This young man will go far if he hasnt already.magnificent.

Such virtuosity

So warm and human.

This boy amazes me. The. Heiftez of japan, china korea.

Une très belle version de ces 24 diaboliques caprices, pas trop rapide, ce qui permet d'apprécier la beauté du son de son Stradivari.

Thank you so much for this. Julius Schulman was my father and I remember as a very little girl when he was concertmaster of the Little Orchestra Society conducted by Thomas Scherman. I'd never heard this recording and, needless to say, it brings back many memories.💖

Amazing ❤

Thank you for sharing ❤

Grazie! È sempre una meravigliosa sorpresa

Galamian students at Curtis Institute in the late 1940s. Canadian citizen born in South Africa.

Who is concertmaster??

Do you have date of the recording? I know that years ago a vidéo of them playing the same was available on KZbin. It impressed me so much to see how Accardo looked to enjoy playing it and how it was easy for him.

no sound?

Tschaikowsky concerto

Heifetz looks the same here as in the 1950s

瀛蔵 👺 °° ° °° ° ° °°° ° ° °° ° °°° °°°°

You learn so much by just watching!

Yes but does Rosand sometimes have violent thoughts about savaging Bernstein with the bow for going too fast in some places? It's difficult to overlook and yet we fight so as not to allow this to spoil our encounter with soloist's interpretation.

My Bartok headache is back 😂

Qué alucinante❤❤❤. Qué bonita obra. Extraordinaria y una ejecución magistral. ¿Año de composición? ¿E interpretación? (Por expresarlo de algún modo, diré que está sonoridad está entre SHOSTAKOVICH, Ravel y Ástor Piazzolla y otros genios. Por momentos parece jazz, tango, música española, Jánacek, Chausson y tiene mucho de BARTÓK). Cuánta expresividad. Extraordinario registro. 👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽

What's wrong with the first few bars of the 1st movement? They were missed.

I love ur videos

Just one word: Superb.

there is some very special magic in Zimbalsit's playing of slower tunes. It has a beautiful flowing line and a simply beauty of expression. His bow is connected with the string in the most unforced way imaginable (not lacking this 'clinging to the string 'as Kubelik and other Sevcik students did). After a while of listening to his playing, my arms relax and I loose all unwanted tension, that had been building up from my own viola playing and I feel physically freer again! It would be interesting to know if other string players have a similar reaction......

This must be the most remarkable recorded document of 19. century violin playing!. At the time of this recording,Musin's playing had not deteriorated as it happened in the case of Joseph Joachim. We get a clear picture of the sound, vibrato and left hand facility of a great 19. century performer.

From Wikipedia: It was premiered on 1 December 1935 at the Teatro Monumental in Madrid, by the French violinist Robert Soetens and the Madrid Symphony Orchestra conducted by Enrique Fernández Arbós.[1] Prokofiev wrote it after the first performance, by Soetens and Samuel Dushkin, of his Sonata for Two Violins, which pleased him greatly. Dushkin had recently had a concerto written for him by Igor Stravinsky, so Prokofiev did the same for Soetens.[1] Prokofiev was on a concert tour with Soetens while he was working on the concerto, and later wrote, "the number of places in which I wrote the Concerto shows the kind of nomadic concert-tour life I led then. The main theme of the 1st movement was written in Paris, the first theme of the 2nd movement at Voronezh, the orchestration was finished in Baku and the premiere was given in Madrid." The Spanish liked the premiere so much that they sent a delegation of musicians to thank Prokofiev afterwards. The first two British performances of the concerto were again with Soetens: in 1936 under Sir Henry J. Wood, and in 1938, under the composer. Soetens played the work many times, all over the world, concluding with the premiere performance in South Africa in 1972, when he was aged 75 (he continued appearing in public until age 95, and died in 1997, aged 100).[1]

Is this his QE Comp recording?

Superb! Prokofiev wrote his Second Violin Concerto for Soetens, which was premiered in Madrid on 1 December 1935, under Enrique Fernández Arbós. -Wikipedia

I just bought this record, UK press, 1958. At the Salvation Army for less than a dollar. Stockholm,Sweden I wanted the more catchy No 3. But nice copy. Maybe can trade it in. Super condition .. So here I am!

Thank you for putting these recordings on youTube. In the Pearl CD set 'The history of the violin', Petchnikov is only represented by the two Nardini movements (in my opinion his weakest of these 5 recordings) The D'Ambrosio, and Vieuxtemps are more convincing, somewhat limited in expression but charmingly played. Petchnikov was a favourite artist of the Berlin audiences in the early 20.century. His violin playing style very obviously belonged to the 19.century. That he could successfully compete with the greatest violinists of his time, such as Kreisler, Zimbalist, Elman, Thibaud and Heifetz remains a mystery to me.

A Wonder.....BRAVO from Acapulco!

Always a treat to hear the artists of previous eras, now long forgotten, play these gems.

Wow. Thanks for this, person who posted! Thank you for the lessons, Miss Pardee and Mr. Garvey! I will never forget either of you.

Sensatioonal & Gorgeous....BRAVI from Acapulco!

Un son plein et une belle justesse surtout dans les harmoniques. Je n'ai pas reconnu à partir de 11.20 et jusqu'à 12.45 la Carmen fantasy de Sarasate qu'on est habitué à écouter à partir de 11.20 jusqu'à 12.45.. Quelqu'un aurait l'explication ? .

Amazing to find this! I studied with Preuss when he was 86 years old. It's amazing to see him so young. Thank you!

The world premiere -- or at least from that series of concerts in Mandel Hall. Recorded by WFMT. This was issued directly by the CSO in its "Soloists of the Orchestra" series. The disc couplings included Korngold, Elgar, and (!) Boulez.

Une belle version de cet hollywoodien concerto . Merci Hector.

Complex Mesmerizing Difficult Rare.....BRAVO from Acapulco!

Just wonderful playing of a lovely work, rarely heard. Beautiful tone you are able to extract from your instrument.

Gorgeous.

An excellent violinist. Magad was Concertmaster of the CSO for many years. Thanks for sharing this one.

uai, gostei! achei que ia sentir aquele tédio de música forçosamente folclórica* recheada de harmonia pra bacana ouvir e sentir-se orgulhoso com seu ato de nacionalismo """"""tupiniquim""""""" encontrei algo autêntico* e significativo*. gostei muito! *= em sentido meu e limitado

What an amazing performance!

Does Lola Bobesco descendant of Rumanian aristocrat and philanthrope Elene Bobesco?

Grazie!

A splendid violinist, performing under such pressure! I am surprised, that I can't find any other recording of his on KZbin. He seemed to be head and shoulders above many of his more famous contemporaries.

Beginning sounds like Stravinsky's Histoire du Soldat.

What a marvelous interpretation!

Grazie!