thanks for the video. keep music volume low while you speak. sometimes it is not clearly audible what you are saying because music sound is high

is there a way to have new songs done with dead singers? thanks for the great videos

Editing lyrics or title afterwards did not effect on the song.. not even the lyrics video. So i edit the video on camtasia (video editor)

Thank you for making John Wright’s film available on KZbin. I purchased two versions when it was first released and persuaded another to purchase and watch it. What horrified me about the Christian faith as a 3-5 year old child, was the realisation that it is divisive, for as Jesus is recorded as saying, ‘Do not think that I have come to bring peace to the world. No, I did not come to bring peace, but a sword. I came to set sons against their fathers, daughters against their mothers, daughters-in-law against their mothers-in-law; your worst enemies will be the members of your own family. Those who love their father or mother more than me are not fit to be my disciples; those who love their son or daughter more than me are not fit to be my disciples. Those who do not take up their cross and follow in my steps are not fit to be my disciples. Those who try to gain their own life will lose it; but those who lose their life for my sake will gain it.’ Matthew 10.34-39, Good News Bible and this realisation broke my heart, and in my mind, I had left my family by the age of seven and unconsciously descended into the underworld in my mind to survive. This is generally referred to as childhood, early or emotional trauma - see the introduction to the ‘The Inner World of Trauma: Archetypal Defenses of the Personal Spirit, Donald Kalsched, 1996 freely available on Google Books at www.google.co.uk/books/edition/The_Inner_World_of_Trauma/Ap3rAgAAQBAJ?hl=en&gbpv=1&dq=the%20inner%20world%20of%20trauma&pg=PA2&printsec=frontcover , ‘The Black Sun’, Stanton Marlan, 2005 available as a free download at oaktrust.library.tamu.edu/handle/1969.1/86080 , and Marion Woodman and Daniela Sieff on the ‘Death Mother’ available online. If Jesus actually said these words, it seems to me he was at least being clear and honest, people did not have to follow him. All manner of sophisticated arguments are put forward to diminish or deny this division, but the divisive insistence that you are either a Christian or are not a Christian with two very different eternal futures, continues to be maintained in the Christian faith. I am so very grateful to Tony Campolo for describing Peter Berger’s concept of a plausibility structure that I was unaware of, as the chalkboard drawing at 52:43 perfectly illustrates what had happened to me by the age of seven. The Christian plausibility structure and my family were one and the same in my experience, my body was inside its defensive walls, and I was outside its impenetrable walls in my mind (see ‘The Divided Self’, RD Laing, 1960). sites.google.com/site/thedividedselfrdlaing1987/cover-the-divided-self-r-d-laing-pelican-1987 When this happens to a child, it will I suggest likely have a major negative impact on its mental and physical health and wider human society, for it severely damages or destroys all its human interactions and relationships including with its family throughout its life, primarily because of its dissociation from its physical body. I suggest it is unlikely given current psychological understanding, that a child will ever fully recover, regardless of how much money it may have in adulthood to fund at least weekly therapy with one of the world’s most expert psychotherapists. As psychiatrist Lenore Terr wrote in her paper ‘Childhood Traumas: An Outline and Overview’, 1991, ‘If one could live a thousand years, one might completely work through a childhood trauma by playing out the terrifying scenario until it no longer terrified. The lifetime allotted to the ordinary person, however, does not appear to be enough.’ and this is the problem, that even if a traumatised child lives to a hundred or more, with the current level of psychological understanding, it is still nowhere near long enough for them to recover, as even the most expert psychotherapists have in my view not succeeded in understanding anywhere near the full extent of the problem, as their clients don’t live anywhere near long enough for them to do so. The only possibility of a resolution I suggest, is meeting a person who will show you perfect love and devote their life 24 hours a day to your recovery for decades, and for you both to live long enough to understand what happened to you as a child and recover, but this is terribly hard on them. If you are lucky to live long enough to recover from it, most if not all of your family of origin will likely have died, and the stark division between you may well have remained, likely making any resolution impossible. The tragedy it seems to me as Tony Campolo said in his address to the National Youth Workers Convention in Sacramento in 2014 on KZbin at kzbin.info/www/bejne/b6ndhKx4a9asfM0 is that while he believes it ‘Christianity when looked at objectively is totally absurd’, and that this, and the right of a young child or at any other time in its life to refuse the Christian faith, is not explained to young children when they become aware of it and is likely never explained in most cases, and that there are in most cases no written ‘terms and conditions’, and no help or redress in case of injury, loss or damage etc. In my experience, most adult Christians are unable to face up to the divisive nature of their faith as it is understandably too painful for them to do so, so how are young children meant to do so? My wider family was already badly divided by their Christian faith when I was a young child, and what survives of it remains divided 60 years later. I don’t doubt it broke my mother and fathers heart when it became clear to them I did not wish to be a Christian in adulthood, but their faith had broken my heart many years earlier by the age of seven. As a young child of 3-5 years old I could clearly see that from any objective point of view that Christianity was totally absurd, but yet everyone in my family around me was extremely keen that I believe it, and I could plainly see I would likely not survive their daily inculcation until adulthood, and as physically running away was clearly not a viable option as I would either be found, or not found and therefore might well not survive, running away into the underworld in my mind was the only viable option I could see, for no way would the members of my Christian family ever listen to me as a young child, any more than they would fifty years later as an adult. Maybe other children in the same situation would have resorted to self-harm, anorexia or arson as in the case of Michael ‘Mini’ Cooper who challenged the irrational belief systems of his parents, ‘Mini’, 1975 at www.dailymotion.com/video/x6sao9i If Jesus said the words recorded in Matthew 10.34-39 and Luke 12.51-53, 14.26-27 and demanded his followers love him more than their family members which seem to me to be a misunderstanding of the nature of love, in my view he was plainly wrong to do so, as children need to feel wholly part of their family growing up and throughout adulthood, they should not be divided from their family in any way, for as I know all too well, family division is extremely damaging to individuals, families and human society, parents need to put their children first. But I can see if Jesus divisive words were deleted from the Bible, and there was no difference between Christians and non-Christians and their supposed eternal futures, this would likely result in the collapse of the Christian faith. It seems to me the faith is partly dependent on the teaching of this division, to survive in the long term. But there, the evolution of centuries of study in Christian institutions led to the work of Copernicus, Galileo, Mendel and many others, and our scientific understanding of life, the world and the universe for which I am very grateful, although of course the results of the work of these individuals was often strongly resisted by the church. ‘The Church pedalled and still peddles pernicious superstitions, but they are the pernicious superstitions which made Western Civilisation.’, Jonathan Meades, Salisbury Cathedral kzbin.info/www/bejne/q37Po4OJa7F2rdk Evolution is often a cruel and heartless process, but we could try not to be cruel and heartless to our children, and explain to them as soon as they are able to understand from 3-5 years old maybe, that ‘Christianity when looked at objectively is totally absurd’ and that it is their right to reject it at any time in their life if they wish, and that we will continue to love them regardless. Charles Handy’s BBC Radio 4 ‘Thought for the day’ on whips ccdl.claremont.edu/digital/collection/p15831coll12/id/1840

