"The Internal Clock out is also an input as well as the square wave LFO out is an input too." That's good to know. Is that as per the original 2600 specs?

@@Richard_P_James Hi, thanks for the question. It actually is the same on the original. It is a really finicky thing to set up as you need to get the jack just right to make it work but when it does it is like magic! So it needs to actually touch both neg and pos terminals but not puched in all the way. Let me know how you make out with connecting this. Cheers

Have you solved it? I have the same hardware and haven't explored the syncing abilities between them that much yet. But a couple days ago i f-ed around with trying to sync the 2600 clock to the keystep or my rd-6 (those two were already synced together on the same clock) but i didn't succeed. :-/ The 2600 has two obvious clocks, right? The S&H clock with all the clock inputs and outputs that seems very obvious and user-friendly when looking at them. Then you also have the LFO that doesnt seem to have a clock-input but it does have gate and trigger outputs. My first thought was doing something like this: Use the LFO as my main clocksource and send a gate/trig signal to the S&H clock input and then use the S&H clock out to connect the other hardware i want on the same clock. That way my drum-machine, keystep and both clocks on the 2600 would use the same clock. My thought was that it would be fun and a easy way to explore the possibilities when they all use the same clock. I didn't get it to work at all though. Rd-6 and keystep was working together fine but i didn't get the 2600 to cooperate with the others at all. I tried everything i could think of, trying with the 2600 both as master and slave and i tried the 3,5mm sync ports, the midiports and i couldn't even sync the lfo with a beat. I really didn't get anywhere with it but i wont give up 😊. It's probably very easy and obvious when i figure it out. The only tip i have for you is to remember the software for the keystep and all the settings you can change there. I have to connect my keystep to my computer and change some settings whenever i switch between using it with my modular and my ms-20 for example. The gate-settings are different and different synths needs the keystep set up differently. If i use keystep with my modular and then try to connect it to my ms20 it wont work at all because the gate works backwards so whenever i press down a key the ms20 gets silent. Very confusing if you're not aware about the gate-setting you have to change 😊. It's possible that there is a similar issue for me with the 2600. I dont know. Yet... Your comment was made a month ago though so i guess you are past this already? In that case, how did you do?

I got this to work by setting the keystep to external sync mode with the switches in the back. I then sent the keystep a clock signal to its sync in port and connected the clock out of the keystep to the EXTCLKIN on the 2600, pushing it in half way as described. Everything worked. I haven't tried with an external midi clock, only gates but it should work

He, basic värkit.

I'd also really like to know how to do this. How can I send the a sampled Lfo square pulse one cycle to the INT CLOCK from Ableton clock? Could I use a beatstep or my uad interface?

Yes, it is A-103 not TB-303. Different oscillator, different envelope, but it sounds really nice.

The filter sounds just like a 303 to my ears.

It's pretty simple. I usually use the note F-1, or the lowest possible note. It gives the best end result in my opinion. In some cases, if, for example, the analog osc wobbles too much, it can be a problem or if the tuning meter can't find a note. The good thing about Dimesion is that it directly reads wavetables saved with Serum. In the video, I used an analog oscillator that goes through the MXR-Flanger. Rec on and I manually turned the modulation of the Mxr flanger and its length was approx. 256 cycles. I recorded a few times to get the length right. If there is an FX where the job could be done with midi or CV, it would be easier. However, the MXR is a guitar effect.

An addition to the previous one. After the recording, I read it into Serum and checked that it was running "wrong". After that recording, transfer to SD card and read Dimesion.

Studio One, joku oma setti.

Hi, The process was quite simple, first I did the drums & percussions, then the basses and finally the lead sounds. Recorded one track at a time because only B 2600 was used. It took about 4 hours and it would be boring to watch.

Thank's Juba.

In that demo, I used a sampled Lfo square cycle. The reason was that you can rhythm better. You can also use the 2600 gate out at the left. But, then you are tied to a note pattern. Of course you can also try having a drum machine, rimshot could work. "And if I'd double the number of claps (or whatever) = double the speed?" = Yes.

Yes, that's right. Siinä on se etu, että voit nopeuttaa synkkausta tai hidastaa tarpeen vaatiessa.

