I had one, many years ago. In sounds pretty useful. yet in custom programming.... absolutely terrible to handle.

Nice one

Nie wiem co to ale buja

🎛🎹🎶

I like.

this is sick

You got a vibe going here with this one!

whoah...kraftwerk esque jams with avante garde miku landscapes? now this is c y b e r

That's so cool to watch

what the fuck? how does one jam with Miku? 😂

Yaaaaay!

Still got the rs7000 😊

Have you seen Dreamtronics Synthesizer V? Pretty close to real sounding if programmed right. I'll send you my song using it

true vtubing hasn't been achieved until now

Thank you so much. I spent all of last night trying to delete tracks from one section only for them to disappear everywhere else. Nearly launched my RS7000 into a wall. Thank you for showing me the way.

Nice beats. I like it..

26:00 cool part ! 😮

Bassline at 13:41 Awesome!

Great work, great to see how it was done and great views on the details. There's so much to learn about the RS7K this really helps :) 🕺❤️

is it possible to have the rs7000 output a click in order to sample live playing?

it would be great to have a software editor for the rs7000

this is not in the manual

very cool trick

Awesome space. I've been looking at one of those Peaveys. Do you ever pair it with the RS?

Awesome, what are the two to the left of your RS7000? 🎛🎛 👍🏼

on board sounds or are you sequencing external gear?

very UR!

nice job . . . dark as hell !!

I just recently bought a used MC-505. Got one when they first came out and used it in a band extensively in the early 2000's. Such a powerful JV sound engine, but man those preset sounds are sooo Roland.. lol =)

Love these jams! 👍🔊🎶

Ace! 🎛👍

you guys in diff locations? if so are synced online, or by ear or at all? [thumbs upped]

man, I gotta get folks over to the house to jam, this looks like a lot of fun!

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So cool 🎛🔊🎶👍

Your videos are great & really helpful, thank you & keep safe! 🎹🎛👍

Thanks subscribed

Zam, the gap in levels between your mic and your instruments makes this unlistenable. Sorry for the bad news. I do value that you bring RS7000 sounds and info to KZbin. In this case it's accidentally all sounds and no info.

All sequenced on the RS or...?

Cool stuff man. Do you program the an and dx "in the box" or with an editor?

Awesome 👌🏼

Fun times Damn.......13 years ago already

This is amazing. I was looking for something like this. However, is there a way to do this for recorded samples? Binding a sample voice to a phrase? Unfortunately the reply of Pedro Anastazi is way to technical for me. Never mind, just found out the answer. This does work! Select the phrase, select the (local) sample. Start recording and then set to MSB *** LSB ***.

Great jam and mixing session. Awesome work

Very interesting sounds, name CS could lead to imagine some different soundscape.

thx for the vid, but I'll add a couple things here to help... Apologies in advance for the lengthy post... theres lots to explain... Ive had my RS7k and my RM1x when they were both first released... The RM/RS sequencers are phrase dominant sequencers, not track. The OLD MC units used to be track dominant until the MC707 & Fantom came along with its clip (their word for phrase) based sequencing using an Abelton performance matrix. Phrase is a bookmark/placecard fand can be used for 3 different things... 1) to allow non destructive sound auditioning 2) to be used as pre-record preparation 3) resetting the phrase (NOT TRACK) to its original tone state at time of creation, excluding recorded CC. I see no other reason for it and to be honest, it really is a pointless way to do things unless your brain is fried.... "phrase' has never been a permanent setting in an actual PHRASE.. as 'phrase' is just a placecard till you fill the track with an actual numbered phrase... OR are using 'phrase' to recall the last tone selected In any case, this phrase 'feature' has been a part of the RM1x and RS7k since inception...some find it problematic, others find it helpful but most of us arent fussed coz we use program changes to lock a sound to a phrase along with respective track control settings and all CC recordings.. . I wouldnt use this method if my intent was to change tones as i jump section to section (or even change tone halfway through a section) Phrases dominate tracks as they control what the track does, what it holds, what it sends to effects, how those effects are configured, and how the phrase and track is managed whilst a recorded phrase is sittin on that track. However THIS level of control can ONLY happen if you set those commands within a phrase...either PC's or CCs or NRPNs .. either manually or through recording or from external control. Dont think of the tracks as a sound or control source... coz theyre not... If you leave a phrase/clip untouched and theres just simple note data, then your track configuration /settings are in command, inc tone, lfo, fx eq etc. BUT throw afew CC/s or PC/s or NRPNs into that phrase on toss it on any given track, and those track settings take the back seat and immediately follow the commands within the phrase, overriding pre-existing track settings... Make sense? So wtf does that have to do with anything 'phrase' related? Well, like I said, a basic phrase without ProgChange (or other) commands has the track retain tone and other settings. This limits you to one tone per track across all sections. For what youre wanting to do, youre much better off and safer using program changes, and NOT using the placecard of the 'phrase" setting Remember, "Phrase" is a flag or placecard of sorts, used when a sound is allocated (but not PC'd) to a phrase or track. So going back to the heirarchy I mentioned earlier, the track dominates UNTIL its told otherwise by the phrase... and if there is no command, then that original command (track settings) remains as is.... Keypoint here, is that THAT phrase will command the track to go to ABCXYZ of the Tone generator, until told otherwise. ... its NOT the other way around... And so if there is no command in the phrase, or there are no 'phrase' tweaks (CC's or whatever) then the last chosen setting for that track or phrase will be used UNLESS youre TG shows "phrase" (on that track).. Make sense? BUT... TBH its better you DONT use 'phrase' for permanent work or set it onto a track UNLESS you intend on keepin the ONE tone on any same one track throughout your entire style (project) Use "phrase" when you jump through sounds to audition and tweak, and revert back to the phrase or tracks unprogrammed sound if you have to, by just dialling back to the begingin of the TG settings.... BUT use PROGRAM CHANGES and Control Change's to make those tweaks permanent in the phrase. Its easy to do and all the PC and tone numbers are right there for you.. just keep a notepad handy... Moving on... "phrase" was never designed as a permanent solution for locking a sound to a phrase. Again, if you wna change sounds at any time in any section on any track, then thats what Program Changes are for... You cant do that with 'phrase' set "phrase" flagged tones on a track with no recorded phrase set to that slot (shown when you hit pattern button twice to bring up the phrase to track matrix), and phrases themselves (actual numbered recordings) are independent of track ONLY if you allocate controls within those phrases. If youve just got note data, then going back to the heirarchy tree I mentioned earlier, the track settings dominate until told otherwise by the phrase... Jeebus I hope that made sense.. BTW you can use this same method pf editign the phrase to insert PC, NRPN and CC messages within your phrase recording to change effects, track settings, filter types, effect types, LFO types, portamento on/off, speeds etc per phrase within any given track. Theres more but imma stfu coz this is long enough...

Really cool RS videos, thanx for sharing! 👍

is there a way to have different measures playing in a style? for instance in style one, you have a 4 measure drum loop looping, on track 2 a 4 measure bassline looping,, and on track 3 you want to have a lead playing for 8 measures, or 9 or whatever. is this possible?

Govno

Hello buddy I've been watching a lot of your videos as you defiantly spent a lot of time on this machine I just got my one today after regrettably selling my rm1x for the same price I paid 10 years ago £140 "gulp" . Any way I have a quick question as I'm just unboxing it and setting up Do u use stereo or mono plugs and 1 or 2 cos I'm baffled had same problem with my rm1x alway thought one channel was blown cos it only came out of one speaker and i don't wanna even risk it with my rs7k