These are vocals from different sample packs. Can be found on loopcloud or splice.

I listened to it, cool tracks, I’ll try to do something.

Thank you for your feedback. Listen to the track Yanamste - 8 Tone.

Of course its not same 😂

@@ivsticet5487 why he would like to do the same track? XDXD

@@yokaidj its looks like same track for begginers for me its not same 😅

@@fabfilterabidin of course adrew has skills its better if he using all this skills for self 😅 yanamastes tracks has much more drive than just kick and tom and some clapss 😅😅😅 its all

Glad you like it )

Marcal and Chlär pleseeeeee

Yes, there is a reason. I used to always rely on Ableton's compressor. But one day, I realized that I lacked control over attack and release. That’s when I started using LFO Tool. This plugin controls the volume envelope, allowing me to customize it individually for each track and find the envelope shape that provides the desired groove. When you use a compressor for this, the signal's volume changes depending on the incoming signal from the kick. The Gain parameter in Utility serves as an alternative to the LFO Tool plugin. It allows me to create a ducking effect independently of the kick. For mid and high-frequency instruments, I use sidechain compression. However, with low frequencies, I need maximum control, so I manually automate the Gain parameter in Utility.

@@AndrewNitts thanks for the reply mate, but the stock ableton compressor has the attack and release nob in it right? or do you feel like you want more control than the predefined ones

The Ableton compressor has attack and release settings that allow you to control the ducking effect. I use it, for example, with 16th-note shakers. In the case of the bass, I need the ducking effect to activate before the transient of the kick appears. In other words, the bass volume decreases first, and then the kick plays.

From my original sample pack "Sample Pack 4 - Effects, Noises, Random Sounds"

This is my original sample pack. Coming soon on patreon. It contains 100 different loops, with different textures, timbres and rhythms. For this method of creating a synth, you can use any available sound, for example from the ableton library. The main thing is to find a sweat spot.

Because I don't speak English well. In the process of studying.

@@AndrewNitts Like me! lol I am french

Ahhh, I saw this method on another YT channel but didn't understand the benefit. thanks @jimmywheelo

grande jxxxo vuelve a chile te manda saludos el oshimba

el reeeeeyyyyy

Ableton Live 11.3.30

Glad you liked it, thanks for the feedback. How did I make the intro? I searched KZbin for “Retro CGI or 90s CGI” with creative common rights. And I use small fragments in my videos.

Делаю. В этом треке использую другой способ для ducking эффекта, автоматизирую параметр gain, что бы найти подходящий грув и освободить место для kick. На видео 00:03:39. Сайдчейн компрессию использую на 16th HH и perc 1, где мне не нужен более расширенный контроль над огибающей громкости.

Glad you liked it!

Thank you for your feedback, I'm glad you enjoyed it.

I use tonal balance control from izotop. It is divided into four ranges. For kick, the dominant range is "low", then gradually decreases to high. I go through a lot of one shots to make a kick that will have punch and clean low-mid range. In the video I do not show this process, i only recreate a ready-made template. Usually, it takes me 30 to 60 minutes to do a kick this way. When all the track elements are added, I can modify the kick to remove conflict, adjust frequency balance, or add transient. I can only select a note for the kicka sub component, below 80hz. Yes, it comes with experience, after many attempts. I listen to a lot of one shots, and from each I choose the frequency range that I need.

@ right, it came to my mind that you were recreating something you made earlier, it still is very useful. Thank you

Glad you like it)

Glad you like it!

I am glad it helps you learn and understand better. 😊