Aspects of tala II
17:04
6 жыл бұрын
Carnatic Music as Raga Music
18:23
8 жыл бұрын
Neraval and Swaraprastara
20:42
8 жыл бұрын
TANAM
17:05
8 жыл бұрын
Tillana
9:03
8 жыл бұрын
Syama Sastri
32:39
8 жыл бұрын
The Romance of Padam and Javali
21:09
Post trinity Composers
10:47
8 жыл бұрын
Tamil Composers before the trinity
25:47
Muthuswami Dikshitar - an overview
13:21
Tyagaraja, the Vaggeyakara
19:51
8 жыл бұрын
Tyagaraja and His Many Moods - II
26:35
Tyagaraja and His Many Moods -I
33:26
Tanjavur and the Carnatic Trinity
13:46
Precursors to the Kriti
36:23
9 жыл бұрын
Kriti - some basic features
18:45
9 жыл бұрын
Пікірлер
@rgvgsg
@rgvgsg 21 күн бұрын
Outstanding Amma on bringing out the life and Music of M Dixit and I have forwarded to about 200 music lovers and upasakas.keep up your professional work
@MLM_EC
@MLM_EC 2 ай бұрын
Thararaina is alapana
@MLM_EC
@MLM_EC 2 ай бұрын
Yes, mam- Time.
@MLM_EC
@MLM_EC 2 ай бұрын
Creating melody with set pattern creates a raga!!!!!
@MLM_EC
@MLM_EC 2 ай бұрын
EXCELLENT !!!
@muraliram8802
@muraliram8802 3 ай бұрын
In your lecture , which is very well planned, you have taken an excerpt at 18.00 minutes, at which a respectable vidhwan wonders whetherAny composition of Trinity in the RAAG , sankarabaranam, starts from Gandharam. I was taught a Thigaraja Swamy ‘ s kriti, set to Rupaka thalam, which , has ( though “ Alpa “ prayogam in quantity) , starts with GMG…. “ RAMA NINNU VINA, NANNU RAKSHIMBA” . I may be excused if this pointer looks like an effort to out smart the vidhwan, as , that is not my intention.
@pksanthoshkumar
@pksanthoshkumar 3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar
@pksanthoshkumar 3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar
@pksanthoshkumar 3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar
@pksanthoshkumar 3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar
@pksanthoshkumar 3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar
@pksanthoshkumar 3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@pksanthoshkumar
@pksanthoshkumar 3 ай бұрын
Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️
@user-fb6ou2jp5j
@user-fb6ou2jp5j 4 ай бұрын
❤❤❤❤❤❤
5 ай бұрын
Excelent.
@sobhanapavithran352
@sobhanapavithran352 5 ай бұрын
The Raja among the musicians, and the musician among the Rajas.
@adarshguptak
@adarshguptak 7 ай бұрын
21:57 so well said, "not very aesthetic." Actually, if every swara has heavy gamakas, listener (rasika) would miss or not appreciate that significant gamaka which beautifies the whole phrase. My analogy is, it is like drawing on a plain canvas vs drawing on a newspaper. SP Balu garu also explained it once in Paduta teeyaga!🙏
@AraksharaVipin
@AraksharaVipin 8 ай бұрын
Please do a video on Koraippu and korvai madam...
@sakthi2udc
@sakthi2udc 8 ай бұрын
Excellent teaching madam
@raviravishankar2022
@raviravishankar2022 8 ай бұрын
Gangeyabhushini sounds so much like Nattai!