Hello can we use the same band configuration and the same voice to do songs like if it where a whole band making songs? To get a full album

Try getting it to sing with a Boston accent.

I want to make a rap song, but there will be no music in it, I just want it to be with lyrics, is this possible? How do we do?

One thing I've found, if you use say guitar balled in the actual lyrics, it does it. If it doesn't want to use the right instruments, do the instrument multiple times in the style. AI needs to be told repeatedly what you want. Think like you're a mad father that cant stop repeating himself. Thats what you need to act like to the AI.

What unique instruments, like the Khaen, Khong Wong Lek OR uncommon languages, like Lao?

Would you know how to add in the sound of a heart beat? Could be done in the intro or even in the middle of the song

how do we get the same vocie

dont forget to do outro or end or your song will cut off at 3:59 and sound dumb at the end

Next time try Bossa Nova. See if it works.

I tried with my vocals and worked so well :))

I would like to make it say only one word at the beginning and no more vocals then...Does anybody know??

Muddy Southern Rap, Rough Male Vocals

Can you do a Tutorial using your vocal. I really want to see hows its done. I like vocals it gives you but i would want my own

“The last free place there is , the sea!” Going to the least free place . Lol glad he got noticed

Using names like Marvin and Aretha and hoping it'll sound like the actual singers is pointless. Suno trains their models on data with all mentions of any artist names explicitly removed, to prevent people from asking it to copy real (and copyrighted) music. So the AI literally has no idea who any artists are; all the songs it's learned from are, in its understanding, anonymous. I don't know how much this matters, but try separating your style tags with commas instead of line breaks. I haven't seen anyone use line breaks, and I get the feeling the model was trained with comma-separated tags. At the very least, it seems to just remove the line breaks, and I'd expect "guitar ballad, slow" to be clearer to the model than "guitar ballad slow" (with the latter being more likely to consider "guitar" and "ballad" separate and equal descriptors, rather than one unified and related descriptor).

