Hi Alin, this is an analog console that will work with any DAW. You need enough channels of conversion out of your computer to make use of all the channels of the console. Does this help?

No worries! Glad it was useful.

Hi ToniJXN. Are you referring to the other cards on the strip? When I explain the face of the channel strip I list what each element is. There is a card for each element. It’s pretty intuitive

Thanks Joe!

Ha! I guess :)

Thanks for Watching. No, I do not believe this is where the 500 series idea came from. API was around doing 500 series almost 10 years before SSL was doing consoles. They were originally a pipe organ company.

James Louis hi James. Yes it was. It was a one day record and mix one song session. Have you worked on a genesys?

@@samlowe1460 Great mix man! I actually haven't I was thinking about either purchasing the Genesys Black or an SSL4000 for personal use. I know these are 2 different beasts and I would have to hear them in person but in your opinion does the Genesys stack up to a 4k sonically? Usually these newer consoles have a smaller sound stage compared to the older large-format consoles.

James Louis as you say, two very different sounding and very different work flows. To me, the cleaner sound of the genesys is totaly fine. All the advantages of dual mixing surface is wonderful. Flicking your faders to be pro tools faders, automating, then flip to analog path faders and automate again post inserts. I didn’t like the feel of the eq and compressor on the Neve. It really bugged me actually. You have to push the encoder down and then turn. Took too much effort. The eq and compressors are extras. Gets expensive. The SSL 4000 is great. Lots of maintenance. Lots of power consumption. But it’s a fast and very complete analog workflow. Massive really. The Neve is much much leaner. Smaller footprint which I think is better as the sweet spot of your monitoring is not 14-20foot wide. Resetting the console is much quicker with the genesys as it’s a digitally controlled analog console. Not many analog pots to reset. I didn’t use the Neve automation for this mix as I wade through familiar with the software. For vocal compression, I used pro tools hardware inserts so I could get post insert automation. I don’t mind going out and in and out of converters to gain this.

@@samlowe1460 Thanks Sam! Really appreciate the detailed response. Some things to really think about. I do plan on scheduling some time on the Genesys Black in the near future. The only thing I don't like about 4000 is Commissioning & Decommissioning (if I decide to move) which seems like a pain in the ass. This seems much easier on the Genesys due to the smaller form factor. Regardless I will keep everything you posted in mind as well as doing a comparison with both before making a decision. Thanks again!

@@jameslong289 No worries at all James! I love chatting about this stuff. Another consideration against getting the SSL is the Neve doesn't run as hot in the control room. You don't need as much space for the power supplies and computer. If you went the SSL road, I'd suggest getting the Atomic Instrument power supply. They are the standard now for these consoles. Much fewer issues with blowing fuses, burning transformer. The SSL power supplies create a LOT of heat. Good luck!!

It's all budget-related now. I still have clients who are happy to work on consoles. Most can't afford it or can't commit to a mix. These boards do have total recall which is time consuming but works.

@@samlowe1460 I hated doing that. It was fun when I first started, but it got old really quick.

There are many great things about the xl desk. Infinitely leaner power supply, multiple mix buses, direct outs post-fader for printing stems easily. Smaller footprint, and all the flexibility of the 500 series slots :)

Thanks Garnet! Really pleased it was useful for you. They are great boards to work on but as time goes on, budgets get smaller and smaller and I find I lots of bands can't afford to mix in rooms with them anymore.

Thanks for your comment. These consoles and channel strips are not as fragile and sensitive to static electricity compared to console like Tonelux.

Glad it was helpful!!!!

Glad you liked it Steve!

How many channels is SSL your using? One way, If you have a 48 or 64 channel board, Is leave the first 12 channels unused for tracking, use the "SUB GP" button on the first 12 channels, then send individual instruments to the first 12 channels via the bus routing buttons at the top of the console. Now patch out of the first 12 channels into your headphone system.

Glad you liked it Nicholas!!

Thanks manifestgtr! I had never seen a video like it and felt if I find it interesting, someone else will too.

do you feel knowledgeable now? :)

Hi @nachosubiros! The tool i used to pull out channels are the SSL made lift out screws. You don't need to use their screws. All they are are larger screws than the holes drilled in the channel strip. you could go to a hardware store and buy screws that are the same size and thread. If you have any racks in your studio that uses the non-cage nut design rack screws. Notes these are the thinner screws with a finer thread. These screws will just fit in the holes and will physically grip the hole and stop turning after a few small turns. It's not mean to go all the way through, just grip the steel of the channel strip.

The screw size I believe is 10/32" x 3/4"

Thanks a lot Sam!!!. Nice to meet you. I will try that. This is my studio if you want to take a look. Check HomeTown Studio at facebook

facebook.com/HomeTown.Studio

No worries at all. Happy to help. Nice studio you have there. Lovely, inviting creative space. Great gear also! Good luck with everything!

Thanks @Austin Hayes. I may make one at some stage but there are copies of the manual for these consoles easily available with signal flow descriptions and diagrams. recordinginstitute.com/da154/ARP/chap1SSL/sslb.html

HI @Leon Phythian. What specifically are you writing about? There are many good signal flow and workflow videos on youtube with these consoles.

it is for contextual research I am writing about how the 4000E series essentially changed how engineers would forge a career within the industry and how it subsequently changed the once entrenched classical styles of mixing, as engineers moved from working their entire careers in the major locations..such as. LA, London, Nashville and NY , into a more freelance style of career due to the introduction of such technologies as, total recall and automation within the SSL consoles, which then subsequently allowed the various mixing styles to intertwine and eventually introduce the workflow that we see today within the industry. T he great thing I've found about watching a lot of vids is that they then (well sometimes) open the door to some published work or authors which is where I need to find my academic references.