ss sabu

Пікірлер

@keithlaliberte4755 10 күн бұрын

Really no one comes remotely close to what he's done here

@keithlaliberte4755 10 күн бұрын

My favorite recording of this. A lifetime of passion and power in 30 minutes. The colors...

@choko1277 15 күн бұрын

肖像画に描きたい程に綺麗ですね。とても素敵…❣️

@US_made_911_terror_and_Covid19 27 күн бұрын

In this 1951 recording, Horowitz does not play with a bizarre stretch as he did in his later recording. He played it with a definite Russian feel and did so confidently.

@FlorianSenden-p7u 29 күн бұрын

23:18 - 24:07 is just so fitting for horowitz...

@FlorianSenden-p7u Ай бұрын

25:28 to 25:54 is my favourite part

@user-fe7ub6rw3x 2 ай бұрын

21:10

@user-oq6eg6jh2l 2 ай бұрын

さようなら。

@Dkdrl246 3 ай бұрын

By this time Horowitz was probably exhausted from frequent performances and touring. Compared to his 1943 performances, this feels melancholic.

@bunnychete 3 ай бұрын

Is the Rach 3 based on this Sonata ??? There is way too much similarities for it not to be?

@curtisunit 3 ай бұрын

I don’t want to hear anyone else play it now.

@迫屋健一 3 ай бұрын

隠ぺい体質は自民党貴方たちだろう、安倍政権はもっと酷かったと思います。

@夏目雅子-y1e 4 ай бұрын

なんかさ、馬の骨達が、僕よりバレエ得意だって威張ってるけど、前頭葉からっぽにしてから踊らせてみて？（笑）

@夏目雅子-y1e 4 ай бұрын

どんどんこ、ろ、せ！まるで蟻地獄のように！（笑）

@Davidfooterman 4 ай бұрын

There is one chord in the B minor where Horowitz adds a note that works pretty well. I don’t think he did it deliberately out of arrogance; I think he just heard it in his head and it came right out in the fourth finger of his right hand! I noticed it again today after having not listened to this performance for quite a few years.

@Davidfooterman 4 ай бұрын

Yo-Yo Ma has a lyrical, translucent tone reminiscent of Paul Tortelier rather than the scratchy sound of Mstislav Rostropovich. Although there was an understanding, an incredibly sensitive ensemble between Rosty and Richter that is not quite matched by Ma and Ax, great as they are. I find Ax a little heavy on the ivories compared with Richter. Perhaps it’s just in the superior recording technology, or the positioning of the microphones, or perhaps it’s just that I was lucky enough to be there in the Usher Hall at the Edinburgh Festival hearing the Russians live - I was a young anachronistic teenager whose friends were all struggling for tickets to Beatles concerts. Oh, I loved the Beatles ….. but I wouldn’t have traded those Usher Hall tickets to Beethoven cello sonatas played by the Russian maestros for tickets to the Beatles, even at Earls Court, surrounded by beautiful, adventurous blondes in the 1960s where it was all happening. ‘Those were the days, my friend …. ‘ [Mary Hopkin was a beautiful, adventurous blonde]

@野中好幸 4 ай бұрын

平沢先生いつまでもお元気で🥴

@cescllopis 5 ай бұрын

With timeline is much better!

@mimi-se8hl 5 ай бұрын

こうした歌を聴くと現在の唱の業界はなんだろうと思う。劣化を恥と思わないとしか考えられない。

@docmalthus 6 ай бұрын

This is from his 1960 tour of the US. Richter didn't really like anything he recorded on this tour. Richter said at the time "I've played it better than this". The scary thing is he probably did.

@3YZ-TS191 6 ай бұрын

The greatest recording of this piece by milestones imo, as much for its lyricism, passion, and interpretation as for its well-placed episodic "violence" throughout. A monumental feat by any standard.

@Davidfooterman 7 ай бұрын

Liszt was a far greater composer than he is often given credit for. The last couple of minutes of the b minor are amazing, starting with the repetition of the central melodic theme in the left hand followed by the dreamy acknowledgement of it by the right hand and then the resolution of the whole story by both hands at the end: it’s compositional genius; it was too easy to underestimate Liszt, the flamboyant pianist, as a composer. I continue to hear young musicians making this mistake when they talk about Liszt; the problem was he had a very great contemporary in the form of Chopin; this alone could be enough to make Hungary and Poland into mortal enemies for all time!

