Hall Susan Robinson Paul Hernandez Anna

so happy to listen your szymanowski again🥹🥹🥹 missing your playing always❤

Amazing👏👏

Pięknie iskrzypce i fortepian brawo ❤

👏👏👏👏👏

Wonferfull. It's so deep and expressive. Even your body is accompagning so well the music. I love it at 5'02. Nice to see you playing again. I saw you playing at Lyons la forêt with Mari Samuelsen.

Very nice music Soyoung!💘💋🌹

Brilliant! 👏👏👏

Absolut top. Unglaublich. Bravo bravo bravo und liebe Grüsse Immanuel

Love Yoon; not in love with Shostakovich. Yoon cannot even save this piece. Please, Soyoung, stick with Mozart and Bach.

On repeatedly listening this is the best Mendelssohn I have heard since early 1960s, especially the last movement. Now the volume of the video has adjusted high as should be, we can hear all nuances and energy of her playing.

❤❤❤amazing!!!!👏👏👏👏👏👏

어떻게 말로 표현 못할 경지입니다...천상계 바이올린❤

amazing brilliant deep 🩶

Brava!!! 👏👏👏👏👏👏👏

Sublime! Bravissimo, my dear!!! Miss you! Hope our paths will cross! Big hug!!!

You are always best

🌹🌹🌹🌹🌹🌹🌹🌹🌹🌷🌹

Такого тонкого и мощного Шостаковича я́ не слышал! Великая скрипачка и восхитительная женщина!!! )

The artist has a deep understanding for the music of Shostakowitch. That aiiows Soyoung Yoon to give us a n emotionally moving interpretation. That lets us forget to even think about her awesome brilliant skills. Dr.J.Frölich

Increible!! Una de las mejores interpretaciones que he visto, saludos desde México

Truly amazing!!!

이 쇼스타코비치의 작품은 그 누구보다도 윤소영 바이올리니트에게 어울린다고 생각합니다. 심오하고 복잡미묘한 음악을 에너지가 넘치게, 그러나 이렇게 우아하고 아름답게 표현할 수 있음에 그저 감탄만 나옵니다! 늘 마음 속으로 듣고 싶고, 보고 싶었는데 이렇게 올려주셔서 너무나 기쁩니다!!

I always think she plays her last movements the best whether it is Beethoven, Mendelssohn or Tchaikovsky. Here is no exception. She is visibly fired up. So is the orchestra and the audience at the end. Bravo Soyoung. Best since I heard Kogan and Oistrakh.

Best vibrato! Today's artists all need to learn from this lady!

Very nice Soyoung! 💘💋🌹

Very nice performance Soyoung! 💘💋🌹

4년 만에 업로드! 넘 고급지고 좋타

진짜 내가 유일하게 좋아하는 윤소영쌤.... 인스타나 유튜브 항상 잘보고있어요 답장잘해주셔서 감사합니다

really astonishing

I had been wondering for a while what this violinist’s Shosti 1 would sound like, after having sampled a clip of her practicing that audacious cadenza. Curiosity satisfied, as Ms. Yoon brings much Main Character Energy to a spectacular performance of a work known to grind lesser fiddlers who aren’t able to ride this wild bronco of a concerto down into the ground. A unique amalgamation of suavity, sass, and a smile that says, “I’m kinda enjoying this. How about you?” Worthy of repeat watches.

Wonderful tempo. The particularly fond of the interpretation of the Scherzo you've performed here. The colors both profound and unique while not pulling from in my ignorance what i believe the piece would portray. third movement: no words. finesse. Thank you for your hard work and sharing this performance.

모든 음악에 불을 붙이시네요. 늘 멋진 연주에 황홀합니다.

윤소영님 너무 멋져요 !! 항상 최고의 연주를 보여주시네요 !!

ショスタコーヴィチが地獄のスターリン時代にこれほどの名曲を創作したとは❗ 私の感動と驚きは計り知れない 彼女の美しい優雅な演奏はこの世のものとは思えない。 残酷無比のスターリンが理解できなかっただろう素晴らしい芸術がここにある。

❤❤❤❤❤❤❤Best Shosty로 임명합니다,,, 사랑합니다

Bravo! 👏👏

기다렸습니다, 이렇게 올려주셔서 정말 감사합니다.

👏👏👏👏👏❤🫶

Amazing~

Un seul mot me vient à l'esprit: Sublime

야무진 보잉 덕분에 음 하나하나가 더 살아 숨쉬는 느낌이애요🩷

참 잘한다

운좋게 2023 쇼스타코비치,2024 시벨리우스를 직관했지요 모두 이병욱지휘- 솔직 담백한 성품다운 연주에 더해진 작곡가의 더블코드를 해석하는 진지함이 좋았습니다 브람스를 서울에서 언제 하나요? 인스타에서 작년에 도쿄 콩쿨에 도전해 우승했다는 소식보았어요 어메이징**

쨍쨍한 바이올린 소리, 겁나 멋진 표정과 몸짓, 유튭, 인별서도 자주 만나고 싶어요.

I thought the volume was too low when I heard this 2 years ago. I heard this again now, and the volume was adjusted much louder. I can now hear the best audio and can appreciate her playing in full. It is fully justified that this is the best Mendelssohn that I heard in this generation of violinists.

Her skilful and beautiful and graceful and wonderful performance will soothe and moisturize your soul, which has been parched byte the winds of this transiet world, where is full of trouble and annoyabces

Bravo

Ich höre mir prinzipiell keine Interpretationen von Asiaten an. Ich denke nicht, dass das nur ein Vorurteil ist, aber ich empfinde bei all diesen Asiaten nichts. Rein gar nichts. Technisch wie oft briliant, aber irgendwie fehlt mir da immer die Europäische Seele, die seit Jahrhunderten mit dieser westlich europäischen Musik aufgewachsen ist. Da kann man 14 Stunden täglich unsere Musik von vorne und umgekehrt üben bis die Finger Bluten, aber es fehlt das gewisse Extra. Ob das Lang Lang ist oder sont ein Asiate. Auf allen Instrumenten das Gleiche. Perfekt gespielt, aber mit Semigefühlen die nicht stimmen. Vergleiche mal das mit Vengerow und man hört den Unterschied schon in den ertsen Takten. kzbin.info/www/bejne/eqfFn5eOq8h9rZI -- I don't listen to interpretations by Asians as a matter of principle. I don't think that's just prejudice, but I don't feel anything for all these Asians. Nothing. Technically brilliant, as often, but somehow I always lack the European soul that has grown up with this Western European music for centuries. You can practice our music from the front and vice versa 14 hours a day until your fingers bleed, but that certain something is missing. Whether it's Lang Lang or an Asian. The same on all instruments. Played perfectly, but with semi-feelings that aren't right. Compare that with Vengerow and you can already hear the difference in the first bars. kzbin.info/www/bejne/eqfFn5eOq8h9rZI

Еслиб она не дергалась , как лист на ветру, было бы еще лучше. Виртуозно!... и хорошо. Не знаю, у кого какие ассоциации, а у меня ""гусеница, застрявшая в яблоке"", пытающаяся скорей оттуда выбраться.... У музыкантов другое восприятие, наверное....