I use the Sennheiser ewG4 IEM system with the Sennheiser A1031-U, passive, Omni directional antenna on my transmitter. (518.2MHz). Can you please tell me the proper way to mount this antenna? I can't find any documentation from Sennheiser other than you simply 'mount this vertically on a microphone stand but I see all the other shark fin antennas (Shure/Lectrsonics) are mounted so they point at the target receiver (?) Thanks for your help.

This is helpful for coustom line arry

Is multy mic is better then single mic moving mic mathod for Car audio

Hi nathan, do you have a video that details how to set limiter values for the amp and speaker from a DSP processor. How do we calculate the voltage of the amplifier if only the sensitivity is known, and how to use this information to derive the proper values to set in dBFS and dBu.

What?

How do you download the program?

Hi nathan. Pretty new comment on a new video. In theory could you not take a transfer function capture with your calibrated mic say for example an m30 set as reference, select your mic that you want to sound like the m30 as your measurement input and just copy ascii of that, and set that as a csv and that would be your correction curve for your mic?

QUESTION: where do we find the sub aligner tool that you were talking about in the very beginning of this video?

QUESTION: re: flying subs - is OK to have say, a single sub flying at the back of the stage and then have to the 2 main cabs, also flying, in front of the stage (off to the sides)?

Is it better to have 2 subs stacked, off to one side of the stage, OR to have the same 2 subs, side by side in the middle of the stage (or slightly ahead of the stage)?

Hey Nathan, I'm about to do a theatre show on an X32. Have done a previous one with a Allen & Heath SQ5, which has great scene control, but didn't think the Behringer did the same thing. Your video was great and gave me all the tools and processes to be fully in control for this production. Thanks heaps!

you push the button, to keep the 5,9ms........you had another option to choose

can't you just apply the necessery crossover and than correct the acoustical response to the target with eq ? this way you can change slopes and cross filters freely

This was by far the most intuitive video about delays I could find on KZbin. Thanks for sharing this publicly, a great resource! ❤

i was just wondering about this topic. thanks!

@Nathanlively, which program were you using for this video?

This was EXACTLY the explanation I was hoping I would find. I knew generally THAT this worked but hadnt yet see visually HOW. Thanks much.

estub buen

Sensacional!

any updates for my 69th birthday back here in 2024? thnx mnx

sorry if I have another question even if it's not the correct video. Do cardioid but in-line subwoofers give the same result? Of course if there is the possibility and you have enough space

Can we use 24dB L-R for the Sub. And 12dB BW for the Full, while the nature respond are not the same?

Is this being measured with a mic(s) only?

We are too thin-skinned these days. Go ahead and be a jerk if you can tell me the absolute best equipment, positioning, and set-up. Dude, we can take it.

you might want to use the notch method on a Monitor on stage. but clearly only because it's affect for the feedback loop while no effective change to listener. each monitor will be able to be independantly adjusted hard limiting the monitor would really end the deal guitars with mics can be used with ISO cabs. plexi shields for drummers etc etc before you really ever need to notch the PA channels... and if you did you might only need to notch the 120s at the bottom of the tower

hello and thanks for this video. I'm using a translator because I don't speak English well. I tried this configuration and noticed that when the public subwoofer is on the ground I get almost 2 dB more. my question is: is it right to always use this way or are there occasions when it is better to have the audience subwoofer on high?

can pretty much any top and sub be aligned using subaligner?

For those who did not know where the wrap around 10 milliseconds came from just like me. Frequency itself vibrates 100 cycles per second (100Hz). Therefore 1 Cycle should take 1/100 seconds to complete. While 1 second = 1000 milliseconds. 10ms is the time for frequency 100Hz to complete one cycle.

Yep, I just tried an active crossover with the Linkwitz filters, and it killed the sound coming out of my Maggies. Flat, lifeless, but the crossover worked. I went back to my non-Linkwitz pro audio crossover and we were back in business. I'm not a measurement guy, not with audio gear, for this very reason. So many folks go by measurements, just silly in my book, because in my experience, this is the result, crap sound.

Is Smaart software is free

What if the crossover is at 80Hz?

hi! we operate in a church campus, so we setup and strike down weekly. I didnt quite understand how to keep the Receivers stacked, without getting signal drops. You mentioned antenna about antenna splitters. how does that work? thank you

thank you

I didn't get a transition from an amplitude to a power... You imported an acoustical data and continued to work with electrical amplitude graphs. But.. When -3dB changed to -6dB pls?

What if we want a 3 line array instead of 2 ? Should we just reverse the 3rd one with no delay ? Making it kinda of a mix between cardioid and endfire ? Or you have a better idea ?

Hi ! How do you know if you're not aligning with a whole wavelengh delay (or 2 and so on...) ? Thanks.

What does the C mean in subaligner when you look at the result plot? …also Aligning Speakers that are phase compatible from the same manufacturer… could you recommend a video to watch on that

If you only have one mic, in my case a sonarworks reference ID RTA mic, would you suggest tuning my left right by just tuning one side (having mic as close to the speaker as possible and running pink through just that one speaker) and then copying and pasting the eq to both sides or would it be beneficial to run pink through both while being center to the two? Or would that create comb filtering?

Great video as usual Nathan, arguably the most well-explained all-pass filter usage in real alignment situation. Thank you!

Nathan, I just wanted to say thank you so very much for doing what you do and sharing all these wonderful and very informative videos, I know it's appreciated by many! I really like your style and please keep up the awesome work! Oh yeah, I too did the gas in a diesel truck thing once (hopefully never again) it ended costing me a little over a grand, still to this day I cannot pull up to a pump that has both diesel and gas without trembling from the traumatic experience and triple checking myself while filling up. Thanks again!

So we can give headphones to the listeners and make the gain 200db. What a wonderful world!

Thanks a lot for sharing this video! At first I was lazy to watch it because it lasted 1 hour, but when I started watching it I was hooked. It's exactly what I need at this moment. I have a project precisely to improve the GBF of the meeting space where I work, and all this information will help me to be able to explain it better to my colleagues and superiors.

Thank you.

Thanks for such a great video! I’m just starting to watch it. What about when the person on stage is whispering?