam
@sbp3967 Жыл бұрын
Excellent demonstration. Thank you very much.
@parimalajeevangi6666 Жыл бұрын
Very nice
@kovaiswetaanand512 Жыл бұрын
Prananams mam.Need to enroll in this course .can anyone pls guide me
@WingsofPassion-yn6rc Жыл бұрын
Thank you mam. I can't sing carnatic music. But I love to hear.... So I want to knoe about all the things related to carnatic music. Like ragaas.. Thus I can enjoy the music... Your videos are very helpful and informative. I will follow you mam. Thank you for sharing. ❤️🙏
@christochiramukhathu4616 Жыл бұрын
Pease explain briefly what's Alapanam before performing
@margaritab.2665 Жыл бұрын
Very interesting and educational video, thank you for uploading. 🙏
@dominicv3256 Жыл бұрын
Finally understand the gamakas concept after so many videos So much Thanks for that..!