You can also get instrumentals using the custom to write in the meta tags there instead of lyrics. You can also mix it with lyrics. I can almost consistently get 2.5-3.5 minute songs

Suno needs to have an option to regenerate the same music with a different singing style or keep the singing style and regenerate different music .

It might sound simple but I have found that when I say "please suno do this or that" he follows the instructions, for example I told him not to do something as a negative prompt and it stopped doing it.

It's a good program to test your lyric's with and get melody idea's. Thank you for making the video's they are interesting.

Cool. Thanks for sharing.

AI guides on how to create music or even just swapping vocals are being increasing deleted, I'll assume it's related to the RIAA vs Udio and Suno case

Well, I wish I'd seen this video a month ago (yes I know it wan't uploaded yet). It would have saved me a lot of credits. 😊

Hello can you tell me how can I remove the voice of the singer in the uploaded song, I don't need the voice, I just need the music of the song

so there no way to connect the extended version of the song to the original?

You have opened a new universe for me with this brackets parametering ! THX!

Thanks for this video. I am currently transforming some of the lyrics from the Lord Of The Rings books into songs and I was wondering if I could make 2 men sing at once (to make a group of dwarves sing, for example). Don’t know if it’s possible but I’m gonna give it a shot with your tips. Suno has improved a lot over the last six months and I am pretty sure we will be able to fine tune the prompts with much more accuracy and simplicity in the near future. Ps: as you can see, English is not my second language so please forgive me any mistakes! Cheers!

Thank you sir. I have enjoyed watching this video.I will use this as a guide to make my new song by using suno.

You don’t talk about the their economy over the thousands of years or who “owned” the city or the change in climate (it’s really dry now)

I myself have tried almost everything possible to change the voice of the sungers. All the songs start to sound the same when they are always sung by the same type of singer. For blues and soul, I would like the singers to have much more rawness.

I notice that a "geographical" reference helps allot, irish female duet, Atlanta singer check my out @gopro on suno

This is awesome also true

Fantastic Thank you for your help with SUNO. I've been taking notes and I'm going to test it to see how it behaves with Portuguese music from Portugal.

Is it possible to use a specific voice, like Anita Baker's soulful tone, as a voice model for AI-generated songs? And if so, how could I apply that same voice to create covers of different songs?

Cool tutorial man! I got a laugh out of this + some smarts. Great meme - gen X the fuck around and find out people. Love it! 😅✨⚪✨

So far I have enjoyed all your video's on Suno.

Does anyone know how to play a song in a specific note or say minor? I’d like to create a sad song

hey matt how to connect you directly :) Your work is amazing. <3

Thx, a lot of new stuff If you want male voice in verse and female in chorus you can add [John] after [verse] and [Sarah] after [chorus] or any names It works for me

I’m interested in seeing your note on Suno prompt list, you pull it up in video but don’t have a link to it, I’m sure it would help a bunch of people watching