@Davidfooterman 7 ай бұрын

Horowitz plays the B minor so much more teanslucently than anyone else. You hear all the marvelous passing notes that Liszt placed within the sound; it’s like looking at a building and seeing the workmanship in the bricklaying as well as the imposing design of the building as a whole. As always with Liszt, there is so much obsession with covering all the notes adequately that the lyricism is lost. Here you have Horowitz, one of the greatest virtuosos of all time, taking the B minor at a slightly slower pace, at which you can hear every note, and at which Horowitz can give you every note unequivocally. I remember as a young child hearing Richter, one of the greatest virtuosos of all time, play the Liszt B minor at this slightly slower, more revealing pace, BUT, in the true spirit of the Liszt romantic era he would play selected portions of the most difficult parts of the piece at a faster tempo just to show us what he was made of. This is exactly what Liszt would have done; he was a very emotional and exhibitionist pianist/composer of the romantic era, who would dress up parts of his sonata with portions of great difficulty with the express purpose of proving the virtuosity with which he and other leading pianists of the time could play it. Chopin did it occasionally, especially in some of his studies, but Liszt did it all the time!

@andremxa3163 7 ай бұрын

I wonder if Rach himself heard this gem

@Dkdrl246 3 ай бұрын

August 7, 1942: Hollywood Bowl, California The audience that evening was said to have been over 23,000, including Sergei Rachmaninoff himself. After the concert, Rachmaninoff came up on stage and said that he had always dreamed of the concerto being performed like this. Horowitz never forgot this concert, he considered it one of the greatest moments!

@organman52 7 ай бұрын

This deranged man just could not resist adding notes to the score. This is criminality on full display.

@hondalbxlight 7 ай бұрын

13:15〜ここからがメインテーマ稲田氏は質疑する側のほうが似合う

@clydeblair9622 8 ай бұрын

Damn The Black Cat. As hard to shake as William Tell :-)

@thomasbarth4901 8 ай бұрын

Das ist eine Sternstunde des Klavierspiels, ich weiß nicht, ob es Helsinki 1961 ist, denn Applaus am Ende fehlt, egal die beste Appassionata aller Zeiten.....

@chaikagome9725 8 ай бұрын

リヒテルの写真をこんなに見られるとは。(｡･･｡)

@jayscherrer4380 9 ай бұрын

Beautiful, reminds me of listening to the summer rain under a Skylight at night.

@junsupark06 9 ай бұрын

18:18

@Niki_0203 9 ай бұрын

厚労相何も間違ってなくね？

@vankasnak1 10 ай бұрын

Lots of banging. Try Richter's more balanced approach.

@rosspiano88 10 ай бұрын

Early Horowitz was off the human charts brilliant, having worked on the opus and listened to every rendition that perked my interest over the past 50 yrs., the musicality and technique is unsurpassed in my opinion.

@CookieFXTM12 10 ай бұрын

8:10 how much voices

@CookieFXTM12 10 ай бұрын

8:09 omg what

@creationfied 11 ай бұрын

is this audio edited post recording? something weird going on with it at 22:10 and 22:04. Doesnt feel natural

@CookieFXTM12 11 ай бұрын

no. thats called the "horowitz effect"

@Hsuhebdjdhajab 11 ай бұрын

11:50 21:57 26:05

@Luckykcarr 11 ай бұрын

다른 모든 피아니스트들도 대단하지만, 호로비츠의 라흐 3번은 정말 베스트네요. 3악장 정말 어마어마하다는 말밖에 안나오네요

@jeffsmith1798 Жыл бұрын

3:33 10:23 14:30 23:03 26:25

@annamariamanfredi6624 Жыл бұрын

Thank you.❤ Wonderful ❤ Good Morning World ❤ Peace and Love ❤

@peterholetschek9803 Жыл бұрын

What a difference to all these totally unmusical Asian copy-machines of our times...

@RaineriHakkarainen Жыл бұрын

Dimitri Bashkirov her teacher Anastasia Virsaladze teach saying to Bashkirov the most important Lesson is the Love of Beautiful colorful piano sound! This was already in 1930s! Really Shocking! Modern players are cold colorless piano sound players like Kissin Hamelin Pletnev Zimerman and Latest Hype Students Yunchan Lim and Eric Liu! Yunchan Lim played colorless cold dry sound Rach concerto no 3 in the Cliburn Finals! And totally crazy deaf people claiming this student Yunchan Lim the greatest ever! All the beautiful colorful sound players are gone dead like Emil Gilels Radu Lupu Artur Rubinstein Wilhelm Kempff Vladimir Ashkenazy! More genius than young stars today=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Alexei Lubimov Stanislav Igolinsky!