Asmr nails Javier

I got the game of pirates ☠️ of the Caribbean and I now I'm really in heaven with Johnny Depp forever 💋 😘 and hugs 🫂

Cool tidbit about Cameron Crowe. "Buckets of Rain" is my favorite Dylan song! Been a fan of Elle's since 'Somewhere', she was great in this movie.

Monica Barbaro gave my favorite supporting performance last year. She's beautiful in this film and she sure is a singer! "It Ain't Me, Babe" was my favorite movie scene of the year! It's very cool that she got an Oscar nomination. I know she probably won't release music but I hope she continues singing and playing guitar, she has a gift. Hope to see her in more films!

They must have got so sick of these interviews. Such troopers!

He was so handsome when he was closeted

Uff Her look in this filim ❤❤

Nice!

She’s so good acting

Some great questions- good interviewer

Brad Is Most Definitely an Awesome Actor and a Great Producer!😊😊

❤🕶

❤

Green Goblin and Pennywise in the room.

SO SMART. SO AWARE. SO MUCH TALENT. LEGEND.❤👍👍

You need love

I agree

Taylor schilling is looking beautiful and she is the best actress ❤️❤️❤️

Great questions!

They are so down to earth, very humble for the magnificent work made in this movie. The interviewer made interesting questions, really pulled answers with depth.

Shame on you Diana Silvers!

Wish she could be back for more resident evil chapters. She really has the super girl power.

Danish

I love Judah. He’s the best ❤❤

Brilliant interview ❤👌🏻 love it

Darla paul walker my favorite boyfriend ❤

A theme that’s been done numerous times, yet this film pulls off a fresh take on the turbulence of self-discovery.

❤

Great movie🎉

Buster Scruggs leave too fast.. 😢

Aegon the Magnanimous

So has gerry got a big heart

Like you so much

Be a bit more mindful

Don't make her feel stupid

This is one of the best interviews! Great questions and excellent answers. ❤

"It's called acting really" 😂😂😂 Legend

❤🤗🤗🤗

FRIEND GERE AND IM SORRY AND WE HAVE NO RELATIONSHIPS AND I HAVE ALREADY MY BOY FRIEND IS KEVIN COSTNER

I love your voice Skyler Davenport/ Citlali from Genshin Impact :)

Liam was so anxious. His legs were shaking. I miss him so much. ♥️

Califórnia chora FOGO 🔥, entendeu?? Fatality...

A star that never goes out 🥰😋😍

Caleb for the new joker. 🙏

The most loved actor in Germany because he resembles a skinhead. It's not his fault. But Germans are still love Hitler. So being the most loved in Germany is not so hot.

He is sooooo handsome❤his smile and everything about him is just great❤️‍🔥i really wish he was not gone so soon😭😭he is like one of my favourite celebrity crushes and actors. So beautiful and talented. He is so smart and cute. He is like really chill and i love his laugh and his gorgeous eyes and hair and body😍🫠he really should not have died so young. He still wanted to achieve so much. And he has a daughter that lost her father😢😥. Maybe there is a reason his life was done. I believe in God and we can never know what the reasoning is behind faith of people. How and when they die. But yes. Rest in peace. We all love you so fucking much. 😘🤗and i know all of his acting friends and his family misses him a lot. 💋💘rip

Loved Halbrand and Galadriel S1 and Annatar and Celibrimbor S2. I couldn’t stand the book the Silmarillion after the creation section so I stopped reading it. I’m glad because I came to this as a new viewer and didn’t even know we were looking for Sauron. I thought Sauron was just a big Eye. So the reveal was shocking.

Thank you for this interview. Love these amazing actresses !

After watching Eggers' take on Nosferatu three nights ago, I can now safely say that it is a welcome addition to Murnau's silent moving picture and Herzog's colourful talkie. Eggers went for a mix of colour film and monochrome shading in postproduction, and he encouraged a lot of shadow play in the cinematography. This goes well with his psychological symbolism regarding Emma and Count Orlok's inexplicable pull over her and the other protagonists. Visual ambiguity and unreliability in the cut/editing when it comes to scenes that depict the count's uncanny powers go very well with this approach and create an eerie, dreamlike to nightmarish atmosphere. The character of Emma comes much more to the forefront in this story: her secret desires and feelings of guilt, her flights of fancy, her melancholy and her obsessions, the struggle between love and lust, her internal conflicts between sociatal obligation and decency paired with wifely longings of love and understanding, versus her desire for a realm of her own and very private sexual fantasies, a struggle between worldly and emotional dependency and a fantastical lust for power. In the end, it is her sacrifice that bridges the gap, gives Emma agency and redeems her from an almost constant feeling of repression and guilt. Once again, Eggers comes around with a vast amount of historical accuracy, considering this is first and foremost a tale of fantasy and horror, of the occult and the surreal. Once again, Eggers' sensibilities (of horror, but also of the story's core) lie in general matters of the soul, its agonies and ambiguities, dark crevices and inconsistencies, paradoxes and struggles for meaning, rather than with the concrete, with the flesh and meat of physical torments in the exterior world (which, here, serves merely as a backdrop and a reminder of pre-modern mindsets and conceptions of the world alien to our current zeitgeist, an alternate reality, which nevertheless carries a kernel of diachronic truth regarding the human condition). Once again, Eggers provides us with a story which is grounded in mysteries, in mysticism and mythology as symbolic for human psychology and at the same time an expression of human identity and self-concepts, a powerful driving force of agency, an expression of our (collective and individual) subconscious as the prime mover of the more rational faculties of ours. Once again, Eggers is less invested in suspense created by contraptions of the plot than in the tension that emerges from states of ambiguity, doubt, uncertainty (both, of sensory perception and of the self), the terrors derived from obsession and paranoia, a tension inherent to the disconcerting puzzlement of apory and the uncanny vagueness of whatever disturbs us in a rationally unaccessible manner, the fears creeping up when we are on the verge of existential crises, of obsessive or psychotic madness, and most of all: The agonizing affliction of losing our sense of belonging, the smothering angst of losing our very dearest, and of losing our soul. Eggers' take on the story of Nosferatu, once again, is also a film about conflicting world views, about the contemporarity of the uncontemporary, about the rebel stance of romanticism in a world increasingly determined by the discipline of enlightenment and of contractual moralities, and also by the looming banishment of intuitive divination, of mysticism and mythology, of religious pretension and superstition - sentiments that are now almost considered a disease of the mind or a societal plague to be extinguished. Although this take on "Nosferatu" is for the most part very close to Murnau's original movie, and maybe even more so to Stoker's novel "Dracula" on which the former was based, Eggers did succeed in drawing it into his own sphere of genre-crossing and genre-bending, illuminating new facets of an old dark tale.

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