respect to the effort you put into editing this video

Wonderful pieces❤

1917年でもこのようなルバートの弾き方をしていたわけか...なるほど...正しさが廃れていくということなのだろうか。

His performance changed my life.

Esta obra de brahms es como un regalo para el alma, son súper-bonitas

Beautiful! Piano needs tuning please:-)

Although it is hard to tease out from the recording quality, this recording is old enough that the pianos still in use at the time -- maybe even for this recording -- may have differed significantly from the pianos of today, although I think completely modern pianos had already appeared.

Tried to. Google to search a song...idiots apparently haven't unloaded this one...or other classical...not too schooled..

No. 13 reminds me of Scriabin's prelude op 11 n. 6!

I saw this live by a pianist called viktor maslov about 6 months ago. It was astonishing. I was privileged to hear it at just 16.

paranoia in si minore

This video is a gift. Wild was a superlative pianist.

That Kempff bit sounds like the way I played it at my student recital. :)

This video itself is a great minimalistic piece

Glory to Lord Jesus Christ ❤

song name?

Magical, pure love. Nobody like cziffra. May his soul reincarnate again

The title should have been Gounod/Liszt/Cziffra...

All of this technology couldn't preserve the OGs 😢.

Simply beautiful, love how Cziffra is calm and composed here ;)

All Steinway

Dat szymanowski's is wild

❤❤Thank you so much

I love Godard

Moravec is so underrated.

Inmenso MAH

those polyrhythms remind me of popping corn

It was Cziffra, and the others.

I had played that Rhapsody. It starts dark and diabolical at the start, loving and sentimental-y romantic in the middle, and then more agitated and martial, and finally, extremely satanic with the low Bb octaves at the final measures marking a very hellish doom. It should be called "The Mephisto Hungarian Rhaposdy" for this reason.

Ah mais il fallait les mettre en sextolets les octaves!!!!!! C'est trop lent on a le temps !!!!😂😂😂😂

La cosa incredibile è che la qualità musicale, anche se sono denominati esercizi, è sempre straordinaria. Brahms è uno dei più grandi compositori di tutti i tempi.

さすがHamelin...

She’s really good at playing the piano.

Scherzo no. 4, op. 54 (1842) 28:07 scherzo - 28:07 part 1: E major --> B major - 28:07 introduction theme (1.1): B7 - 28:11 theme 1 (1.1): E major - 28:20 introduction theme (2.1): B7 - 28:27 theme 1 (2.1): E major --> A major - 28:36 introduction theme (3.1): A major --> B major - 28:56 theme 2 (1): B major - 29:15 codetta (1): G-sharp minor --> B major - 29:28 part 2: A-flat major --> B major - 29:28 introduction theme (4.1): D-sharp7 - 29:31 theme 1 (3.1): A-flat major - 29:40 introduction theme (5.1): G-sharp7 - 29:48 theme 1 (4.1): C-sharp major - 29:57 theme 3: C-sharp major (1.1), E major (2.1) - 30:23 "6/8" section (based on introduction theme): B major (1) - 30:38 part 3 (part 1 reprise): E major --> B major --> C-sharp minor - 30:38 introduction theme (1.2): B7 - 30:42 theme 1 (1.2): E major - 30:51 introduction theme (2.2): B7 - 31:00 theme 1 (2.2): E major --> A major - 31:08 introduction theme (3.2): A major --> B major - 31:20 transition to trio (based on theme 3): sets up C-sharp minor 31:35 trio: C-sharp minor - 31:35 introduction (1) - 31:45 trio theme (1): C-sharp minor - 32:36 trio theme (2) - 33:19 rhapsodic episode: G-sharp7 --> F-sharp major --> F major - 33:58 transition: B-sharp diminished - 34:12 introduction (2) - 34:21 trio theme (3) - 34:50 "sunrise" progression: ends on B pedal point - 35:36 B pedal point 35:47 scherzo reprise - 35:47 part 1 - 35:47 introduction theme (1.3): B7 - 35:52 theme 1 (1.3): E major - 36:01 introduction theme (2.3): B7 - 36:11 theme 1 (2.3): E major --> A major - 36:20 introduction theme (3.3): A major --> B major - 36:40 theme 2 (2): B major - 36:59 codetta (2): G-sharp minor --> B major - 37:10 part 2 - 37:10 introduction theme (4.2): D-sharp7 - 37:15 theme 1 (3.2): A-flat major - 37:23 introduction theme (5.2): G-sharp7 - 37:30 theme 1 (4.2): C-sharp major - 37:39 theme 3: C-sharp major (1.2), E major (2.2) - 38:05 "6/8" section (based on introduction theme): B major (2) 38:15 coda - 38:15 part 1: sets up B pedal point - 38:32 part 2: B-C trill pedal point (similar to beginning of scherzo reprise) - 38:53 theme 1, final iteration: E major - 39:03 part 3 (uses theme 1): E major

