Love the tricks and how they go perfectly with the music . Love the dance that comes into play~
@gaberiallaКүн бұрын
Love how the dynamic of the poi changes with the music.
@Lena-ol9lwКүн бұрын
🎉🎉🎉
@gaberialla2 күн бұрын
Love how much energy was put into this. Love how expresive this chereo is. Love the tricks that you chose.
@gaberialla3 күн бұрын
Love the different level changes with the tricks. The tricks went so perfectly with the music ~
@juanantonioramirez23473 күн бұрын
You are giving all you got...i see that!. Hey bro. Congratulations on finding something you are actually investing time in. Ive been wanted to pick up my guitar for a moment and am stalling....i will pick it up today. ❤
@PoiDancerDrex3 күн бұрын
Thank you! This one was really personal and really raw. And I’m glad that it inspired you to explore your own creativity today!
@jugglian3 күн бұрын
I have to say Cyrille is the juggler who has influenced me the most; he changed my life.
@gaberialla4 күн бұрын
Love how slow and drawn out the moves are. Such beautiful chereo ~
@PoiDancerDrex3 күн бұрын
Thank you! 🙏
@gaberialla5 күн бұрын
Love how slow this chereo is when it starts off. Especially love the tricks you chose for the chereo. Everything flows so smoothly. This chereo reminds me how important it is to allow yourself to land in your body while slowing down so you can tend to your body's needs ~
@gaberialla6 күн бұрын
Love the energy you put into this a discount lo e the combination of the tricks with the dance moves ~
@BioshadowX6 күн бұрын
I watched the video about chroegraphy every day but didn't realize they were being uploaded as shorts especially since me and everyone I know go out of their way to avoid interacting with shorts. Glad to have a backlog tho
@gaberialla7 күн бұрын
Love the moves and very expensive chereo
@gaberialla8 күн бұрын
Love the energy and the dance moves. Especially love how the tricks bring everything together ~
@gaberialla8 күн бұрын
Love how the energy is synced up with this song. Love the tricks you came up with ~
@gaberialla10 күн бұрын
Love how much energy is in this chereo. Especially love the dynamic changes and the shifts in the dance techniques. This is absolutely beautiful ~
@gaberialla10 күн бұрын
Love the moves, the tricks flow so smoothly together
@DeanHarknessArt11 күн бұрын
Spot on as always.
@tomkopolt161911 күн бұрын
Wow that one is beautiful
@gaberialla12 күн бұрын
Love how dynamic the chereo is and love the volume changes. Especially love the dance incorporated into the chereo. Amazing tricks like always
@PoiDancerDrex11 күн бұрын
Thank you!
@ronineidolon12 күн бұрын
You got this. You deserve your respect because you earn your respect then others see how you treat yourself. You are clearly working on your inner work.
@gaberialla13 күн бұрын
Absolutely love these tricks so much. Thank you for sharing this. Love the windmills and stalls in the chereo ~
@gaberialla13 күн бұрын
Love this so much and all the tricks look so cool together. It's such a pretty flow ~
@Elirue0214 күн бұрын
That’s some crazy coordination, man! I wish I could do stuff like this, but the only dance I can do is the ‘suburban white dad shuffle’ 😭😭
@PoiDancerDrex13 күн бұрын
Thanks! All it took was a lot of practice and a little inspiration 😉
@jessybeach798614 күн бұрын
How can you determine the change within the landscape of poi, when you have a real lack of knowledge the whakapapa of poi.
@BrittneyHillsbery14 күн бұрын
Your dedication to poi has created ripples far beyond what you might see. As someone dealing with anxiety around practicing in public, watching you own your craft with such authenticity gives me permission to keep growing, even when it feels intimidating. The negative voices don't diminish the profound impact you've had on students like me. Thank you for continuing to share your art - it matters more than you know.
@gaberialla15 күн бұрын
This is incredibly beautiful and watching this makes me want to cry bc that's how beautiful it is ~
@gaberialla16 күн бұрын
Such an interesting piece of chereo. Love it
@JohnGreen-wf7gz16 күн бұрын
Never have seen this
@gaberialla16 күн бұрын
Love how expresive this chereo is. And some of these tricks look so similar to what we did in the live stream classes. Love how you made this into an exotic piece.
