Grandissimo Maestro!!! Riposa in Pace 🙏🏾🌹❤️✨

Very interesting, but does this factor in modulation? Are we assuming Messiaen 3 is a sort of “father scale” of the song and that all modulations are derived from degrees of that mode?

That's Deep 🎶🎹🎶

So awesome.

Absolutely Amazing, Vardan Ovsepian! Your music always inspires.

It’s as true as living in a world with no scriptures, no Bible, no force telling you you’re not good enough, and just living your prayers in whatever you do. It’s being free…

THANKS FOR SHARING there is not much information on paul bley

Are you kidding me..... Nobody has commented in 5 years? What's going on here?

When can we download these classes individually. Really wanted to attend this one ;(

Great stuff!

Nice

You should sing solo first, Then learn it on your instrument

Spicy

This is the good stuff

fantastic!!!!

Do you provide any pdf transcriptions of Mark's playing when we purchase the masterclass?

how could i not be subscribed to your amazing chanel!!!,,, its a jazz crime

The passing tones are outside of the key?

Is this masterclass available for purchase?

stand up basses are sooo cool....one of these days I hope to see one I can actually hear?!

I appreciate your viewpoint . As a beginner in trying to become jazz player , this is the hardest thing to comprehend but it totally makes sense now …

the subtitles are more distracting than helpful

Thank you so much! these videos are gems! Bassists and drummers can lay off too when the soloist is playing a loong solo. If he is good enough, he will be capable of autosustain, and if he is not, hopefully he will get the message! 😉

great and important video.

Yes! I agree with Mr. Grenadier and Mr. Turner. In my opinion, there is a small group of master musicians who have the ability and ideas to play long solos. I mean, those Charlie Parker solos were amazing, and were often 2 choruses, maybe?

tbh all ive ever heard him play is endless streams of 8th or 16 th notes lol

Good stuff

Best jazz education resource on the internet

Someone's been listening to Motion. 😊

I bought book and it said the meditations for the book are on his website, but I can't find them anywhere

Sounds good

Heard him with DeJohnette back in the 80s at Blues Alley. Thanked him for a great set, and he was a total asshole. Instead of “thanks”, I got berated for being the FRIEND of someone who owed him money. I hope he grew a pair, grew up, and learned a modicum of etiquette.

Thank you for sharing this information. Something I can easily understand and utilize. 😅

This man's a genius

❤

아리랑으로 들리지 않는 😅 물레방아 다듬이 딸꾹질 같은 🤔 훌륭한 연주지만

👌

too much talk, no info.

Just played with folks who just play what you describe. Our music is deeper then what schools teach!

broo just learn all 60 scales first bro its not even hard

true wisdom

yeah yeah yeah....but listen to people who don't sound rooted in tradition and it just sucks. sry, Sam...pushing the edge farther and farther is why jazz has been dead since the 70s. The only new improvisational music that is interesting is influenced by world and popular music far outside the scope of jazz.

man that makes SO much sense and such a simple concept ! I'm so excited to integrate this into my playing, thanks so much

Woooooooaaaaah this is incredible! Why doesn’t anyone know this channel exists?

Great advice ❤

Good advice. As far as I'm concerned everyone copies the stuff they love in order to create their own personal language (e.g. Bach did this, and all the jazz greats), and you do that by using the licks/phrases you transcribe to build/form your own ideas i.e. use them as a motif to build/improvise stuff that you can use flexibly in real time that will be organic to you. One thing you don't hear too many people talk about is the transposition of licks or ideas onto each of the seven scale steps of a regular scale. This, and using the lick as a theme to develop related ideas are two ways of taking material and making it a natural part of your playing.

jazz is still a language with vocabulary.

this is only good advice after you've been playing/shedding for years and have your thing together. everyone learns fist by copying the great players and then slowly developing their own sound. playing a line you learned on a gig when you are starting out helps you feel it. Wes Montgomery's first gig was just playing Charlie Christian solos note for note.

BS

Actually real improvisation is easy! Learn to play what u hear in your head and when a line from Rollins comes along, ride it and hear what comes next. Its all about being in the zone. There are no rules. Let the magic happen!