Scherzo no. 3, op. 39 (1839) 20:37 introduction 20:57 scherzo: C-sharp minor --> D-flat major - 20:57 theme 1 (1): C-sharp minor --> E major - 21:12 theme 1 development (1) - 21:34 theme 1 (2): C-sharp minor --> D-flat major - 21:55 theme 2 (1): D-flat major - 22:35 theme 2 (2): D-flat major - 23:08 interlude: A-flat major --> G-flat major - 23:34 theme 2 (3): D-flat major --> B-flat minor - 23:58 transition (1): B-flat minor --> C-sharp minor 24:34 scherzo reprise: C-sharp minor --> E major - 24:34 theme 1 (1) reprise - 24:49 theme 1 development (2): resolves to E major - 25:11 theme 2 (4): E major - 25:48 theme 2 (5): E minor --> F-sharp minor - 26:18 transition (2): F-sharp minor --> G-sharp pedal point 26:35 coda: C-sharp minor --> C-sharp major - 26:35 part 1 (uses theme 2): G-sharp pedal point - 27:01 part 2: C-sharp minor - 27:38 surprise ending (hints at theme 2): C-sharp major

Scherzo no. 2, op. 31 (1837) 10:22 scherzo: B-flat major --> D-flat major - 10:22 theme 1: B-flat major (1) - 10:55 pentatonic theme: D-flat major (1) - 11:05 theme 2: D-flat major (1) - 11:57 theme 1 (2) - 12:31 pentatonic theme (2) - 12:40 theme 2 (2) 13:33 trio: A major --> B-flat minor - 13:33 hymn theme: A major (1) - 14:26 2-voice theme (1): C-sharp minor --> E major - 14:52 leggiero theme: E major (1) - 15:10 hymn theme (2) - 16:09 2-voice theme (2) - 16:35 leggiero theme (2) - 16:53 transition: E major --> B-flat minor - 17:07 2-voice theme (3): B-flat minor - 17:23 pentatonic theme reappears: E major --> B-flat minor - 17:39 2-voice theme (4): B-flat minor --> F pedal point 18:14 scherzo reprise - 18:14 theme 1 - 18:48 pentatonic theme - 18:58 theme 2 19:51 coda (pentatonic theme reappears): A major --> D-flat major

1:06:57 This is played so nicely

Folks, go to Liberace, Carmen Cavallaro, Derek Paravicini, etc and be wise, learn to play ad-lib and get weaned of your sheep music obsession.

Thank you for putting this on KZbin. My mother was a music teacher and Chopin was one of her favorite de-composers. She would frequently play his music when she wasn't teaching piano lessons.

Hamelin scriabin is so mid

überbased upload

Really beautiful

It was said that Cziffra had a short stint with Jazz Piano as well

thats indeed special

Что-то есть уникальное в том, как Цыффра исполняет Баха. Это не холодный космос, не молитва. Это жизнь, его жизнь.

15:11

Fantastic!

I was wondering when ppl were gonna get around to turning this dude’s now public domain Hyperion recordings into score videos like the Scriabin or Medtner sonatas

Thanks so much for the upload!!! Hamelin's playing is perfect, but not in a robotic way. I love it! 😍