Auckland Philharmonia

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@ギロロ曹長 7 күн бұрын

ほぼ直立不動で女の子が演奏してるのも良いですが　カンフー映画みたいに全身で叩くところが面白かったです　この曲が好きなので　お続けください

@G.TranscriptionsAndDidactics 13 күн бұрын

Bernard hermann prenderà esempio dalla magnifica e futuristica musica di puccini...

@alexandergushchin5475 26 күн бұрын

Хорошая Посредственность

@UrsulaPainter Ай бұрын

DeFalla's "Three Cornered Hat" is one of the finest examples of programmatic orchestral works of the earky 20th century. The performance was spirited and extremely well-executed!

@wric01 Ай бұрын

Ban the coffers to the back of the room.

@Pavel_Okhotnikov Ай бұрын

Слава гремит ртубой За Дунаем-за рекой! По горам твоим Балканским Раздалась слава про нас!

@BernardSAUSSAIE Ай бұрын

____________________________________________________________________________________________ *Commentary of Leonard Bernstein on the performance given in 1981 with the Bavarian Radio Chorus and Symphony Orchestra.* Peter Hofmann : Tristan - Hildegard Behrens : Isolde - Yvonne Minton : Brangane - Bernd Weikl : Kurwenal - Hans Sotin : King Marke - Heribert Steinbah : Melot - Thomas Moser : Sailor - Heinz Zednik : Shepherd - Raimund Grumbach : Helmsman. 00:01 But Bernstein felt it would be tricky to play it from the outside at the Herkulessaal. 02:21 That’s why I sat up high on the edge, behind the soloists. 04:48 This gave me a certain prominence. 07:21 I was a remarkable experience to be so young in such an orchestra 10:00 with such a conductor, to get the chance to play such a piece. 12:45 I am so thankful for this to this very day. 15:36 A singular composition. 15:42 No other work in the world, no other work by Wagner, is like 'Tristan und Isolde'. 18:53 Nothing is as intense 22:11 with music alone explaining 25:35 and transcending everything. 29:06 I had the feeling he was like Tristan: 32:45 He felt all this love, suffering and longing. 36:30 I believe longing played a very important role in his life. 40:22 He was always searching for the path 44:21 to God, to happiness, to love. 46:45 I am also certain he had a lonely side. 50:58 This constant need for a large entourage, to be celebrated was definitely also his escaping, fleeing from loneliness.

@BernardSAUSSAIE Ай бұрын

______________________________________________________________________________ *Commentary of Leonard Bernstein on the performance given in 1981 with the Bavarian Radio Chorus and Symphony Orchestra.* Peter Hofmann : Tristan - Hildegard Behrens : Isolde - Yvonne Minton : Brangane - Bernd Weikl : Kurwenal - Hans Sotin : King Marke - Heribert Steinbah : Melot - Thomas Moser : Sailor - Heinz Zednik : Shepherd - Raimund Grumbach : Helmsman. 00:01 That is actually the greatest solo for this instrument. 01:01 You practice it and study it closely in school. 01:49 Of course it was wonderful to have the privilege of performing it with Bernstein 02:02 as a young orchestra player. It was unbelievably exciting. 03:03 She played it so very well 04:04 that she received tremendous ovations and had to take a bow. 05:05 In the Munich section of the 'Süddeutsche Zeitung' 06:06 they reported details about her career and how wonderful this solo was. 07:07 I had a special place to sit, away from the orchestra. 07:08 The score says you should actually play it backstage.

@BernardSAUSSAIE Ай бұрын

__________________________________________________________________________ *Commentary of Leonard Bernstein on the performance given in 1981 with the Bavarian Radio Chorus and Symphony Orchestra.* Peter Hofmann : Tristan - Hildegard Behrens : Isolde - Yvonne Minton : Brangane - Bernd Weikl : Kurwenal - Hans Sotin : King Marke - Heribert Steinbah : Melot - Thomas Moser : Sailor - Heinz Zednik : Shepherd - Raimund Grumbach : Helmsman. 00:01 Musicians of Vienna, are you there? Did you play? - Play now, please. 00:06 'Tristan und Isolde' came in 1981 already, 00:34 but spread across the whole year. 01:06 Act I in January, Act II in April. 01:40 And Act III in November. 02:17 'Tristan' is usually not played by a concert orchestra. 02:57 I had never played 'Tristan' before. 03:42 The orchestra was anticipating it very keenly, 04:30 with high expectations. 05:23 It was really a major event. 06:19 At first we thought: Is this a smart move? 07:32 He’d never done 'Tristan' before, was just learning it. 08:49 He openly admitted it. 10:09 Many colleagues often played at Bayreuth, but I wasn’t one of them. 11:31 But they said: Oh, God! He hasn’t got a clue. He is not familiar with it at all. 12:58 He wanted to do it with an orchestra that had never done 'Tristan'. 14:31 Because he knew: it’s not in their repertoire 16:09 and I can put my stamp on it - and he did, too. 17:53 He’s a singularly well-known figure in the world of music. 19:44 He’s constantly booked out. 21:39 Bavarian Radio is proud to finally be able to do this major project with him. 23:37 It’s an adventure to do this 5-hour 'Tristan' 25:39 three times in one year, with united forces, says Bernstein. 27:44 There’s hushed silence when he speaks, as at the press conference. 29:53 And a long monologue ensues. The maestro from the personal side. 32:05 I apologize that I’ve lost my voice. 34:21 I’ve sung so much this week, more than the singers. 36:41 Because I always sing along, even in orchestra rehearsals. 39:08 We’ve had an exhausting day. 41:41 But so inspiring and wonderful 44:20 that I’m flying just now. 47:05 We focused intensively on one act, it was like a concert. 50:06 It was a process of getting into 'Tristan', at first only Act I and so on. 53:12 The suspense kept building. 56:23 Breaking it up into three acts 59:37 allowed him to choose tempos which wouldn’t work in normal productions.

@msquaretheoriginal Ай бұрын

T-34’s thundering across the steppes.

@davidrowe1004 2 ай бұрын

Excellent tempo for the finale!

@martym.3685 2 ай бұрын

What was the encore?

@amynadel9639 2 ай бұрын

What a beautiful performance, thanks

@hanshoning9529 2 ай бұрын

我住在歐洲，飛去倫敦，柏林，都是為佐聽此曲。現在看到在香港的青年，也能演出如此深度的一曲。真是了不起。在開始時可以較大聲些，在2:00和12:10 演得非常之出色，不輸外國的交響樂隊。香港青年加油。

@GodlessManitoban 2 ай бұрын

Thank you.

@wangiris5050 3 ай бұрын

Nice😂

@melomano0077 3 ай бұрын

La grandeza de esta gran obra brilla una vez mas en esta hermosa versión. Gracias por compartir.

@mercedeseugenia1923 3 ай бұрын

Hermosa versión

@АлександрШвайнштейн-м3с 3 ай бұрын

Высший класс!

@JuneLee-e5b 3 ай бұрын

05:48

@a.steinkeller7048 3 ай бұрын

Wobble city

@ssga_tgbuddy3082 3 ай бұрын

It's really like watching a beautiful beautifully shot movie and not a single shot.

@1jx5h 3 ай бұрын

Jeff Porcaro used this technique, thanks for showing us this. Also when I started playing drums this was the first drum beat I learned and I tought the drumset was meant to be played like this: