I pulled it from udemy for many reasons. If you bought it in the past you should still have access to it there. I plan to upload it to KZbin soon

In the digital representation the tape is in the edit block not loaded on the machine so the tape can slide from either side. So it does accurately represent how it would look while editing.

Replacement blades for a $90.00 Stripper should be available for just a few bucks.

Doh! It’s just two units bolted together

It's a Telefunken noise reduction rack instead of the Dolby 361 chassis, I'm about to sell it on ebay

@@biasedaudio send me the link!

I just took a look, did you ever put it up for sale? Related, do you happen to have any Telcom cartridges?

Unfortunately right now I don't have the time to make this specific video. Combo jacks don't come in a cable mount to my knowledge, so it would be a little funky. I do see them sold online. If you make one it would be the same as wiring the female XLR but you would add a small jumper between tip of the 1/4 inch combo and pin 2 of the xlr combo, and ring of the 1/4 to pin 3. Hope this helps.

Funny that comes up in part 2

You saying I'm old??? ( just kidding)

Will we had fun doing it. I got to get up and see your beautiful studio!

@@biasedaudio Please do.

I think the issue you describe might be related to the brand of the connector. There are a lot of copies these days. I prefer the Switchcraft Brand 1/4 connector which are durable and I have never had that problem, if one wanted to use this style connector.

I get this response often. As a professional I can state as a fact. Every single record you have heard that was recorded to analog tape and mastered using that analog tape used this process. It would be very difficult to make this music edit by recording on two machine that were not locked using time code. As well if recording to a second tape was used the music would be down a tape generation decreasing quality and adding noise. Not only that all analog machines have a gap between the record head and erase head which can cause imperfection at the record point. This is the way it was done for decades by professionals.

@biasedaudio I'd just got brass tubes slaped dem on deck and spare heads and apartment them ontop and cable tied the reels together and ran a vector scope on the channels and had spare 3rd wheel on one dem giant pecils in drill Probably look at using the wrong tape on machine and using domestic heads smaller run a frequency to time stamp the extra width or go moive production and bin dive the surplus movie reels and use that as tape protector and time stamping with light duty cycle Don't know something along those lines persay Been even more fun try vcr video recording concept for audio sampling and working If I got board and in zone built my own reel to reel Be stacks of dud dead considered zombie gear to Frankenstein to glorious enlightenment But yeah not a esay feat for reality but great fantasy be had

Thank You! As far as a multimeter the world has changed. Fluke is one of the few respected brands left but they break the bank. Brymen is another respected brand still can be expensive. In my experience with modern technology most multimeters in the $35 - $65 US range do a fine job. I would look in that price range on amazon for a model with lots of purchases and positive reviews. Klein tools might be good, I never bought a multimeter from Klein but other products I've bought have been good. and they sell one for &25-$35 range. One tip I tend to avoid meters with transistor checker built in, it's a bit of a gimmick and usually found on cheezy meters. If you are working on audio be aware a multimeter may read frequency but often the AC volt reading will only be accurate at low frequency's. Hope this helps.

the cable is mogami w2552

I would use Red as Hot or High or +, white and neg, low or - and shield ( bare copper ) as ground

@@biasedaudio THANKS!

The name/ artist is is below the video.

My pleasure!