8k guitar here boys😆

Came for the demo, stayed for the rack tom lampshade.

Price is really impressive

Thank you for letting us hear the guitar without all of the effects pedals.

Beautiful playing.

Beautiful sounding pedal. Great demo!

Well that was a mesmerising way to spend 10 minutes!

I'll stick with Boss OD-3 and keep $100 for Beer

amazing player...

Honestly, this is the fourth demo of this Eastman today as mine waits in My Cart. Big compliments on your demonstration; picking the E and D string for a real appreciation of the bass tones whilst the mids and highs made for the last demo. The corners cut by Martin CEO-7 and Gibson's L-OO (and price) led to defeat by this guy.

So is this a 1961 strat that was redone at the shop? Or is it a 61 REISSUE and a new guitar done to the 1961 specifications? There's a BIG difference in a 61 strat and a 61 strat reissue

The bias control is turned clockwise until the red light is on constantly. That is the optimal bias point then you adjust the other controls to taste. If the light wasn't there you'd adjust it until you get the most sustain. That's another way to check if the pedal is biased properly.

Best part of the video is when he shows the tones.

This is how you demo a guitar.

Do you prefer the Murphy Lab 335’s over the Collings I35 LC Vintage?

Love the squire lick!

Very cool comparison thank you for your efforts. The aged D18 Authentic for the Win. No contest to me.

Ted Greene fan?

Bought one used. Had to use an EQ pedal on it to kill off the darkness. However, it plays so well, I can’t part with it. Eventually had to upgrade the pickups. Now it is truly an SG killer. My poor old Gibson just rests in its case.

Get the funk out

I think SAge smokes the devils lettuce!!! Nice playing!!!

👍

I liked it when we heard the tones

Do the Swart 45!

Has a Paul Kossoff tone with the Les Paul . Tele sounds great too & the interesting tone from the guitar at end of video .

Was this class A/B or Class A?

n order to respond to the superstrat craze, Gibson introduced new models such as the US-1, the US-2, M-III, Q-3000, and WRC models . Though the US-1 was one of Gibson's first mass-production superstrats the Victory MV is the true "FIRST" Gibson superstrat. The MV's were rare guitars when they were new. Only 1800 MVX and 200 MV2 were ever minted. They were distributed worldwide. Only the earliest of these exceptional Gibson Victory MV guitars (quantity unknown) were handmade by the 44 veteran luthiers in the historic 225 Parsons St. Kalamazoo factory, using the best methods, and highest quality materials, with reputations of caring about each instrument as a creative piece of art. They were also the last. In 1981 America was in terrible stagflation, the economy was miserable, Millions of union auto workers and steel mill workers lost their jobs due to cheap imported cars and steel, The OPEC oil cartel controlled the world oil supply and had America on its knees . Americans begged in long lines at gas station for overpriced gas, banks started to foreclose on family farms, and the Kalamazoo factory founded in 1894 by Orville H. Gibson was shut down. Les Paul himself came with a truck to rescue the KZ/LP115 Pickup Winding Machine. and final minting of the MV's were sent to Nashville using automated milling and routing equipment and the "speedy" Meteor ME-301 PAF Pickup Winder. Some of the master luthiers who made the last "Kalamazoo Victories" purchased the old Gibson factory, equipment, and tools, and started the Heritage Guitar Co. Emphasizing quality before quantity, the character of the two factories that Gibson ran in the early '80s was quite different. Nashville was set up to produce large quantities of a few individual models whereas Kalamazoo was more flexible and could design, specialize, and customize small runs and "one-of-a-kind" instruments. The MV's were superb guitars: a Victory, both in name and features, ahead of its time, but a defeat for Gibson in terms of sales. Due to the double-dip recession top shelf guitars were simply unaffordable to most professional musicians at the time. The Victory MV's were hard to find in music stores. The Victory MV's were not well marketed. In the late 70's getting a copy of the Gibson Guitar Catalog was on every musicians wish list. But in 1981 and 1982 there were no American catalogs. To save money on advertising, Gibson only publicized the Victories with a 5 page black and white paper leaflet. It was also very poor timing to market the Victory MV-2 as "Designed primarily for the discerning country player" during the worst farm foreclosure crisis in US history. It was not until 1983 that the Gibson Guitar Catalog showed a Twilight Blue Victory MVX with a Kahler tremolo in a full color high quality photograph. Only a small percentage of Victory MV's actually have the original Kahler 2200 Tremolo System invented in 1979 by Gary Kahler and Dave Storey, and an even smaller percentage have a "Gibson Branded" Kahler 2200 Tremolo. Shredder Danny Coralles from Autopsy/Abscess - one of the early breed of US death metal acts still plays his Victory MVX. The Kinks' Ray Davies also played a Victory MVX. The Victory MV guitars are perhaps some of the most underestimated, and short lived guitars in Gibson history. The bulk of production seems to have been limited to the second half of 1981, and the first quarter of 1982 in Nashville. Blink in the early 1980s and you would have missed them. Tim Shaw engineered the Victory MV's with a series of specially designed Humbucker Pickup Kalamazoo Victory pickups were hand made one at a time on the “center focused” KZ/LP115 PAF Pickup Winder, with high sensitivity and unique tonal signature with fewer turns of wire, less scatter and a narrow magnetic aperture, Nashville Victory pickups were produced on the Meteor ME-301 PAF Pickup Winder to the same Tim Shaw specifications.

Would this be considered a Gibson LG 2 clone?

Well done.

Ugly ass guitar.

it's a rip-off copy from the Les Paul design ....

Woooooohhhh es hermosa 😱

bro got the door handle whammy bar

shit

Should it not be p90s...mary ford signature on already a signature guitar... she should of taken les paul model off and changed to mary ford.

Turning those knobs don’t do much for $300.00

Mark

What do I think? Pretty nice!

❤❤❤

What microphone was used please? For just one mic that sounds fantastic to my ears. Much more full bodied than a 57

i own a 1981 gloss black victory MVX in mint condition

Damn that is sweet. How much does it weigh?

I would love to have one with a Floyd!

holy Malcolm young.

Just needed the axe for the summer tour.. 😅

Great guitar! It's almost as good as the Epiphone 56 reissue

I own this Huss and Dalton DS12 guitar and it is sweet. I love 12 fretsm,and this is a good one!

We gotta hear it!

I own one you can also just call it and overdrive.loud,brite,very sensitive eq.i find best used this way,blend it into your favorite amp.just a little something extra. $260 takes it.

should have done a 24 inch scale. easier bends and less tension. Guess I'll save my pennies in case they make that Red Special the right length.