wow

Wow awesome

Are you sizing the paper before coating?

Thank you for showing your method. Please can you explain the construction of the triangular lifting device?

Thank you for sharing your process and skill. I am truly grateful for your generosity.

That’s amazing nicely done!

Amazing video! I have a question! Do you use more drops for that kind of paper or less drops?

Dear Mr. Nishimaru, Congratulations to this beautifully performed, clean and condensed process I enjoyed watching. Would you please be so kind and tell me the type or manufacturer of your UV Exposure unit. It seems very versatile, standing upright, with the possibility to place your negative above the paper. Thank you very much.

Hi. Thanks for showing your work. I would like to know how do you back your print for display? As I know Tosa is super thin. How do you avoid the wrinkles? Your input is much appreciated. Best.

very interesting. I've done some early kallitype trials with kozo and gampi papers. The main problem is that the fibers absorb the emulsion like a sponge. Do you size your paper?

Do you coat the sensitiser onto glass..? I have tried this with Van Dyke Brown solution without success. The sensitiser remains in droplets on the glass, creating an uneven coating on the paper when laid on top..!

absolutely gorgeous exhibition!

this is pure magic

This was amazing to watch. Your dedication to your craft is so rare and so appreciated. Thank you for sharing.

Hi! Thanks for this idea! One question: Do you treat the paper before coating to avoid shrinking when cleaned and washed? Thanks again!

Que hermoso la forma en que revela expresa todo el arte por la imagen....

Star Platinum!

Thank you, what is the brush called and where can you purchase it?

Beautiful - thanks for showing us the process

amazing, thanks for sharing.

What brush is that ?

Hi, Thank you for sharing your art. Where do you get your brushes ?

Thank you!

Wow, for a print that sized and not using a vacuum frame to boot!

Could you use a linoleum block to print the solution onto the paper? Maybe use Kodak Photo-Flo so the solution would spread evenly. Other ways to spread it evenly would be a rod or squeegee, rather than brush. The brush absorbs a lot of the solution.

beauty...

what humidity does this paper like?

Wonderful

Well duh. 🤪

Thank you,I enjoyed watching this video your technique is very good and loved the way you finally displayed your work.

I know this question comes more than three years after you posted this, but what solution did you find for mounting these exquisite but very thin prints (for the exhibition)? Dry mounting to thicker paper? Thank you again for sharing your techniques and knowledge.

Very interesting process, thank you. I am experimenting with chryotype at the moment but it is interesting to know what and how others are printing, I am very interested in types of paper used for hand printing, this looks like a beautiful paper.

This is not a platinum print, it is a palladium print. The difference is similar to that between gold and silver.

Wonderful! Thanks for sharing your gifts. Question about your four baths? The first has ammonium citrate developer (not Potassium Oxalate?). Are you then going to water or do you use phosphoric acid and/or sodium sulfite? Also, could you please show us the final, framed print? Gorgeous!

First of all, thank you so much for sharing your technique - beautiful work and very inspiring. There are, however, a couple of points I'm confused about: 1. you use a 3-inch Kobayashi brush, coat the paper with 4 slightly overlapping strokes, which should cover a width of about 10-11 inches, and yet, you say the negative is an 8 x 10"... - does the brush shrink that much when wet? (I'm wondering whether to get the 3 or 4 inch brush for a 10x12" negative) 2. I am guessing that your bamboo sticks are about 90 cm long and that you use heat to bend them into triangles - is that correct? Many thanks, Roy

Where do you find the unwoven paper used for rolling the print?

I recently started creating palladium prints on the thicker papers, but the prints on washi are so beautiful. Thank you for sharing your technique.

Do you print on behalf of other photographers as it would be next to impossible to get any of those materials needed for that process here in the Philippines? Btw loving print.

platinum/palladium printing is something I have wanted to learn for a long time but where can I buy the chemicals in Japan?

素晴らしいアイディアです。でもガラスの上に薬液を乗せてはじきませんか？

is it a DIY light box?

Thank you for a very instructive video. What advice would you have for how to display such prints made on tissue?

you are most talented.. thank you for allowing us to view your work.

i wanted to ask what is the solution that you used to developing

Is this artwork without Exposure Unit?

Incredible! Thanks for this.

Most wonderful Masayuki. What company makes this paper?

Wonderful! About how much solution do you use for a print this size?

Very inspiring to watch your video. Thank you very much ! ( from Spain).

Beautiful. Love it.