Benana 3

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@stephan6063 7 күн бұрын

Give him a break guys he was only 19 when he composed it. Im learning the 2nd movement love it

@rachelm5916 15 күн бұрын

8:30

@davidli6931 17 күн бұрын

The second movement is very underrated.

@myfkaaa Ай бұрын

Викторина Мурова 1 часть 0:12 - ГП 0:47 - ПП 2 часть 5:23 - Скерцо 6:35 - Трио 3 часть 11:12 - Тема траурного марша 4 часть 19:14 - Тема финала

@dunkleosteus430 Ай бұрын

He skipped a lot of repeats.

@harrymarks8100 Ай бұрын

This is the music that I would’ve wanted to hear at my birth. 😊

@lukeskywahlker Ай бұрын

my butt clenched so hard for so long

@jakegearhart Ай бұрын

38:44

@jules-alexb1608 Ай бұрын

31:45 … incredible

@BunPiano Ай бұрын

Chopin : need to add the 4rt movement... uhh yep extremely difficult hanon scales that have the main melody hidden in them and its nice for a pianist who is tired after 20 min😊😊

@heaveninhell110 2 ай бұрын

Bravo 👏👏👏👏👏

@trichtircz7616 Ай бұрын

Nerd

@stefanbarthel3884 2 ай бұрын

Viel zu langsam!

@Dylonely_9274 2 ай бұрын

Thank you.

@johnphillips5993 2 ай бұрын

10:47 this is the best use of the octatonic scale I’ve ever heard

@NigelRudyard 2 ай бұрын

Such an atmospheric symphony, particularly the first movement. Wonderful stuff.

@user-xr9ps9ew3r 2 ай бұрын

Are you playing this? Or are you just getting it from other videos.😮

@felixsinniger280 2 ай бұрын

Andras Schiff has the intelligence and spirituality of understanding and performing this very demanding suite of Johann Sebastian Bach.

@SusanaCastagnet 2 ай бұрын

Pdf

@isaacvandermerwe744 2 ай бұрын

Neapolitan 6th Chord Example Timestamps: 0:01 0:10 12:55 (13:21 and 13:23)

@johnvalentine4720 Ай бұрын

Beethoven was the King of the Neapolitan Sixth. Appassionata, Tempest, 4th piano concerto, etc.

@MariaWilliams-h7e 3 ай бұрын

Taylor John White Charles Martinez Sandra

@lewis-op5ui 3 ай бұрын

18:36

@hugoperezpol876 3 ай бұрын

Mahler interpretado por Bernstein es incomparable !!!❤😢

@rancer_edits 3 ай бұрын

ayanokoji?

@kieraasahi8240 3 ай бұрын

Cry every time listen to this

@user-0921-x2w 3 ай бұрын

第四小節那邊只是單純的雙節號，並不是反覆記號，這影片的樂譜是錯誤的😅

@evankajikawa1277 3 ай бұрын

i truly believe that the cello solo near the end is the most heartbreaking and devastating point in all of classical music. as if mahler, who sees himself as the might french horn had tried to speak through his favorite instrument, only to hear a soft, delicate, cello, all alone, call out to death itself.

@alexm8460 22 күн бұрын

The theme that the violloncello plays at the end reappears throughout the whole Adagio and disappears again and again, as if fighting its way. I have always called this leitmotif the theme of death. It has a finality that complains and resigns at the same time. It is beautiful and true that it almost tears me apart.

@ZulfuqarCavansirov 3 ай бұрын

İts soo dramatic

@OuaffleDash 3 ай бұрын

30:22

@SCMaglev261 3 ай бұрын

3:32

@luisnorbertogomez7058 4 ай бұрын

Sublime

@AndJusticeForAll66 4 ай бұрын

Communism

@김태훈kthgirlboy 4 ай бұрын

월광 소나타 제가 정말 좋아 하는 곡이에요!

@Twentythousandlps 4 ай бұрын

Or better yet, follow his own score and markings. (NY Philarmonic Digital Online.)

@averyshinylugia 4 ай бұрын

The 'oppression' section of the 9th of January movement has to be one of the most fire but also horrifying sections of classical music ever written. Reminds me of the climax of the 13th symphony's first movement which has a similarly horrifying subject.

