This is now one of my most favorite lectures I've listened to! Thank you!

All the women in the illustrations are white middle class. Poorer women of all races HAD to work and did. PHT was "putting hubby through", which meant working to support themselves and their husbands while he finished his degree(s). I'm from those days; it's strange hearing you teaching it as history. Betty Friedan's book was not the beginning of the 2nd wave. That started during the civil rights and anti-Vietnam war days, & because of how men in the movements treated women in the movement. Friedan's book had nothing to say about women in art. For that, see "When God was a Woman". I forget the author's name.

Women workers were recruited for war manufacturing; they were NOT "invited into the conversation". There was no problem about getting men back into "their" jobs; the women were all fired.

Try to drop "sort of".

Great

Thank you for doing this!

As someone who loves art nouveau, this was well done. Thank you

One thing you forgot to mention about her "Last Supper" performance or VB65 that was really gross and racist was how she had the models eat. They ate roasted chicken with brown bread and drank water. Only there were no plates, napkins, cutlery, or glasses. These poor guys had to sit there, eat with there bare hands, and drink from the same decanter. Not only is that incredibly disgusting it was also probably really humiliating for those immigrants. The whole piece was just her humiliating and exploiting immigrants. That's like doing a "performance" about how arson is bad by selling tickets for people to watch you burn down somebody's house.

Anita hill....28 years later . I remember watching the hearings on TV. Incredible how things have changed so little.

This is a great introduction on Nochlin's book, thanks

I don't see any counterfactuals or counterarguments. It's an uncritical download.

Wow, thank you so much.

There is a beautiful and fascinating new book on museum exhibition design and the life and career of a famed museum exhibition designer now in his 90s. The title of the book is "The Object in its Place." The book is filled with historic and current photographs of the installations as well as a series of "lessons" for the reader that are called out in red. This book is a valuable tool for anyone interested in the process of museum exhibition design from the initial sketches to the final installation. Available at: www.fineartspress.com

B.e.S.T f'u"l'l D.a.T.i.n.G -L-o-V-e-S-e-X-----۞------------ 18cams.xyz 》》 𝙊𝙣𝙡𝙮 𝘼𝙙𝙪𝙡𝙩 《《 !❤️ 在整個人類歷史上，強者，富人和具有狡猾特質的人捕食部落，氏族，城鎮，城市和鄉村中的弱者，無`'守和貧窮成員。然而，人類的生存意願迫使那些被拒絕，被剝奪或摧毀的基本需求的人們找到了一種生活方式，並繼續將其DNA融入不斷發展的人類社會。 說到食物，不要以為那些被拒絕的人只吃垃圾。相反，他們學會了在被忽視的肉類和蔬菜中尋找營養。他們學會了清潔，切塊，調味和慢燉慢燉的野菜和肉類，在食品市場上被忽略的部分家用蔬菜和肉類，並且學會了使用芳香的木煙（如山核桃，山核桃和豆科灌木 來調味食物煮的時候 1618428695

Thank you so much!

This is a very informing lecture, listening from a European/German livelihood imprinted sociocultural perspective. While following this a currently more or less typical „messenger-Morning-Chat’ dialog between me and my daughter happened, showing, photos of details of her clothing - T-shirt imprint, Jacket front/back sewing details - … the most interesting aspect to me was her ability to combine „different sections of social/gender expectations“ - the melange of the motifs she had chosen and combined : roaring Lion (american filmindustry logo, imprint front T shirt ) and three flying eagles (japanese stitched motif, - left right front , 1 backside) - the Melange of textures: Satin(jacket), Jersey(T-shirt) and above all The gaze of frilled Chiffon collar Not to mention the different Colors and the further accessories... All of this thought through to the model of Judith Butlers‘ performativity & gender theory let me think: „WoW! ! She is free as far as possible in the given cultural context - she chooses her own way.“ (To picture this: headphones on and masked up into the „wild“ /public/work just speaks about current restricted conditions in ubiquitous life.) „This is performed performativity, what hardly is to be imagined by me from a girl same age, in a comparable social context in America“ -… so I thought first - recognizing then: „…- it is me thinking. And : it is me „thinking ‚like that‘.“ - to turn it into a more hopeful idea: „Young people are young and in their ‚notKnowing‘ are capable to step,over theoretical discoveries.“ while at the same cutting point somehow one-sided/biased imprinted elders have lost their trust in this kind of innocent phantasy and power of youth. And we have to recognize how this mingles up with educated and manipulative characters and their personal and individual goals. There are probably globally infinite biological female and male and diverse human under heavy pressure to define their inner Self. This complexity is heavy load. - Certainly nothing for people unwilling to change political Status Quo. Thank you for sharing this lecture it is really helpful to learn about, what and t.h.a.t. we construct our gendered worlds. (… corrected my first comment - the lesson still reveals how pre-occupied [my] thinking is. )

Thank You for ths upload..Im not sure if "They" understand but considering ALL that you're saying "The Woman IS thee original OG"...Hat tip 2 U

i’m not in ur class but u r so cool

Such a helpful lecture! Explains a lot in a clear and culturally respectful way.

I actually like the long explanations/video as you do a better job explaining our readings than reading itself. We can always rewind or fast forward on our end as well. Thank you for these postings!