Personally, I’ve never heard anything about this idea that real time LUT has the effect and I’m not sure how that would even happen or work? Additionally, I have used a lot of converted footage and never saw any of the telltale signs of 8 bit footage personally

Not familiar with that system but a big part is I don’t use Resolve

@@RhettThompsonFilm I use ACES transform when using multiple camera systems and it works flawlessly and easily. Will be interested in seeing a comprison video if you ever get a chance to test it out.

I tried!!

Never heard of this and I just checked my copy does not display this issue. You should be able to also, reset it by hitting the display button does that do anything? Otherwise may be a factory reset or a firmware update could be in order.

@@RhettThompsonFilm I appreciate you checking yours. It doesn't do it in the viewfinder (I can freely move it around with the joystick). It's only in open gate on the screen. I tried resetting the display, but it doesn't seem to do anything. Might try resetting the camera after today (I have a wedding today so I'll wait until after that). Thanks again!

@@RhettThompsonFilm Little update - if I set my monitor display setup to have the icons within the live area, this problem goes away. it only does it when I have the icons set outside of the live view area. weird. again this only happens in open gate.

@@filipmichalsaffray441 wow that’s quite the workflow! I’m only just now playing with Log C but if it works it works! And yea Filmconvert is another one of my favorites for sure

Not sure what this "not owning" thing you are referring to is?

@@Blohme_official the action 4 or another?

@@RhettThompsonFilm DJI pocket. The first one.

@@ggdfggdfgdffgfddg34 I definitely plan on testing this soon! Subscribe to stay posted for sure

@@adrianmartin8202 typically it’s best to just shoot full frame and crop after

Was what I was thinking, change afterwards in photoshop. I bought the 35mm from Sirui and is insane for video with the APS-C mode but I can’t find in photo in Lumix… to don’t lose quality image (as I saw in other videos) I will do in post-production definitely

@@raalaa121 could always repair it!

@@RhettThompsonFilm nope Panasonic don't supply parts to fixation or any of the other popular repair places, that was my first course of action here in the UK

@@raalaa121 oh man that’s a real shame. The used prices aren’t too bad and hopefully the new copy lasts even longer! I broke mine in a similar way and the metal of the mount broke straight off

Thanks, will do!

Sorry to hear that! Unfortunately these issues don’t come up with doubt my reviews and mine still works! Seems to be a lot of variance with how people use them

Glad I could help!

Happy to help! What are you leaning towards?

@@sietsewolters6652 if you watch the video you may disagree

@@mattstone8878 wow, ok that’s kind of a steal. And still shooting fantastic 4k!

@@RhettThompsonFilm They also don't overheat! Bwhahaha!

@@neddanison9202 at this point, I probably need to just delete this video lol. In fact, I think I’m going to list it and put it in a playlist so people can find it if they want to

@@psysword so dramatic! Haha I still wonder if there was variance in how intense it was. I can’t say it ruined any shots in the years I’ve used the camera

Pretty nice combo! I’m glad I’m able to have a variety of cameras so yea GH6 GH7 and GH5s is so nice

@@SymonSaysTV F0.8 you mean?

Sorry for the delay in reply! If we want an all in one lens I have a few thoughts for sure. The Leica 12-60 is one of the top contenders. Stopping down to F4 basically provides you with a constant aperture, mostly parfocal, great autofocusing, weather sealed, great for macro 24-120mm zoom lens in a pretty small package although for wildlife I think it might fall SLIGHTLY short. Another wealther sealed options with greater range but some optical compromises is the Lumix 14-140 which gives you a 28-280mm range which is a lot better than the 60mm of the leica but the light gathering and background blur is a bit less for the interviews and the autofocus will be a bit slower. Switching to Olympus you also have some interesting options and they should perform OK even if I havent tested them The Olympus 12-100 F4 is much larger than these two lenses but has a good compromise of range vs quality and light gathering giving you the same 24mm equiv wide and a fairly close 200mm at the long end although the IBIS and OIS of the lens wont work together. And the most extreme lens and best for wildlife potentially on this list but potentially one of the more expensive and weakest in the specs (outside its crazy zoom) might be the Olympus 12-200. In daylight this will technically cover pretty much everything youd ever want but again the slower aperture might cause issues if it gets dim. 2 lens solutions - The first is more budget especially used and that would be the Leica 12-60 and the Lumix 100-300 ii, both weather sealed and the Lumix 100-300 would be used specifically for wildlife and is really decent for its range and price although there may be different options. The second may be more pro but used could be still good and thats the Olympus 12-40 and 40-150 which both have a solid 2.8 aperture and more range so youd only have to switch occasionally and also have F4 versions that are smaller if thats important to you. I hope this helps a bit and lmk if you need any more help!

I made a video on this!

@@RhettThompsonFilm Found it

@@SlaughterHausD one of the least talked about features I think 90% of people don’t use

@@MatthewJohnMurphy it’s much better. The same or better than most cameras on the market

Always wanted to try that little thing out.

Thanks for stopping by and yea man if I could only review lenses I could! I love it. I tried to include a ton of info and then sent them back so we will see!

Of course I wish every camera was but I understand why it wasnt. Honestly Id take weather sealing over an EVF or Mechanical Shutter any day.

PDAF if every mode for sure. You lose subject detection over 60 I think though

@@DennisMeetsWorld the … was unnecessary haha

I wish I could get my hands on an S1R for resolution tests but I’ve got no doubt the 65 can handle that high res pretty easily

@@argreg04 yea but then you have to admit you shoot on S*ny. Have you considered that?

@@RhettThompsonFilm😂🔥

@@markshirley01 vlog isn’t different from SLOG but yea it’s very powerful. Maybe even consider Cinematch to transform it to SLOG?

I do miss the S5 and love its small size if you dont mind the record limits in some modes and no PDAF

@@katesavage2001 perhaps ! Although it’s been a long time since this has been an issue

Awesome, thank you! I am no photographer by any means but with locations like that its hard to take too bad of a shot!

Those three lenses would be an amazing combo! That 90mm especially interestes me

@@loiccardenas I had but sold the 50 and I do still have the 35! Overall, I would just say that with the prime lenses I think Panasonic is slightly better for Video and sigma is slightly better for Photo but of course it’s a little bit more complicated than that