Let me just say... I LOVE Suno. I tried it and LOVE it. Thanks 4 sharing !!😊

a few style prompt's I've discovered that are not in any documentation: ● atonal, ● fractal-noise, ● atonal, ● rubato, ● tuplet I have a growing list of genres I've seen in other's song receipies. Please let me know what else you have found that works. Thanks. Genre Tags ● Acapella ● AcidJazz ● AcidRock ● Acoustic Guitar ● Adagio ● Adjan ● Adjunct ● AdultContemporary ● Afro-Cuban ● Afrobeat ● Aggressive ● Allegro ● Ambient ● Americana ● Andante ● Anthemic ● Arabian ● Arabian Ornamental● Art ● Atmospheric ● Atmospheric Black Metal ● AudiobookBackground ● Avant-garde ● Avant-garde Jazz ● Avant-garde Metal ● Background ● Banger ● Bangra ● Barbershop ● Bass ● BassHouse ● Beatboxing ● Bebop ● Bedroom ● BigBand ● BlackMetal ● Bluegrass ● Blues ● BluesRock ● Bolero ● BossaNova ● Broadway ● Brostep ● Butoh ● Cabaret ● Calypso ● Callto Prayer ● Calming ● Carnival ● Carnatic ● Celtic ● Chaotic ● Chalga ● ChamberMusic ● Chanson ● Chillhop ● Chillout ● Chillwave ● Chiptune ● Choir ● Christmas Carol ● Cinematic ● Classic ● Classic Rock ● Classical Crossover ● Club ● ComedyRock ● Composer ● Contemporary Classical ● Contemporary R&B ● CoolJazz● Country ● CountryBlues ● CountryRock ● Cowboy ● Crunk ● Cyberpunk ● Dance ● DancePop ● Dancehall ● Dark ● DarkAmbient ● DarkCabaret ● DarkElectro ● DarkFolk ● DarkJazz ● DarkPop ● Darkwave ● DeathMetal ● Deathcore ● DeepHouse ● DeepTechno ● DeltaBlues ● DesertRock ● Disco ● DiscoFunk ● Distorted ● Doom● DoomMetal ● DooWop ● Downtempo ● DreamPop ● Drone ● DrumandBass ● Dub ● DubTechno ● Dubstep ● DungeonSynth E ● EDM ● Electro ● Electro Swing ● Electroacoustic ● Electronic ● Electronic Rock ● Electropop ● Emo ● Emotional ● Enka ● Epic ● Ethereal ● Ethnic ● Eurodance ● Europop ● Experimental ● Experimental Rock● Experimental Metal F G ● Fado ● Festive ● Fingerstyle Guitar ● Flamenco ● Folk ● FolkMetal ● FolkPunk ● FolkRock ● Forró ● FreakFolk ● Freestyle ● FrenchHouse ● Funk ● FunkMetal ● FunkRock ● FutureBass ● FutureGarage ● FutureHouse ● Gabber ● GarageRock ● GlamRock ● Glitch ● Glitch Hop ● Glitch Pop● GoaTrance ● Gospel ● GothicMetal ● GothicRock ● Gregorian Chant ● GrooveMetal ● Groovy ● Grunge ● Guajira ● GypsyJazz H ● HappyHardcore ● HardBop ● HardRock ● HardcorePunk ● Hardstyle ● HarshNoise ● Haunted ● Hawaiian ● Heat ● HeavyMetal ● HeavyMetalTrap ● High-NRG ● Hindustani ● HipHop ● HonkyTonk ● House● Hyperpop I J ● IDM(Intelligent Dance Music) ● Indie ● Indie Folk ● Indie Pop ● Indie Rock ● Industrial ● Industrial Metal ● Industrial Rock ● Instrumental ● Instrumental Rock ● Intimate ● Irish Folk ● Islamic Call to Prayer ● Italian Opera ● Jazz ● JazzFusion ● JazzRap ● Jingle ● Jpop ● JugBand ● Juke ● JumpBlues ● Jungle● K-pop K L M ● Kabuki ● KawaiiMetal ● Kayōkyoku ● Klezmer ● Koto ● Latin ● Latin Jazz ● Latin Pop ● Latin Rock ● Lo-fi ● Lounge ● LoungeSinger ● LoveSong ● Lullaby ● Lyric Opera ● Mambo ● March ● Mariachi ● Martial Industrial ● Mashup ● MathRock ● Melancholy● Melismatic ● Mellifluous ● MelodicDeath Metal ● MelodicMetalcore ● Metal ● Metalcore ● Military ● Minimal ● MinimalTechno ● Minimalism ● Mod ● ModalJazz ● ModernClassical ● Moombahton ● Motown ● MovieSoundtrack ● MumbleRap ● MusicBox ● MusicalTheatre ● MusiqueConcrète ● Muzak N ● Narodna ● Narrative ● NativeAmerican ● Neoclassical ● Neofolk ● NeonPop● Neurofunk ● NewAge ● NewJackSwing ● NewOrleansJazz ● NewWave ● NewYorkHardcore ● NoWave ● Noise ● NoisePop ● NoiseRock ● NordicFolk ● Nostalgic ● NuDisco ● NuJazz ● NuMetal O P ● Ode ● Opera ● Operatic Pop ● Orchestral ● Organum ● Oriental Metal ● OutlawCountry ● PaganMetal ● Pagode ● Parody● Partita ● Party ● Philadelphia Soul ● PianoBlues ● PianoRock ● PiedmontBlues ● PipeBand ● Plena ● Polka ● Pop ● PopPunk ● PopRap ● PopRock ● Post-Bop ● Post-Disco ● Post-Dubstep ● Post-Grunge ● Post-Hardcore ● Post-Metal ● Post-Punk ● Post-Rock ● PowerElectronics ● PowerMetal ● PowerPop ● Progressive ● Progressive House ● Progressive Metal ● Progressive Rock ● Psybient● Psychedelic ● Psychedelic Folk ● Psychedelic Pop ● Psychedelic Rock ● Psychedelic Trance ● Psychobilly ● Punk ● PunkBlues ● PunkJazz Q R ● Qawwali ● Quebecois Traditional ● QuietStorm ● Quintet ● Ragga ● Ragtime ● Rai ● Ranchera ● Rap ● RapMetal ● RapRock ● Rave ● Reggae ● Reggaeton ● Requiem ● Rhapsody● RhythmandBlues(R&B) ● Rock ● RockandRoll ● RockOpera ● Rockabilly ● Rocksteady ● Romantic ● RootsReggae ● RootsRock ● Rumba ● RussianFolk S ● Salsa ● Samba ● SambaRock ● Satire ● Scandinavian Metal ● Schlager ● Schoenberg ● Score ● Screamo ● SeaShanties ● Sega ● Semba ● Sensitive ● Sephardic ● Serialism ● Shamisen● Shoegaze ● Sideshow ● Sighing ● Singer-Songwriter ● Ska ● SkaPunk ● SkatePunk ● SkateRock ● Skiffle ● SlowCore ● SlowMotion ● SludgeMetal ● SmoothJazz ● Snap ● Soca ● SoftRock ● Sonata ● Songhai ● SonicTexture ● Soul ● SoulJazz ● SoundArt ● SoundCollage ● Soundtrack ● Southern Gospel ● Southern Rock ● SpaceDisco ● SpaceRock ● Spaghetti Western● SpanishFolk ● Spectralism ● SpeedMetal ● Spiritual ● SpokenWord ● Staccato ● StadiumRock ● Steelpan ● StonerRock ● Stride ● String Quartet ● SufiMusic ● SurfRock ● SwampPop ● SwampRock ● Swing ● Symphonic ● SymphonicBlack Metal ● SymphonicMetal ● SymphonicPop ● SymphonicRock ● Symphony ● Synth-pop ● Synthwave ● Taarab ● Tango ● TapeMusic● TechHouse ● Techno ● Tejano ● TexasBlues ● ThaiPop ● ThrashMetal ● ThroatSinging ● Timba ● Traditional ● Traditional Folk ● Trance ● Trap ● Tribal ● TripHop ● Tropical House ● Tropicália ● Trot ● Troubadour ● TruckDriving Country ● Turbofolk ● Turntablism ● TVThemes ● TweePop ● Twelve-tone ● Twist ● UKDrill ● UKFunky● UKGarage ● Uplifting ● UrbanContemporary ● UrbanFolk ● Usul ● Vallenato ● Vaporwave ● Vaudeville ● Vegas ● Venetian Snares ● VideoGameMusic ● VienneseWaltz ● Viking Metal ● Villancicos ● Villain Theme ● Vintage ● Visual Kei ● Vocal ● VocalHouse ● VocalJazz ● VocalTrance ● Vocaloid ● Volksmusik ● Waltz ● WarMetal● WestCoastRap ● Western ● WesternSwing ● WitchHouse ● World ● WorldBeat ● WorldFusion ● Worship ● XhosaTraditional ● Xoomii ● YachtRock ● Yakshagana ● Yé-yé ● Zamba ● Zeuhl ● Ziglibithy ● Zouglou ● Zouk ● Zydeco

i usually put in the Style of Music box up to the 120 letter limit, is it a good idea? or fewer is less confusing to the AI?

Incredible tribute to this man, the hero of 311 people. Only a wise wolf sailor like him could accomplish such a great feat. Much respect to Finbar Gittelman and Matt Dean

I started doing commercial music and I use suno and add vocals from Vocs AI

Wow this is an invaluable piece of my Cuba's history told in an exceptional way by this brave man, a few hundred who sailed risking their own lives to rescue their families from the terror and miseries of communism. It is sad to know that years have passed and the situation is even worse there. Long live Cuba Cojone!!

How do you get a new version of a song without losing everything you like about the previous version? Like I get a great voice with the right timing and phrasing for my original lyrics and audio sample but maybe the bridge or third verse has some issues. How do I re-roll the dice to get a new version but keep the same voice? Because the next one might have a voice I’m not crazy about or the timing is all wrong. And I would love to be able to completely block that Zoltan(Five Finger Death Punch) singer because that’s never going to be the kind of rock/metal I’m going for and he comes up way too often and I hear it in your song here too 😂