@ilyask5078 i actually did not take a pic of it but mainly i remember the settings.. both channels are turned on, the right side is setted on a really mild drive (volume pot around 9 o'oclock) while the master is around 3 o'clock. The left side has the bright and nornal channels linked by the switch while volume and master are setted on midday. Both the channels are setted up on the highest dyanamic settings (left is 103 and right on the boost mode, not overdrive). Presence and basses pretty high on the pedal and all eq really depends on your pick ups and amp. In front of the hi power i also had a cs2 compressor for helping me with the sustain. Then, volume pot on your guitar does the trick of the super bending in that famous phrase. I actually play almost all the solo with volume pot around 65% and it goes full only in that bending, helping it with the sustain! Hope it helped ❤

Grazie ❤

@@Theelectricguitarmystery Thanks so much✌️👍♥️

😍😍

Diodes switch both on the right side, fuzz at full power and volume at 12 o'clock.. then i just play with the volume pot on the guitar

Thanks 😊

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Grazieeeeee ❤

Thanks!! 😊 my chain here is this: gtr - cs2 (gl) - b.k. Tube driver - vintage russian big muff- vintage electric mistress (v2 1974) - a clean boost for raising up the volume drop caused by the old electric mistress - strymon volante. All goes, in this case, into a blackface deluxe reverb. The most important thing I might you suggest is to find the perfect combination of gain between the tube driber and the big muff. The tube driver works only as a light boost to push more the big muff. Insuakky set the tube driver like this: volume 9 o'clock, eq all flat and the drive only 4 or 5 notch from the zero. This gives only more structure at the global sound emphatizing the harmonics of the pretty dark big muff sound. Hope i was helpfull

sorry for the late response! the volante was setted up in tape mode with the only central 4 head turned on. Mechanics and Wears pretty much in midday position, rec level almost at zero while the mix pot in 1 o'clock position.. then for the tempo I used the tap tempo button!

Thanks a lot!!

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Hello thanks a lot.. sorry i am answering from another profile. The eq settings on the deluxe reverb are bass:3 treble:5-6 and always playing it on the clean channel. Volume around 5

@blueshadow Thank youuuu 😊 on the marshall i go into the normal channel which is bridged to first one. Pretty low gain and presence,then it depends from your pickups the eq settings 😉

Scusa la risposta tardiva! Per gilmour usa un ampli che abbia caratteristiche prettamente clean. Quindi si, di sicuro un fender è una perfetta piattaforma, io personalmente uso o un deluxe reverb blackface o una testata e cassa bassman del 76. Consigliatissimo per lo scopo é il bassman combo 4x10. Gilmour usa un mondo di pedali di gain, quindi devi trovare il giusto compromesso tra il pulito dell'ampli ed i tuoi pedali.Spero di esserti stato utile😊

@@Theelectricguitarmystery Sì nel frattempo ho preso un Fender twin amp che ha bellissimi puliti e poi chiaramente uso diversi effetti quello che mi dà più soddisfazione è sicuramente il muff Green Russian

@EddieZep grande, il twin è un ampli fantastico ma difficile da tenere a bada per la sua potenza ahahaha.. p.s. dai un occhio all'ultimo video che ho pubblicato, restando in tema Gilmour 😍

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Thanks brother! I own something like 10 differents fuzz pedals and this stays first forever, is super versatile while the down size is the germanium diodes sensibility, i went for a summer gig last year and could not use the pedal because of the weather (too hot). Neither the bias pot solved it! Into a fender amp, especially in my vintage bassman with 2X15 cab, it's simply a dream sound totally worth the price!