Ramiz Naveeth

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@anwayeebanerjee2982 2 ай бұрын

Wow, VK murthy was the inspiration behind Gurudutt's movies...most of the scenes in his movies were framed by VK Murthy 's idea. Cinematographers are so underrated.

@Man_Ray78 2 ай бұрын

So inspired human being!

@livefromthe3-066 3 ай бұрын

the disrespect i kow this is extended cut law of raw takes but come on phone ringing and people making nosies on set like he's not the goat

@johnfitzpatrick3094 4 ай бұрын

Michael Chapman?

@antoine7611 4 ай бұрын

less than 5% of women in this documentary is crazy

@uyaralamvanga 6 ай бұрын

Very great sharing mind blowing

@sivaramans1953 7 ай бұрын

Thanks... Rajive

@Sevugamurthimarudhy_dop 7 ай бұрын

💚🫰

@flaviomontelli1305 8 ай бұрын

WILLIS : prince of darkness / STORARO : wizard of colors

@realysticdravia5799 9 ай бұрын

4:16

@bibhuranjandutta470 11 ай бұрын

Can I use grey cards to determine exposure.....

@TaylorTheDeveloper Ай бұрын

yes! I set my Zebra to roughly 50% and then adjust exposure until grey no longer has zebras on it.

@OuterEastLLC 11 ай бұрын

what a great interview. Thank you so much for sharing.

@jeffpestano1296 11 ай бұрын

He fucking called it. Sucks that he was right. Digital cameras won. But he was wrong about it not being bad thing.

@citiestoash 6 ай бұрын

Blah blah blah. Your medium doesn’t make your work special. I prefer film too but man I’m tired of this stupid debate.

@sharancineaste9930 11 ай бұрын

Thank you ❤

@tavoflmmkr Жыл бұрын

Thank you!

@babybhavanabhatt592 Жыл бұрын

Please share more videos of Rajiv menon sir if possible

@jeevangopal112 Жыл бұрын

This talk is invaluable to me!

@walkermorgan1710 Жыл бұрын

Would be so baller to have this guy shoot your film. Would be so done with so much style.

@walkermorgan1710 Жыл бұрын

the prince of darkness

@nivashinikumaresan3375 Жыл бұрын

Legacy of Rajiv sir. ❤ I will certainly become a cinematographer.

@ananthu.b.r1256 Жыл бұрын

Salute ❤

@M27UNDERGROUND Жыл бұрын

Cinematography transcends film and can be applied to any visual medium. As an illustrator, to understand light and shadow....contrast and value....opens a doorway to subtext which can turn a single subject into a full fleshed story

@AyoOdimayo Жыл бұрын

🎯 Key Takeaways for quick navigation: 00:00 🎥 Vittorio Storaro is a cinematographer, not a director of photography. He believes cinematography is an expression of single images in the language of motion. 01:36 🎓 Storaro's father's dream of being part of the film industry inspired him to pursue cinematography. He faced challenges getting into film school, but his determination led him to his dream. 07:18 💑 Storaro believes in the integration of personal and professional life, influenced by his work with Francis Ford Coppola on "Apocalypse Now," where family and work were interconnected. 09:08 🔦 Storaro emphasizes the importance of self-discovery and being true to one's creative vision. He recounts his experience of turning down a project to stay true to his creative identity. 15:39 🌟 Storaro discusses the exchange of energy and emotion through cinematography, emphasizing that the impact of light and color goes beyond visual perception and affects us on a deeper level. 26:08 📷 Storaro distinguishes between photography and cinematography, highlighting that cinematography involves a complex interplay of light, movement, and rhythm to convey a story. 27:45 🖌️ Cinematography is described as the art of writing with light and movement to create an emotional and narrative experience for the audience. 29:43 🤔 Cinematography is both a solitary and collaborative endeavor, where personal expression meets storytelling and direction to create a shared cinematic language. 30:35 🎨 Vittorio Storaro's cinematography style is deeply rooted in his personal need to understand himself and his life, using his knowledge, creativity, and sensitivity to express his vision. 33:01 📝 Storaro meticulously plans every scene, considering the time of day, light, and colors to create a visual concept that complements the story. 36:41 ☀️ Storaro shares a story where his strong belief in a specific lighting condition led to a magical sequence in a film, emphasizing the power of conviction in filmmaking. 40:01 🖼️ Storaro emphasizes the importance of composition in cinematography, highlighting the need to preserve the intended frame when transitioning between cinema and television. 43:12 🎞️ Storaro introduces the concept of Univision, which aims to unify cinema and television by using a unique aspect ratio, preserving the original composition of the image. 44:49 🌈 Storaro reflects on his "color periods," where he used color to convey emotions and themes in his work, such as the blue period and the orange period. 52:10 🔦 Storaro discusses his exploration of lighting and shadow by transitioning from cinematography to theater and how it contributed to his understanding of capturing light through lenses. 56:03 📷 Storaro emphasizes that a cinematographer's work is only complete when the image is captured and screened, highlighting the role of lenses and media in creating visual art.

@phirozehassan2782 Жыл бұрын

V.K.Murthy was one of the best Cinematographer. At that time everyone had different style.

@BlushGush Жыл бұрын

This is genius

@srinivasanthirunavukkarasu4499 Жыл бұрын

Is there any other continuity video

@RamizNaveeth Жыл бұрын

@vyshakshyha469 Жыл бұрын

of good information in 50min have more good quality learning experience.. But i felt that some of the informations are not like a rule its just do with the emotion of script and scene. Expecially shot division of wide mid and close etc.. Overall its a basic informations. Its make you sense of visual making.. But dont copy its all in that exact ideas. Do it your own visual sense

@sivaramans1953 Жыл бұрын

Super sir.... 🎉