@gaberialla17 күн бұрын
Absolutely beautiful chereo. Love how expresive this is. The tricks go beautiful with the music
@gyaanik17 күн бұрын
I find this really inspirational! I'd like to adopt what you've done here. Cheers, Drex!
@DizziKit18 күн бұрын
I’m so proud of you and I’m happy you’re proud of yourself. Keep being you~ it’s a beautiful thing to see.
@poi__peter18 күн бұрын
Great video. Thanks for sharing what’s going on with you in your life as a result of being an artist and internet content creator. Fascinating and evoking empathy on hearing about the human condition in dealing in with all the various groups, and people in your life and society norms (and yourself!) one encounters or goes up against when having a unique life as an artist or within the Arts. I’ll be thinking about this for some time this week.
@Legend_X34718 күн бұрын
this is amazing! this deserves more attention, keep up the good work!! ❤❤❤
@gaberialla18 күн бұрын
Thank you for sharing this. Honoring and witnessing you. It is definitely very hard creating chereo to a full song and not just 30 seconds of a song. I am so proud of you in continuing to do this and not give up because it may seem hard to do. I was told by someone close to me that we do not have to try to please everyone or try to keep up with society’s expectations. It is okay to slow down and listen to your body in the moment.
@gaberialla18 күн бұрын
Absolutely love this and the music goes perfectly with the tricks. Excited to see how this turns out in the bigger chereo portion
@Yamutha-w8l19 күн бұрын
This was like watching a crack head perform whatever activity he thinks he's doing in his head in the middle of the street on my way to work lol
@doctorgt319 күн бұрын
This what I tell my parents I’m doing when I’m actually out there doing drugs w the homeless camp behind the fence on 4th street
@gaberialla26 күн бұрын
Very expensive chereo and definitely could tell you had to get some big feelings out. The tricks were absolutely beautiful like always.
@mcmcpoi-ra740529 күн бұрын
I couldnt agree more on what eveyone missed with the late 2000 early 2010 poi giants - movement. The same thing happened with G (one of my biggest inspirations), everyone went crazy over plane breaking for a good while but in the same tree-rex style, whereas i was always more influenced by his reel/trace movement combos and musicality. I think a lot of this came with the shift from the European scene to the American scene. When i started many of the most influential poi artists were European - Cyrille, Thomas johansson, G, Ronan - and they all had more focus movement/dance/musicality/clean patterns. As they dropped out of the scene in the early 2010s that seemed to largely go wtih them.
@PoiDancerDrex4 күн бұрын
Interesting take! I do agree that there was a road not taken in the early to mid 2010s where what dance and movement influences there were in the scene effectively were filtered out in lieu of the transition from Tech Poi to Manipulation, but I’m not sure I see that as a US vs Europe thing, personally. For one, I think two of the biggest figures working to integrate movement and dance were Nick Woolsey and Yuta Imamura and neither one is either American or European. That said, I absolutely see an approach to movement that is still inspirational in the work of G, Cyrille, and to a lesser extent Thomas. When the Tech Tree arrived on the scene, it just became such a dominant meme that it devoured everything in its path. Maybe there will be a movement renaissance at some point!
@britishogoАй бұрын
Absolutely my favourite video you've ever made. After the history of poi.
@tomkopolt1619Ай бұрын
This is a nice insight :) Enjoyed watching!
@gaberiallaАй бұрын
Thank you for sharing this. Loved seeing your warm up before you do chereo.
@cirkographikchabbert7446Ай бұрын
Lot of thing to say in this video (sadly like the rest of most of your content...) I am into poi since 2008 so i can't disagree with the impact of cyrille on the flow community and i am completely ok with what you say about him and how he changed the whole perspective of what was poi at that time. Although, first, i couldnt hold my self from being triggered when you say that he brought a circus influence in it after claming so much on social media that circus and juggling killed flowart and tech poi but that's your logic not mine Second, why bringing other artist to compare them with cyrille and even better with their ig video and a video pf cyrille on stage?(and without their permission to be in the video i am.pretty sure) I saw two of them on stage and one is a good friend of mine, so i can garantee that what you see on social media is clearly not a good relfection on how they move on stage. I mean it wont take.long to get all the space when every single post has to be filmed in vertical and it doesnt recquire to use a lot of leg movement am i wrong? dance can be minimalist as well and this is my opinion but i'd rather see someone that find a balance in his movement and dance intentions with clean moves than watching you acting like taylor f****** swift on crack on each your post. Second, are you trying to affirm yourself by comparing yourself to cyrille? To compare like that with yourself and others and even worst, rank more or less every one just show a terrible mindset and probably a big lack of confidence deep inside you could have just talked about cyrille but no you had to push it too far once again. Your vlog looks like your dance, vulgar and over exagerated and watching this one made me remember why i was avoiding your content another mean european circus artist Ps how does it feel to get your own treatment? Don't bother to answer, i won't give a single f*** anyway So long sucker😘
@JustinSidekick2 ай бұрын
I'm new to learning contact poi but I remember the glowstick days of the late 90's. It's great to see where and why poi has evolved. I find these types of videos very informative in my flowart journey. Thanks for taking the time to put this together!
