i just tried playing this and it's a miracle that i can still type

La première version de cette symphonie était moins exubérante. Prokofiev en a revu la version avec un nouveau numéro d'opus. Il s'agit d'une facture plus dans la veine du Chostakovich de la même époque. C'est une musique qui n'a pas le côté immédiat des oeuvres "pour la jeunesse" (Pierre et le Loup, Lieutenant Kijé, symphonie 7). Elle mérite donc d'être écoutée de près. Le guide d'écoute ci-joint est très détaillé et permet de très rapidement à s'affilier à cet univers haut en couleurs.

Thanks for your work, but I wish you'd have used a little less speedy pianist, difficult to follow. (The pianist is just showing off, in my opinion).

Thank you!

Thank you 🙏

10:58 No. 5 Walking Walking from Noodle and Pals 1:50:44 No. 41

Wonderful, looking forward to the complete concerto.

1:44 this sudden feeling of "release" was absolutely beautiful

The cadenza is outrageously beautiful, much harder than Rachmanimoff probably? But never have I ever heard something like it.

Interesting, I've always thought of 1:53 as T1 and 8:52 as the beginning of the recapitulation with the cadenca being a parenthesis within the recap. Both interpretations could be correct in their own way though, or perhaps I'm just wrong 😅

Thank you so much for your work on KZbin.

I will have no fingers left after trying to play this.

Very complete and interesting analysis of a complex work. Thanks a lot.

Masterpiece🥰

Хачатурян... Армения.. ❤

At 0:31 the last note on that page and the first note on the next page are not what is played by the violinist. Was this a deliberate choice to deviate from the score?

7:11 EXCUSE ME? B6?

1:07:16 i wasn't expecting that quote and i never knew he did that in this work!

여러가지로 에르데이 판본이 연주 안 되는 게 너무 아쉽습니다. 설리 판본보다 훨씬 나은 판본이 존재하는데 왜 그걸 안 쓰고... 설리 판본 안 쓰는 연주자들은 거진 다 1995년에 나온 넬손 델라마죠레 판을 쓰더군요. 두 번째 판본인 넬손 델라마죠레 판본도 문제 많다고 비판 많이 받았고 가장 최신 판본인 에르데이판이 가장 바르톡 답고 바르톡의 스케치에 맞게 완성되었다고 극찬을 받았다고 들었고 개인적으로도 에르데이판이 제일 낫다고 생각하는데 이런 판본은 그 누구도 사용하지 않는다는 게 참 안타깝고, 티보르 설리 판본이 이래저래 문제가 많으며 이것보다 나은 판본이 분명히 존재하는데도 그저 가장 최초 완성판이라는 이유만으로 설리판본을 최고로 쳐주는 것 같아 너무 아쉽습니다.

에르데이 판본보다 넬손 델라마죠레 판본이 9년이나 먼저 나왔어요. 에르데이판 2004년, 델라마죠레 판 1995년. 에르데이 판본이 가장 마지막 세 번째 판본입니다. 시기가 이렇기에 이 판본이 에르데이판을 참고했을 가능성은 0%입니다. 그리고 제가 아는 바로는 이 두 번째 판본인 넬손 델라마죠레 판도 비판을 많이 받았고, 2004년에 나온 에르데이판이 가장 바르톡답게 완성되었다고 바르톡 학자들로부터 극찬을 받았다고 알고 있습니다. 개인적으로도 에르데이판이 바르톡이 생전에 남겼던 스케치를 가장 잘 구현했고 오케스트레이션도 가장 잘 되었다고 생각해서 제일 좋아합니다. 티보르 설리판이 문제가 정말 많은데도(바르톡 답지 않은 오케스트레이션, 바르톡이 쓰지 않은 패시지를 멋대로 추가했다든지 멋대로 바르톡이 스케치에 남겨둔 걸 수정했다든지 등) 그저 가장 최초로 완성되었다는 이유로 제일 많이 연주되고, 더 나은 판본이 있음에도 사용되지 않는 현실이 너무나도 안타깝습니다. 에르데이 판본은 사바 에르데이가 직접 협연한 음원 말고는 연주 영상도 음원도 본 적이 없는 것 같네요.

Amazing. My piano teacher played me the third movement when I was 18 - a life-changing moment. Toccata is also great, and a bit easier. Thanks for sharing

nice video, where did you find the score ?

where can i find this sheet with violin transcription? imslp only have for piano, many in the F clef

Hey Signore, thank you for this video but in your analysis, you missed the most important part: the twelve-tone series. What you refer to as the interlude is actually the main part - that’s one clue. You also missed this in the very final part - that’s the second clue). And there are many other moments - I won’t spoil your interest.

15:36

Love No.10, no.13, no.41 ,no.47

What a boring performance 😴😴😴😴😴😴😴with absolutely no rubato. I can't imagine Sarasate playing it this way at all. It's so incredibly robotic. However, it's a nice arrangement by Sarasate. Doesn't hold a candle to the Wilhelmj version, though, which gave the piece its famous name "Air on the G String".

Hello, how can I get the PDF of the score so I can print it?

Lovely, looking forward to the full realization of your project!

Beautiful, thanks for the post

0:00 n 1 0:38 n 2 2:00 n 3

I don’t feel exclusive enough when playing first violin part

Bravo ❤

Composed in 1941! Sounds like it was written a hundred years earlier 😮 An unfairly underrated composer 😨

2:37

15:18

Admirable! Sarasate himself would have loved it, bravo!

Needs more balls! Put your hips into it.

interesting that the 'capulet' theme at 29:15 reappears several times throughout the piece most notably at: 34:05 1:51:48 2:01:04

59:30

42:39

10:58

Bellissimo lavoro! Complimenti davvero. Grande controllo del materiale musicale ed idee (strettamente musicali) molto belle.

Babe wake up new XXI century banger just dropped

This sounds like Scriabin

absolutely no regard for any musician's sanity in this piece, but still very cool

No.2 is so neat

what a masterpiece.. i think 16:03 is the best part of this work. something sophisticated and elegant.

Such an incredible performance of an insanely hard piece. Super interesting that Bartok includes the Ab piccolo clarinet - Clarinet in Lab! Although it’s mostly in unison with the Eb clarinet - Clarinet in Mib - interesting to see it get the occasional solo passage! 👍

Absolute masterpiece…