As Woody himself would say: “It’s called ‘variety’, pal”.

@@rmo52 And as I'd say to Woody and to you, Pal, "it's called blowing it". Don't be fooled by someone being a pro musician and band leader -- some of those guys don't have any feeling for music, they're just proficient robots that have come out of many too many years of endless sight-reading exercises. This rendition of Peanut Vendor misses the music so totally it's just an empty, useless exercise for all concerned, and certainly not anything that anyone should try to pass of as "variety" -- it's a mediocre failure of an attempt to be (regressively) distinctive. If that isn't screamingly evident to your ears, you don't have the feel for the vast area of music that Peanut Vendor / El Manisero is a beautiful example of. No one should put together such a useless, empty version of such a great chart -- it's a huge backward step and if you tell youngsters it's progressive or adds something, you're just sending those naive youngsters with their under-developed ears down the road to nowheresville.

What do you about big bands, the way you are talking there big bands should not try some different now and again, Woody always pushed the boundaries.

@@clivegaby7775 And you don't think he'd have bad moves sometimes in pushing the boundaries? There's no point in stylizing Peanut Vendor into nothing, it's a waste of everyone's time. And, in answer to your question about what do I know, I was raised in jazz musician family. From newborn on I was raised on Dixie, swing and Latin music. Family friends from my earliest memories on were jazz musicians, singers, and some Afro-Caribbean dancers in Katherine Dunhim's style. My brother became a jazz drummer, I played Afro-Latin percussion in 15-piece Latin bands and in jazz blues bands with horns, and I am a dancer in multiple styles, and a sometimes choreographer. So i answer to your question, that's what I know. How about you? What do you know about 2-3 clave in mambos such as Peanut Vendor?

Sorry mate you have missed the point, Woody never stood still and was always pushing the boundaries.

Love John Oddo with Woody and then later with Rosie Clooney - amazing player and arranger......

So was it this chap Oddo that took all the music, rhythm, feeling, and everything else out of El Manisero? If so, did he continue in that vein? Ohhhhhh the stunted development those endless sight reading exercises do to whatever potential musicality the poor student might have otherwise had!

Don Downs on lead Trumpet.

Voor een jaloers ventje als jij, blijkbaar niet. Ziekelijk mens.

Jaloers?????

Beledigend om over 'ventje' te spreken. Azo gedrag.

Zo vet is hij helemaal niet. Wat is dat tegenwoordig, dat eeuwige afzeiken van anderen. Geniet liever van de muziek.

Onnozele

Waar is de tijd van J.P, Laro?

J. Staps

hay kijk op mijn video's alle tamboerkorpsen te zien

het komplete optreden bij mijn video's te zien

That's John Fedchock.

John Fedchock 's soloing

Yes, I know. He play trombone. What does that have to do with the tenor player?

I think that's really Dave Riekenberg.

Het heeft 7 jaar geduurd, maar uiteindelijk heb ik gelijk gekregen ;-)

dat is cor

ja