Sure you can take electro switch syncan also 2600 gate out -> Ext Clk in. In this case, sync works according to the midi note which is the same as the note gate. Of course, you can get a better control if you take it from a separate track. Then the sync is completely under control and you can do extra tricks.

Yes, I know. (:

Varmaa joku 150cm

@@firel0bster1 Suunnilleen...

Normal separate output output 5 or 6. The advantage of a completely separate output is that you can use a variable clock. In other words, you can rhythm S & Hold however you want.

You can send midi notes via USB or the midi in. You can not send CV inputs this way though. Some sound cards support outputting CV signals with the right software, if they have dc coupled outputs). I mostly use a midi-to-cv modules (such as the expert sleepers module, or in my case a polyend poly 2)

@@rustybrooks thanks man! Your answer is helping me a lot.

An easy way to send CC (filter etc.) data to an analog synth is to obtain e.g. Expert Sleepers etc.

Epic track. 👍😎👍

Kiva kuulla.

In this case, the sync is very simple. The MPC sends a midi clock -> Arturia BeatStep Pro and BeatStep controls -> 2600. My system is pretty complicated because I want it to work in all directions. Depending on what I am doing I use different sync methods. Usually the sync is one of these CV.OCD, Expert Sleepers ES-3 / ES-6, MPC, Beattpes Pro, Stillson Hammer MK 2 or Studop One & Sonic Core Xite-1. Quite often I also do sync with oldschool method of analog or sample pulse analog output e.g. Stilsson Hammer etc. Xite-1 I build various connections also as well as digital modular (Modular-4) I also take different internal modules, including such as shapers osc etc.

@@MrHasardos nice setup....

@@marcob7108 Addition to the previous one. The SH & Hold sync or clock problem can be bypassed with a little patent . Ext Clock in, put the cord only halfway through so you also get the Elec Switch to work.

@@MrHasardos Thank you so much mate, very usefull...

@@marcob7108 Hi, Marco. I made a 2600 sync video. kzbin.info/www/bejne/gIGTf5RppNiJmNE

On iha mut pitää myös välillä korjata ku menee paskaksi mut mikäs siin ku se on kiinan vehe

@@raippi_manki2253 onko helppo korjata?

Itellä on ja ainut vika on että pultit löystyy ja ei muuta​@@Pro-_tonyfn

yes it is monophonic, but produces many different sounds at the same time. It can be a little confusing.

there's more than one oscillator, and they can be used independently

@@respobabs Sure but there's only one VCA and VCF (although with a little ingenuity you can actually cobble together a 2nd of each using other parts of the 2600)

@@Tarzoq All I've done to the motor is replace the carb and it has been running great!

@@Tarzoq It's pretty loud, sounds like a much larger bike. Check out some of my videos where you can hear it.

Hi, no adjustments have been made to this particular module. It was in the video exactly what it came from the factory. Many times when modulating (Phaser / Flanger) it is important that the audio source is suitable. Some work better than others. There is a difference in noise. The Flanger module does the most work in this video.

Moro, itse asiassa yllättävän vähän vikoja. Toki pultteja hyvä aina silloin tällöin hyvä kiristellä. Moottorin virtysaste ei ole kovin korkea joten suhteellisen kestävä ja voisi sanoa, että moottorin suhteen vähemmän huoltamista, kuin oikeissa kisakoneissa. Takaiskunvaimennin kannattaa välittömästi vaihtaa parempaan niin ajettavuus paranee. Se tosin ei ole kallis investointi 50-100€, mutta saatu hyöty sitäkin suurempi. Ainoat "viat" ovat olleet pulttien löystymiset, mikään ei ole mennyt rikki paitsi renkaat, normaali kuluminen. Voi olla, että renkaiden materiaali ei ole vahvimmasta päästä. Ainakaan tässä yksilössä ei mainittavia vikoja, jos hintaan suhteuttaa niin aika hyvä saavutus.

@@MrHasardos kiitos, tosi täydentävä vastaus. Oon itte aatellu ostaa saman pyörän. Kaverilla on samanlaine, silläki oli hyviä kokemuksia.