@PoiDancerDrexАй бұрын
My pleasure! Thanks for watching it!
@omerlewy2 ай бұрын
First, congrats on the new? Channel? What happened to drexFactor? Second, I think that looking at this only from the perspective of poi is kinda limiting the view a bit. Multuprop artists tend to be inspired by other prop manipulators and jugglers and the french circus scene and especially circus schools push for movement and performance space heavily. You can look at circus artists before and after studying in French circus schools compared to other European (and Russian) circus school and see a noticeable difference in style and performative languages. Nit to mention the great video essay of jay Gilligan comparing European juggling with American juggling. Adding to that within the realm of poi. I think that thete wouldn't be a cyrille without Rónan and Maelle (and Rob bluecat?) and Keith Marshall and the ministry of Manipulation. (have a look again at the RomaRo video) I think that this scene and these artists influenced his vocabulary quite a lot. It was pretty apparent when we got to host Rónan and Cyrille year after year at the IJC of 2009,2010 and connect the dots between the two. As for flowers, cyrille taught me how to exit an opposite crosser in wallplane by doing an inspin flower, so I know he knows how to flower too 😉
@PoiDancerDrex2 ай бұрын
DrexFactor still exists. In fact I posted a video essay on Cyrille there today as well: kzbin.info/www/bejne/fZizXoaseNumopY If you're asking why the new channel exists, though, the short answer is that I've found on my original channel the past few years that when I deviate even slightly from being "the guy who teaches the tricks" and venture into the world of analyzing art or trying to create it myself, the reactions I get range from disappointment and disgust to outright rage. I created a second channel to hopefully create a space where I can release my more creative projects and have them find an audience that enjoys them. I'll confess that I am a little baffled by your feedback, though. I didn't shy away from talking about Cyrille's multiprop background in this video--there's an entire section where I discuss his work with contact juggling and iso staffs as well as his connections with broader juggling and circus traditions. If you're suggesting that any discussion about Cyrille that doesn't feature his other prop work as prominently as his poi work is incomplete, then okay, I guess I can see that...but I don't know that I'm the best person to talk about his work from those other perspectives. Someone who has more of a background within the juggling and circus scene would be a better fit there, I would think.
@FIREMECCAPHX2 ай бұрын
What a great track
@poi__peter2 ай бұрын
Another great video thesis. Food for thought for sure.
@PoiDancerDrex2 ай бұрын
Glad you got a lot out of it!
@noslowerdna2 ай бұрын
Nice
@PoiDancerDrex2 ай бұрын
Thank you!
@ronineidolon2 ай бұрын
Thank you, Drex. I know these types of videos take a lot more thought and editing work to make, and tend to not have the virality. However, this level of critical observation and clear communication is what moves the field (as diverse as it is) forwards. Imitation might be flattery for some, and learning to mimic others is how we've explored the world thus far. Yet doing what they did marginally better only goes so far. I feel authenticity requires more -- depth, digging, time extending the rabbit holes -- of oneself to be past the capacity for doing, and into the making. (Re: When I said you were in a different part of the map... ) you're doing the work, and it shows. Kudos.
@PoiDancerDrex2 ай бұрын
I really, really appreciate hearing that because neither video essay I posted today did very well and it really bummed me out and made me wonder whether it's worth it to create things like this in the future. Certainly, nobody has done Cyrille better than Cyrille. There are some who've channeled other specific ideas and movements and most of them honestly own Cyrille a debt for opening up this world as he has.