There couldn't be a more perfect transition from angelic to magical than is at 3:53

0:17 Ob ich's wage? Ob ich's trinke? Ob's wohl Allah sehen kann?

The man looks like a Roman emperor than a Turkish pasha.

Wo gibt's den ganzen Film?

I don't even understand what's happening in the scene. Is this music actually coming from the video or is it just cut in out of context?

H h h❤

A concise summary of islamism.

It was fun playing bass recorder in this piece!

Every time I hear”Contessa perdono” I get the chills.

Hermosura y alegría musical en su máxima expresión!!!!

Merci pour cette video de prouesse technique comme sait le faire Patricia Petitbon, elle est unique

後宮はこの歌から好きになりました。しかしヨーゼフ二世ではないですが音符が多いですねぇ

I play very well famous violinist💯

mozart in istanbul ❤❤

Gorgeous!!

Nothing is so hateful as revenge, To be humane and kind and selflessly to forgive is the mark of a noble soul “

My favorite part starts at 3:50

ratio + ohio rizz + you're so skibidi + you're so fanum tax

More than 40 years after hearing this opera for the first time, it continues to sound just as fresh.

Had lunch with Roger yesterday in Franklin. He is still writing and producing.. Going to be at Pucketts in Nashvegas on the 24th of this month..

❤❤❤

Rendemption Total rendemption

❤❤❤

2:30 3:25 4:06

Le couple Lynton Aikinson et Péter Rose est extraordinaire, jubilatoire ...J'ai du écouter ce duo près d'une centaine de fois et je ne m'en lasse pas !

Beautiful piece

Alcohol plus women, pretty much about men!

Susan Graham is definitely in far superior voice in this 2003 Gardiner production than in her later performances at the Met, or Eva-Maria Westbroek at the ROH. Overall, the Théâtre du Châtelet staging and direction provides an appreciable degree of latitude that allows for a more fulfilling range of sensitivity and expression, taking into account of course, that the differences between the McVicar and Kókkos stagings are worlds apart and each have their own strengths and weaknesses. Anna Antonacci provides a majestic interpretation of Cassandra that is equally compelling as Jessye Norman's more traditional old-school approach; I pound the table for both ladies. Douglas Ahlstedt was/is sublime in his soul-satisfying rendition of "Ô blonde Cérès" in the 1983 Met Opera production (Norman/Troyanos/Domingo), which was only adequate in the Gardiner production.

Lmao! It's an organ concerto and the organist isn't even visible! Fantastic performance by all, great sound quality in the video, but dude, get a better camera angle! 😂

fun piece, fun group

Figaro for moving is a masterpiece, there is just so much to praise and enjoy. I particularly think Act 2 is breath taking - the finale is unparalleled in its perfection.

The uploader seems to have forgotten to add where, when, who... the quality would deserve the details.

If only the guy who added the subtitles new how to synchronise it with notes

Quel admirable duo !

This is unbelievably cool. I studied songwriting with Jack Segal and l heard him play this so many times and he was so joyful when he played it . Every single time. Thank you.

Where did this particular concert take place?

Where was this performed at?

14th century jazz. Magical, mesmerizing performance by the incomparable Paul Leenhouts.

One of my all time favourites

Was für ein Erlebnis, im Zimmer, wo Mozart geboren wurde zu sein...❤

Osimin's Aria is: O, wie will ich triumphieren

Whoever added the subs is an archloch

Without that moment of absolution, the final Trio from Strauß’ Der Rosenkavalier would not have been possible.

Undoubtedly my favourite production of this masterpiece! Bravo!!

Undoubtedly my favourite production of this wonderful opera. BRAVISSIMO!

Are you saying this beautiful music is real ? This kind of music is heard in Heaven . これほどまでに美しい音楽が現実のものだと言うのか？ これは、天国で聴く種の音楽だ。

I agree, Ted Danson does opera

Stupendo!!!

back in the day when we danced twice a week.....

I hate that film Amadeus, such a goofy interpretation of Mozart himself and a miscarriage of history on many accounts. These hack productions will be lost to time, but the broader majority of Mozart's work will remain masterpieces in their own right, with no need of any silly film production to try and thrust him into the limelight again.