I agree.

I Agree With The Sound Of The Anapeg Is Sound Soft And Beautiful. My Favorite Out Of The Six

"Addendum" The reason the Emmons' "Push-Pull" Pedal Steel Guitars; has THE most awesome sound of any PSG ever made (Most players will echo that, some won't of course). Anyways; here is the reason for that "exclusive" sound: It has to do with HOW the "Changer" is attached to the wooden neck; and the way the "Key Stock" is attached to the left body end. At that time ALL changers were bolted to the neck from the top. But the major part of the Push-Pull changer was NOT bolted to the top of the neck. Rather: the changer fingers were held hard to the END of the wood. But NOT the end of the guitar. So Ron Lashley had the fingers go through a hole in the neck; and the fingers were PUSHED very hard to the end of the left part of the hole; with very powerful springs. 20 of 'em, no less! This allowed the ringing strings' "vibrations"; to reach the wooden's "end grains". This created an incredible "musical intonation" coming out of the Pick-Up; as the vibrations going back and forth through the wood's grains; between the changer fingers and the Key stock. Wow! Thus, the sound was like NO other sound in the world; when it came to "Pedal Steel Guitars". So WHY in the pluperfect hallelujah; did Ron go back to an "ALL-PULL" PSG. HUH?. "Elementary* my dear Watson?". Hmmm... ONLY one hole in the raise and lower (especially lower) bell-cranks; NO longer suited the many pedals and knee levers "changes". AND...in the case of lowering; it would have been a madness scenario; trying to work on and add the lower rods. So Ron said, "We must go to ALL-Pull to stay in business"!. And he did it and they called it "The Lashley" PSG. Did it lessen that Push-Pull sound. It indeed did. But "It was close enough". That has been proven; because there are way more Emmons' All-Pull's than Push-Pull's. Thanks to the smartest man; I have EVERY known; in my 90 yrs on this earth. AKA: "Ron Lashley Sir". And I cry every time I realize that he is no longer with us. May Jesus rest his precious Soul. * Philip St. John Basil Rathbone (13 June 1892 - 21 July 1967)

"Addendum ll" I said ALL the above to say the following: When the first Emmons' Push-Pulls came out in '65, some had "dead sounds". Believe it or not. I had it when I bought my Emmons PP in 1969. It never had the sound. I was devastated; because NO one knew how to get that sound. Oh...IF I only knew how easy to get that sound; I would have that guitar today. But I sold it. Oh if I had that, I could get that sound with nothing but a screwdriver and my hands. Believe it or not. But before I give "the" secret; hear this... Ron Lashley called me and asked me if I would video Buddy Charleton's "classes". I was honored. And I did it and It took all day. And it was awesome. To me the late Buddy Charleton is 2nd ONLY to the late Buddy Emmons. While there; Ron, Larry Sasser and I went out to eat dinner. So I asked Ron HOW to get those dead Emmons; PP's to what they are supposed to sound. He said, "I know how, but IF I told you,I would have to kill you!" That was the end of that. But there is always a way; IF you are determined (and pray to Jesus) to find it. And I did. Here it is: Take a screw driver; and find the screws that bind the neck to the body. Then do this: Tighten each screw AND...then back off 1/4 turn on each screw. That is all it takes. So what is this doing? "Elementary* my dear Watson!" Dat dadgum nek won' vibrate, if it is screwed on tite! Huh?. So slacken "themthar" screws won quarter ova toeen. LOL! End of Story and I rest me case. Praise Jesus "Holy Name; for giving us the ability to get "to the root cause!". But yuz gotta pray to Him first! AMEN! * Philip St. John Basil Rathbone (13 June 1892 - 21 July 1967)

Thanks! Great stories and lots of good knowledge!! All the best 👍😀

Thanks!