Great song great message proud to have AP as close cousin

Já nemám problém, mám ráda operní zpěv a mé uši vydrží mnoho! 😮😂😅

I can’t believe AP wrote this. So talented

Damn son where’d you find this?!?!

Sara Carter LIVES FOREVER

I love Paul’s voice. I’m curious, did he ever sing opera pieces? I believe he had the vocal power to pull it off. I’m also curious if he had any decent high notes in his register. Not like crazy falsetto notes, just nice sustained chest notes!

Dear Sean Coxen; Thank You Very Much indeed for this so wonderful contribution concerning my so wormly loved husband Kammersänger Prof. Günther Leib!! You may perhaps have experienced that he died nearly 97 years old in his second hometown Dresden at 05.03.2024!! I go nearly every day to his grave (when I have died - our both grave!) - together with a photo of himself and a cd-player to listen to His so wonderful singing voyce! This is my only comfort!! With best wishes for the comming Christmas and the new year 2025! Adelheid Leib

Now I know who set the bar to Big Chief, and of whom he took his singing style

It doesn't get much better than this.

Blaktacular & Powerful Voice Indeed

As much of a jazz person that I am when it comes to this era, the Carter Family had a unique sound that no other country act had. A 78 of this came up for sale and not for an arm and a leg so I snapped it up. Sounds so awesome on my modern turntable.

The whole notion of key transposition becomes tricky when dealing with music that is centuries old. The pitches of notes were not standardized until the late nineteenth to early twentieth centuries, with lots of regional variation before that. On average, though, they were roughly a half-step lower than today's standardized "concert pitch." What is called a "transposition" in this video, then, may not be too far off the mark from how Mozart would have heard it.

My favorite bass singer

For my Brother Jerry Goodwin. I really miss you.

Greindl was a genius!

Krása aria

Kudos also to whoever did his hair on this! That's a bit creative!

milá Milada!

Niemals so schön gehört.....

2:05 aria starts

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1001in1000days.blogspot.com/2012/08/816-youre-gonna-miss-me-1937-lulu-and.html

This man was my Uncle , we lived down the street from him in Dallas on Wilbur street in the 1960's . I remember several friends of his would come and sing with him even though he was bed ridden from his car accident .

just wow

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It is not a folk song in the strict sense but a early music hall song (1850s?)composed as a North- East alternative to Polly Perkins of Paddington Green which has the same tune. It is probably better known in the North East than Polly Perkins is in London these days Owen Brannigan does the song proud, as North Easterner.

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Sean, what a treasure! How did you dig this up?

Отрада для Души эта Гармония Высших Сфер ! Благодарю 💙

Ursula Schroeder Feinen Splendide Meteore Helas ! Helas !Helas !!!!

Huge voice, beautiful voice. A pity I cannot find her Lady Macbeth and Turandot

Grandissimo Soprano

good days of music and harmony go for monroes DREADGOD

Божественно!

I love this song with the Carter family, as well as the version with Woody Guthrie, Cisco Houston and Bess Haves kzbin.info/www/bejne/eaPWaJKup62qasUsi=jEjT8CN3MEk3Y3iR

Can anyone put a date on this recording?

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św. pamięci Yuri Mazurok, to najlepszy Oniegin

Grandissimo Soprano

His German-language duet with Marti Talvela in the Grand Inquisitor's scene from "Don Carlos" is hair-raising! Now, THAT would have been something to see on stage! It's also on YT.

This is a very good version of this opera.

Magnifique ..quel talent il avait cet homme

Wundervoll ❤

18:09 Ó zraku

This is simply a masterpiece

2:16:10

Underrated treasure, bravo

Для Викторины 1 ДЕЙСТВИЕ Ария Мельника - 7:53 Терцет, начало - 15:51 Терцет, "Ах, прошло то время" - 16:12 Терцет "Ласковым ты словом" - 22:06 Хор "Ах ты сердце" - 25:02 Хор "Заплестися плетень" - 27:40 Хор "Как на горе мы пиво варили" - 29:20 Дуэт Князя и Наташи 1 раздел, речитатив князя - 31:30 Дуэт Князя и Наташи 1 раздел, ариозо Наташи - 32:37 Дуэт Князя и Наташи 2 раздел, речитатив князя - 34:16 Дуэт Князя и Наташи 2 раздел, ариозо князя - 34:34 Дуэт Князя и Наташи 2 раздел, ариозо Наташи - 36:02 Дуэт Князя и Наташи 3 раздел, речитатив Наташи - 37:52 Дуэт Князя и Наташи 3 раздел, ариозо Князя - 38:35 Дуэт Князя и Наташи 3 раздел, речитатив Наташи - 40:00 Дуэт Мельника и Наташи, 1-е ариозо Мельника - 41:58 Дуэт Мельника и Наташи, ариозо Наташи - 44:50 Дуэт Мельника и Наташи, 2 ариозо Мельника - 46:47 Дуэт Мельника и Наташи, 2 ариозо Наташи - 47:23 Хор "Ах ты, поле" - 49:01 Финал, речитатив мельника - 49:28 Финал, ариозо мельника - 50:41 Финал, речитатив Наташи - 54:24 Финал, ариозо Наташи - 55:05 ВТОРОЕ ДЕЙСТВИЕ Финал: Хор "Сватушка" - 1:19:57 Романс "По Камушкам" - 1:22:08 Ариозо Княгини - 1:25:05 "Жалобный Стон" - 1:30:25 ТРЕТЬЕ ДЕЙСТВИЕ: Речитатив Князя - 1:51:55 Каватина Князя - 1:53:40 Дуэт Князя и Мельника, речитатив "Здорово, зять" - 1:57:58 Ариозо Мельника - 1:58:31 2 Ариозо мельника - 2:00:13 3 Ариозо Мельника - 2:02:55 Дуэт "Ах, сердце рвётся" - 2:06:28 ЧЕТВЕРТОЕ ДЕЙСТВИЕ Финал: 2:21:30

Thank you for sharing this all those years ago! I was shuffling through KZbin trying to find a good recording of this piece, and this was the first one where the voice seems to fit perfectly. Most singers seem to perform this with such exaggerated vibrato that I can hear no emotion behind their voices. Novák nailed it on the head, I'd say!

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