@muraleedharabhat8016
@muraleedharabhat8016 8 ай бұрын
Beautiful explanation 🎉
@swasamacupunctureacademyhe8258
@swasamacupunctureacademyhe8258 10 ай бұрын
Excellent Sir Where are you sir God bless you sir Pls give your number
@ngreater87
@ngreater87 11 ай бұрын
Super madam...God bless you 🎉
@jasmineayling
@jasmineayling Жыл бұрын
Thank you for this amazing course, half way through. Your knowledge is as generous as you :)
@sailalithar9258
@sailalithar9258 Жыл бұрын
What a seriel, hoping it to b retelecasted a request to SUN TV
@rikky0078
@rikky0078 Жыл бұрын
Excellent presentation, even a layman like me some what gather something about carnatic music
@gopalr5383
@gopalr5383 Жыл бұрын
How can I join this course
@k.rantony8900
@k.rantony8900 Жыл бұрын
Thanks Teacher for your vedios
@manukaruchola3359
@manukaruchola3359 Жыл бұрын
Wonderful explanation mam I like your vedios thank you 🙏
@Kar08Mie
@Kar08Mie Жыл бұрын
This is a great video that displays the amazing approaches of 2 different forms of music. However, I am curious as to why the teacher says that "Indian music has no place for harmony" 6:41 Since Indian music of other forms (other than classical) do use harmony: We know cinema music does use harmony (AR Rahman for example)... Also, even Indian classical music might use it if you consider the 'shruti'... would that not be a harmony with the singer where multiple notes are being played simultaneously in a song? For if the vocalist is 'off' in harmonizing with the shruti, everyone would be able to notice. In a crude sense, even the tabla harmonizes with the shruti and the vocalist. So i dont think the concept is really that foreign in Indian music... it is used in pretty much every other form of music in the world also!
@niranjana8982
@niranjana8982 Жыл бұрын
It was a very good lecture for those who wants to know about carnatic music ❤
@cMajormusic_maliarachchige
@cMajormusic_maliarachchige Жыл бұрын
Sri lanka
@alexyuwen
@alexyuwen Жыл бұрын
Amazing resource. Thank you 🙏
@jasmineayling
@jasmineayling Жыл бұрын
*tries to do the same 😅
@operadood
@operadood Жыл бұрын
Unfortunate for an English speaker trying to learn that the portions in Tamil (or Telugu?) are not translated and that the CC do not line up with the speech. This is my only complaint about this otherwise excellent course offering!
@manukaruchola3359
@manukaruchola3359 Жыл бұрын
Madam please tell me the ragam of this thillana very nice 🙏
@maitri74
@maitri74 Жыл бұрын
Do not listen to the girls. They are misleading.
@akhilgupta8280
@akhilgupta8280 Жыл бұрын
Very nice
@ravindrabangaloresrinivasr4814
@ravindrabangaloresrinivasr4814 Жыл бұрын
Thank you very much madam
@sbp3967
@sbp3967 Жыл бұрын
Excellent demonstration. Thank you very much.
@parimalajeevangi6666
@parimalajeevangi6666 Жыл бұрын
Very nice
@kovaiswetaanand512
@kovaiswetaanand512 Жыл бұрын
Prananams mam.Need to enroll in this course .can anyone pls guide me
@WingsofPassion-yn6rc
@WingsofPassion-yn6rc Жыл бұрын
Thank you mam. I can't sing carnatic music. But I love to hear.... So I want to knoe about all the things related to carnatic music. Like ragaas.. Thus I can enjoy the music... Your videos are very helpful and informative. I will follow you mam. Thank you for sharing. ❤️🙏
@christochiramukhathu4616
@christochiramukhathu4616 Жыл бұрын
Pease explain briefly what's Alapanam before performing
@margaritab.2665
@margaritab.2665 Жыл бұрын
Very interesting and educational video, thank you for uploading. 🙏
@dominicv3256
@dominicv3256 Жыл бұрын
Finally understand the gamakas concept after so many videos So much Thanks for that..!
@DrJoePeters
@DrJoePeters Жыл бұрын
Excellent!
@kalag1170
@kalag1170 Жыл бұрын
wow
@wrdfgrred112_wq
@wrdfgrred112_wq Жыл бұрын
Dhanyavaad mam. Aapka aabhaar 🙏🙏🙏
@radhamadhavigundubogula3845
@radhamadhavigundubogula3845 Жыл бұрын
Very valuable info presented in excellent manner.