@@RFilmsGames free to use?

@@Saheli-Medias sharpness and texture is the key to it all

@@DanielTroyer I have used in a same music video the bmcc 2.5k, the bmpcc 6k, the Sony a7iv and the a6400. There was something magic in the bmcc footage. The Sony were awful compared to do Blackmagic and the 6k was to colored compared to bmcc.

I was about to buy the bmpcc 4k or 6k but after this experience, am thinking about a red mx or epic or Sony f3 or f5. F35 cost is out of my budget... 😉

@@mylessheehan4871 contax zeiss

It actually uses a sensor that is comparable to the FX9

4k hours is nothing if it was take care of. The one I used to have had 10.5k hours.

@@DanielTroyer thanks, i bought alexa classic plus with only 2500 hours, very clean overall too

It’s definitely a nice image

Hey appreciate it! Yes, I think I still agree the S1h is the most powerful camera you can get for the money in terms of all its features + picture quality. I just paired it with the Red monstro and dragon on a feature end of last year and it held up perfectly with the other cameras. There were some shots we just couldn't have captured without it! I think it's still so underrated. The BMMCC sensor was being used in -15 degree weather and developed a terrible fixed pattern noise even in properly exposed conditions. It had a nasty color shift as well. Bummer. Lost an Ursa sensor in cold weather once as well.

Hmmm, I’m wondering if the same thing happened to us then? We also had 2 small tiny white dots appear, but I’m in the process of reinstalling our Rawlite filter after cleaning the sensor to see if it was just dust Thanks so much for getting back to me so quickly btw! How do you feel about the FP or BMCC6K?

⁠​⁠@@christopherduran9926sounds like hot pixels. Could be an issue Black Magic has always seemed to have sensor issues they can’t get rid of. I still haven’t seen footage from the FP that could convince me to get one. Also, no IBIS so it’s going to be harder to use as a small platform. The Cinema 6k has a nice image, definitely needs softening.

Apparently only the cameras released in the past 6 months are relevant 😂

It’s a combination of many things I’ve been experimenting with for a year or so now. But there is no “grain” layered on the footage or any luts used.

Internal recording!

Insane what they’re going for!

Because it’s KZbin and im not making money😂

Much appreciated! Hopefully it inspires you to get out there and shoot!

@@DanielTroyer I second a color grade breakdown!

Base ISO’s

Of course it’s added

internal

How are you liking s5 compared with the gh6?

Most of the vintage xenon lens have some level of haze and or fungus inside of the lens that would account for the diffusion. I have a arriflex schneider 28mm that has similar characteristics.

@@Calgothits At 0:10 There's clearly bloom on the car headlights, wouldn't attribute that to lens characteristics. I have many vintage lenses, they are soft and have all kinds of diffusion but not like this. This definitely feels like a filtration or a digital bloom filter. Hence my question.I might be totally wrong. If that's really the lens then I'm in love.

@@cinematic_monkey you’re right it could very well be a promist filter as well, some vintage lens do bloom highlights very similarly tho, the nikon ais 28mm f2 comes to mind wide open it looks just like this.

@@cinematic_monkey Search this video on KZbin, you’ll see similar bloom without any external diffusion “LENS TEST - Canon FD vs Leica R vs Nikon AI-s”

@@Calgothits You may be right. My money though is on some fancy resolve plugin like cinebox or similar. Daniel clearly knows his way around post-production tricks so that might be some sort of film emulation suite. Hopefully he will shed some light onto this :) I'm a sucker for that sort of little tasty production details ;)

why not add a BM video assist to it and make it better?