can you export midi for each instrument and make it possible do download.

I hate to repeat myself but, these are always great tutorials. Thank you again.

at 2:14 the 3rd tone of the harp run is equal to the second

This is incredible! I've been looking for a tutorial on this type of orchestration for a long time. Thanks for breaking this down!

You got MuseScore?

Can u please give us also Tutorial for how to mix and how load master that type of tracks please Its Needed Lots Of Learn from your Videos Thank You 😊

Greate video, what vst are you using ?

Спасибо, очень красиво и понятно! А озвучивает NotePerformer или MuseScore?

Excellent work!!!

Amazing stuff, thank you.

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I bought this gentleman's course. It's great. Lots of information. It's almost overwhelming it's so good. I recommend it. A wonderful holiday gift for myself.

What library does Maestro use and what score editor?......thanks!!

❤ As always, it was excellent and practical.👍💐

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Which libraries are you using? That sounds fantastic!

Bravo!

Sir can you do a lesson to how to arrange for a brass band?

Great lecture! Many thanks.

That playback sound at the very end, is it Sibelius playing (Noteperformer)? Because I don't know of any sample library that can play string runs like this.

Speak clear English.

Very good explanation, I quite like the way you structure videos and explain, congratulations!

from which book does the overlay , underlay , spread method come from ?? Can I get a name ?

excelente !!

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These lessons are gems! Thank You so much! 🙂🙏

beginner composer here, this was very helpful thank you 🙏

(Arguably not important, but it’s discombobulating to see a photo of the bassoon in mirror image!)

Thank You so much! 💛🙏💛

can you give us the template that you are using??

Thank you for sharing this. I recently found Reys theme by John Williams and analysed it - that piece is good example of changing instruments, registers, tonality during the composition

Thank you so much for those awesome lessons😊

This is great! As far as the Clarinet's weak notes F4-G4. Those notes have always been trouble when trying to put into the woodwinds. The F4-G4 notes in the Bassoon are often too thin, but piercing. Oboe is too blunt and nasal. Flute is too weak. Horn is too "round" of a sound in many cases. I am orchestrating piano music of Brahms. Because he is playing chords mostly in closed position in the right hand, he is often using a sort of 4 voice: tenor, alto 1, alto 2, mezzo-soprano voicings, in that middle area of the piano around middle-C. So horn is also not good because the Alto 1 part would sound too big in the horn. (relative to the mezzo-soprano part). The example I'm thinking of is Brahms Op. 9 Variations on a Theme by Robert Schumann. In this piece, the alto 1 voice is almost always on the F4-G4 range. In the orchestration, I used Clarinet 2 for the Alto 1 Voice. But this clarinet is almost always on or around F4-G4. Sometimes I do have Clarinet 2 go below Bassoon 1, and have the Bassoon 1 take the F#. But this is often to avoid fourths between the clarinet pair. (You probably already know this, but Brahms sort of follows strict counterpoint in considering the fourth a dissonance. He will rarely have a Woodwind pair playing in fourths, unless the chord is an inversion.) What suggestions do you have for Alto parts in the woodwinds. It's really an annoying range.

Nice video. What is the music during the end of video! Would be great to make analysis of it👌🏻👍🏻

I´ve been in and out of hospital for the last couple of months. Your videos and lessons help me to stay focused and disciplined. Your explanations are so clear and easy to understand, wish I had a teacher like you when I was in high school.

Great lecture! I just wanted to ask how is the G flat tone included in the scale as it has nothing to do with the main polychord that you used in the beginning. Is it from B flat minor scale? How do you decide the scale that you use when you're using polychords as a foundation?

The best explanation that I have seen. A bonus is the visualisations that add even more clarity. Subscribed! 😊

These lectures have been eye-opening to me. Thank you!

great!!!

Wanna say thank you. Look forward to get your full course when I have a chance

Excuse me, the website broke again. I couldn’t pay the orchestration course.

What's the name of the piece at the starting???

This has been an absolute life-saver for my work - thanks so much for these videos!