Bravo.Donde toque el Maestro Peter Wiley es garantía.

nice

Amadeus-Quartett Niveau!!

Delightful !

❤❤😊

So he made his whole career after taking piano lessons for only one summer as a child? 0:08

poor guy! weak foundation, he should not be playing this piece at all. he has no control over sounds and colour!

🎉🎉🎉

Jason was savage 😂

Bravo! what a wonderful performance - lively, crisp and compelling. Great dynamic between these excellent musicians.

No... still like the performance and interpretation of this as played by Ria Kang. Haven't seen any more KZbins on her.

To me this piece is often played too fast. It needs a direction in phrasing and calm finish from the finish of the fast part slurs to the longer phrasing part.

Wilson Ronald Walker Anthony Davis Sharon

Wow rediscovering this performance 😮

Bach foi o começo e o fim. ❤

Excellent

best SA song ever written... Teacher hits on young man... won't put on his corsage because others would see the situation is shameful... young man doesn't understand for the rest of his life and ends up trying to end himself to get her back.

Marvellous lesson❗️

Seems like a very good teacher and a good communicator---for me that thumb nail would be way too long!

My favourite Radiohead song. Nice job.

❤❤❤❤

I can't find this piece anywhere on Spotify, is it recorded and published for listening anywhere besides KZbin?

I know this is random, but speaking as a luthier - that is a very strange artificial antiquing choice on the upper treble side of the violin (viewable best at 8:14). In regards to the playing up until 8:17 -ish, not too bad. The interpretation was nice but the intonation was *the* thing that needed to be most improved in my opinion. If the intonation was basically perfect, then I'd actually pay for her rendition of this piece and or an album!

Cool piece, and alway great to see Soovin!

Fantastic!

This Viola seems to be too big for her... This makes it harder to play !! Beautiful!!

Love to hear Gabe sing!

Are you all going to wear those awful masks the rest of your lives. How can you breathe? Don’t you get dizzy?

My goodness... I love how Mr. Vieaux zeroed in on student's musicality... bringing out the lovely contrapuntal lines which make the piece the great artistic work it is. I agree with other comments... this was a great lesson, in that I actually sense the student is now focusing on the lines of music and less on technique. Don't get me wrong... when student returns to the practice room, technique should be of utmost importance... slow practice with a metronome is of utmost importance. But he should not stop there... after all the notes are under his fingers, the REAL work begins... each phrase should shine like a gem... this is what making art is all about.

wow...

He’s playing the subject as if it starts on the one, but the subject starts on the second beat so he should be counting the first beat quietly to himself and feel the character of the peace. Also the D to the C sharp and then back up to the D launches the beginning of the subject to the E and then down to a, B, C sharp, and then D. They is where the subject starts in the dominant, and it starts on the second beat. The rhythmic structure of music by composer, like Bach is crucial to the phrasing. The most important thing of musician can do is listen carefully, and if 1 does not like the sound, they are making make gentle corrections to the fingers

nice work!

I took a BMus degree on the clarinet without the university ever having supplied a clarinet teacher. And I was forced by the head of the music department to battle my way through Brahms two clarinet sonatas which I hate to this very day. I destroyed the music of these sonatas the day I graduated. What a waste of golden time.

An inspired performance! Bravo!

Awesome

Cries Very talented

Nearly every masterclass I've seen of his, he spends a lot of attention and intention working to try to get students to consider ditching the shoulder rest. My serious studies began when I was older than these kids, and my teacher got me to try and get rid of the shoulder rest early on...which I did (with trepidation at first!). I was worried about shifts and everything. She said, "...you're not going to drop it!...". And she was right. It didn't take long. I learned - my own ways - how to hold and shift and get around. I have wondered through the years, and have tried shoulder rests along the way, but my experience is that they haven't added anything material. I've played Bartok, Walton, et al on viola without the shoulder rest. On violin, some of the big works, as well. It's just a matter of adjustment and then familiarity. (disclaimer: yes, most of the BIG string stars use them. I am cool with whatever people choose!)

👏🏼👏🏼

Man, and I was right round the corner as they were playing this. Good thing I didn't miss it entirely.

Suono orribile, tutto da rifare,musicalità assente, tutto da rifare,forza e coraggio

I love Noam. I want to consume and be consumed by his voice, let alone the banjo... magic; it's magic. But why is he wearing his uncle's suit? Hadn't he won the Steve Martin award by then?

Best teacher ever. So much knowledge.

Want to hear more from the cute violist. He's plays too softly in passages where his part should stand out more.

Beautiful viola.

Hi, Good playing of yours.... If the best of contemporary music does interest you, have a look and an ear to Pierre Meroeur pieces for guitar at the following address : kzbin.info/www/bejne/b5DOYZuKgMtlppo

Tutti soffiano nel bocchino, ma nessuno ottiene il vero suono, ripeto tutti, ascoltare O. Michallik e riflettere

Talented young student.

amazzing