Hey, probably I should have linked to that! You can find the full file below the video here on the Opusmodus forums: opusmodus.com/forums/videos/how-to-in-100-sec/how-to-in-100-sec-2-r18/

Yeah probably a bug, saying that the environment is 'messy' would be an understatement. I hope for a deeper level of integration in some future update, in the last years it seemed no attention was given at all to this part of Logic.

@@SubjectSound helloo, Great video and very interesting, i have a question; When you make an event for it to jump to the next marker will the session remain in sync (will it wait untill the end of a current bar)?

​@@renesoleana1414 Hey thank you for the question, I'm not entirely sure what you mean with 'in sync' since we're only talking about Logic in this case. I think you are perhaps thinking about Ableton's Launch quantization? This doesn't really apply in this case however since the playback is linear. All the event does is to jump to a marker immediately when the playhead reaches it. I still have to experiment more with the live performing features in later versions of Logic, it's on my ToDo list!

@@SubjectSound thanks for the reaction, well... i know in mainstage with "playback" plugin when you select a certain marker while playing a song it will actually wait till the bar is finished (or snap during a downbeat) therefore you can switch lets say from a verse to a bridge instead of going to a Chorus while retaining the time/tempo

@@SubjectSound I love to work with Logic because of the workflow and interface but its still missing this 1 feature that main stage does have but than again main stage doesn't have such a great work flow for handling projects of lets say 30channels like logic does

Hi David, thank you for your comment, and yes I understand what you mean! Learning Opusmodus will take some time, and you're never really done learning. It's all about exploring, expanding and building on your existing composition knowledge, which made me a much better composer over the years and excites me about all the new things I still have to learn. There have been a lot of amazing additions and improvements since version 2, maybe you can give it a try :)

@@SubjectSound Hello and thank you for your answer. You are absolutely right, I should consider trying version 3. However, moving from one computer to another with different operating systems makes the transition quite complex for me. Have you learned to use Opus Modus on your own? As I mentioned before, there is a distinct lack of simple, concrete examples. We can quickly find ourselves confronted with concepts that are far too complex.

I agree with you mostly actually, especially the extraction which is absurd (playing guitar VS. programming a guitar synth..), it is the one thing which after a while became most frustrating to me about 'electronic' music. Simply having to deal with all of these systems and setups and dependencies, and things that have nothing to do with music in the first place. I've had Logic projects with hundreds of tracks that barely open and crash constantly. On the other hand, I do really want to explore, and see what else we can do as musicians to take our craft further, and to keep innovating. I found that with Opusmodus I can focus much more on the melody, harmony and rhythms, the actual ingredients of music, without having to rely on any plugins or DAW's, much more like composing on paper. And at that point I could just call it a day and have my score to play on piano, or get myself an orchestra. For this video though, since I wanted to showcase some of the possibilities, I took it, arguably, a bit too far. It's not something I often do for my own music, the fun is really in the first step, making the score. To be able to do that with functions rather than having to click around in an often unstable DAW has been the big change for me :) Thank you for your comment!

same D: but its fascinating, parametric song writing :o

Yeah there were not too many changes in the API, will look into it this week. Some object names might have changed

Thank you very much for notifying me, I should change this :) For now you can find all my courses here: subjectsound.com (redirects to Udemy)

It offers a higher resolution than 7bit, due to the usage of multiple channels per performance. So it still confirms to the MIDI standard but uses some sort of workaround, I believe this is how MPE works in general :)

Hi Guilo, Sorry for the late reply, that's an interesting project indeed! First off I should probably redirect you to another video I have on the Transform window, but in here I actually show it in context of the environment window, it's on the channel somewhere. I think it should be possible to connect tracks in the mixer to transform objects in order to send notes when selected, however, in your case I would probably prefer doing this via TouchOSC which already comes with plenty of Logic templates (it includes the whole track selection part) and you could then use an OSC transformer (such Osculator) to transform the message into a note. Think this should be a bit more stable in your specific scenario. Hope that helps a little bit :)

@@SubjectSound thanks for your time. In the meantime I've managed to get what I was aiming for. I've inserted 2 transformers (one for enabling VEPro channels, one for disabling them) in the Environment and set them to send a CC out of Logic to VEPro by playing a note of my keyboard. So ultimately I can select a track in Logic and by pressing that note, I have the relative VEPro channel (which host the actual VST) enabled/disabled. Thanks again mate, I was really inspired by you 😉

@@GiulioPirondiniMusic Wow very cool! It's a great feeling to be at the frontier of knowledge and you're mostly on your own when figuring stuff out, well done!

@@SubjectSound yeah everytime I experiment forcing to go beyond my limits, I feel always excited by the challenge. Btw I made a video on this Midi-quest kzbin.info/www/bejne/aoq6mYOgpsaZmLM Sorry it's in Italian but I guess however you'll find it funny.. 😊

@@GiulioPirondiniMusic hey man where is this MIDI Transformer video? I can't see it on the channel. Maybe I'm being dumb. Am trying to find a way to quantise incoming MIDI notes to a scale/key. It's driving me mad!