@danielhughes441 4 ай бұрын

This one of the finest renditions of this I have ever heard. He does EVERYTHING indicated in the score down to the last staccatissimo!

@JJC333 4 ай бұрын

The Beatles are a bit more DRAMATIC and THRILLING than Alkan.

@musicgamer8024 4 ай бұрын

4:22 bro like wOW

@jamessebastianliauw6959 4 ай бұрын

The fugato part is amazing

@Mimi12350 5 ай бұрын

J’adore cette version de Leonard Bernstein 🤍🤍🤍

@javierruiz-alonso6941 5 ай бұрын

When Sokolov set the standard for playing this work (Colmar 2011, YT), all other versions became suddenly redundant

@MuescoreMaestro 5 ай бұрын

I love this, but the tempo feels off at 30:00. So what I've found is to put it at 1.25 speed

@leolopezpianoarte 5 ай бұрын

12:00. 20:00. 22:10. 27:10. 31:15. 35:00

@CebulskiMusic 5 ай бұрын

I especially like the large very rhythmic section at m. 57 and later in the piece. Can imagine a bell choir getting into it!!

@benana_3 5 ай бұрын

Thank you!! This section was always a blast to play when performing it live

@mozartpiano23 5 ай бұрын

14:59 that trill scale is also in Chopin impromptu no 66 your welcome

@trstquint7114 5 ай бұрын

no words.

@Whatismusic123 5 ай бұрын

What a god awful composer

@chadsilver444 5 ай бұрын

What's makes you say that, no beef just curious

@lightningbolt4419 3 ай бұрын

@@chadsilver444Mahler should be a robot writing down my exact ideas about music theory with no creativity or emotional considerations.

@HourajiBallare Ай бұрын

@@lightningbolt4419 Oh you must be a better composer than him, with full creativity and emotional. Why not try compose one of your own? I'd happy to listen and give it a "feedback"

@lightningbolt4419 Ай бұрын

@@HourajiBallare yes I am a far better composer than him. I don’t have to write actual emotional climaxes or put any soul or thought into my compositions beyond my super obscure ideas of what “real music” is. You’re an idiot if you disagree btw.

@ManuelMorillo-e1s 29 күн бұрын

@@lightningbolt4419You wouldn’t know emotional content if it bit you in the ass…

@franciszekleonarczyk5846 5 ай бұрын

38:58 bro forgot how to write swing 😂

@sigil5772 5 ай бұрын

I know it's highly romantic but ffs just keep the pace the SAME for THIRTY ******* SECONDS ARGH

@hyperactiveofficial8096 5 ай бұрын

Oh, quit complaining, please. If you're going to listen to professional romantic music, you're going to hear shifts in tempo. It's Romanticism, deal with it.

@leoribic1691 5 ай бұрын

@@hyperactiveofficial8096 To be fair, Chopin himself kept tempo very strictly and practised with a metronome by the music rack, meticulously keeping the rubati in time and only changing the tempo where indicated, expecting the same from his students. But we do a lot of things playing his music that he wouldn't like and like the sound of them ourselves, so you're right.

@hyperactiveofficial8096 5 ай бұрын

@@leoribic1691 Yeah, I see where you're coming from. I always hate getting mad at people like this, but I really think strict tempo can kill a piece of music if it's not leveled out with rubato enough. That isn't always the case, but sometimes it really is lol.

@leoribic1691 5 ай бұрын

@@hyperactiveofficial8096 True, I still haven't figured out how Chopin was able to play in such strict time and make his music so free and spontaneous in feeling, or how we can do the same when we play him. There has to be a way, I just have no idea what it is either.

@hyperactiveofficial8096 5 ай бұрын

@@leoribic1691 I think Arthur Rubinstein's recordings are the closest you'll get to what you're describing. A sort of punctual obedience to the tempo but a free spirit, nonetheless.

@mikeklimczak9600 6 ай бұрын

1:00:45 you can visualize the blood on the snow

@peanut367 6 ай бұрын

Mbmbbb

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