There aren’t too many movies where the score is the best part. Even the most amazing soundtracks mostly accentuate already phenomenal movies. This film falls into the former category, in my opinion. RHPOT isn’t an epic in the classic sense, but it’s still a campy and fun adventure. Kamen’s score captures the tone perfectly from its rousing opening and all throughout.

Mahlers Frühwerk. Die sogenannte Nullte Symphonie. Wird selten aufgeführt. Und meines Erachtens auch schwierig für alle Beteiligten darzustellen. Die vielen Tempowechsel allein…Aber wunderschön, wenn auch weniger bekannt.

Never gets old.

For some reason, it always seems to me that the Ozava performs Prokofiev with a Japanese accent.

This 20 mins one movement work synthesises the classical four movs in the style of Sibelius Seven but with much storm and stress looking to the angrier Vaughan Williams symphonies; Zinman provides his high silvery finish with secure phrasing and architecture in complete commitment, finding the compulsion and minimizing the arbitrary Hindemithian writing.

Love this piece!

Love this piece

I can hear the piano in some parts. It's so beautiful

I love how present the piano is in this performance.

Exquisite!

Thanks.

16:47 Parsifal ??

Dodgy recording or damaged CD . Unless this chap decided to add some percussion...🫤

Grazie

This seems to be Prokofiev's most tempestuous symphony. It makes me wonder what was going on in his life at the time of writing this energetic and restlessly agitated work.

Sounds like the HVK but not as good. The BPO is conducting Ozawa.

In alcuni passi ha anticipato la micropolifonia

Provofiev is to some degree an acquired taste, but once you get him you've really got him!!

Everything Ozawa conducted had an edge of excitement and color to it.

Why doesnt Sinopoli's Mahler get more respect? It's very good! The playing so nuanced and subtle. The big moments are sublime.

God Bless Maestro Ozawa🌹🙏

finale reference 50’00 with start brass section 54’50 nostalgia this was my first mahler 2 .. grew up with it .. 1987-88

4:48

0:00 14:32 24:13 32:13

One of the truly darkest (and most gorgeous) symphonies ever and one of my great favorites. (Rival Shosty's 15th for jet black sensibilities) The first movement is the most straightforwarly tragic and burdened; the middle movement is glacially emotionally agnostic, inhuman really; and the final movement with its wickedly grinning romp concluding with perhaps the most twisted, terrifying, f**d up endings of all time. A subversive masterpiece that seems to excoriate everything about Soviet life under Stalin, even if that's not how it was received (or not how it was intended, for all I know.)

Sinopoli So intense! RIP Maestro!

Thanks. Furtwängler called the 2nd movement the first nihilistic music in Western history. Sinopoli's decadent touch would've been appropriate enough. That sound makes me nostalgic for my 80's youth.

sounds like it could be the soundtrack of Dune

AMAZING TRACK

1:20:12

28:14 43:28 56:46

It seems Ozawa always gets Prokofiev.

como adquiero ese instrumental en la radio

ドミンゴのKyrieのソロを聴くだけでも価値があるアルバム。めちゃくちゃすごい。

40:00

While the live 1993 Tennstedt (his final appearance with the London Philharmonic) remains my favored Seventh, this one is awfully good. I am also remembering my friend the late Raymond Premru, a wonderful musician who played bass trombone for many years in the Philharmonia and was also a superb composer. He can be heard in a rare orchestral bass trombone solo passage in 1st mvt -- listen at 15:49 to how beautifully he interweaves with the tenor horn. A a mutual friend says, "Ray's playing had such HEART."

Beautiful and sublime music. Thank you

6:33 Mickey Egér magyar: Mickey László vagy TV2 Média Csoport Zrt. ?

Como se llama esa música

Las composiciones corales son preciosas, lástima que poco conocidas. Gloria a Mussorgski for ever. Gracias por subirlo

i love the finale here! gruberova sounds wonderful and the slower tempo in the final verse is just heavenly

sinopoli's impressionistic and "erratic" conducting style works really well for this symphony, that first movement is just a ride. i actually like the unusually slow nachtmusik 2 as well

Thanks for uploading this!

excellent

Hello Miles, do you know of a source for the entire soundtrack?

First recording I've heard in which the opening rhythmic figure sounds like the written triplet and not two sixteenths plus an eighth.

Outstanding score and soundtrack to a much underated movie starring Sean Connery and Cornelia Sharpe about a female assassin for hire ... and her next contract. Some excellent cameos and set pieces and a storyline that holds you right to the final scenes...Kamens score is haunting and memorable throughout.

5:17, p. 7 Kyrie 6:10, fondo p. 9 6:20; p. 11 7:00, p. 16 7:47, p. 19 21:15, cum vix Justus, p. 56 21:35, quid sum miser, tenore 22:25, p. 58 batt 295 24:35, Rex tramende, p. 62 25:05, p. 63 26:05, p. 68 26:30, p. 70 32:42, ingemisco 33:50, p. 83 batt463 34:58, Inter oves 43:50, p. 99 44:05 45:05 p. 104 45:44, p. 106 46:25, p. 108 49:30, p. 114 52:20, p. 120 53:02, p. 122 Quam olim 53:15, fondo p. 122 54:05, Hostias, p. 125 55:30, p. 127 56:25, p. 128 bstt150 57:22, Quam olim 58:30, p. 135, Libera 1:09:27, p. 178 1:10:10, p. 179 1:11:05, p. 181 1:12:39, p. 184 1:13:43, p. 187 batt 84 1:15:25, Libera me domine

Why the f its not on Spoti 🤔🤔 Die Hard 1 as well

Eine vielgeschmähte Aufnahme, die aber Prokofieff's Ton besser trifft als manche hochgelobte.