thank you! i love this pairing. hopefully more coming soon 😀

@@ITATTRACTS happy you liked the patch - thank you! 🙏 ideally, i’d like to have an analog mixer with physical knobs, faders, mute switches, etc., but this is perfect for CL in that it has 6 stereo 3.5mm inputs. i travel for work, so this fits in my suitcase or backpack nicely when i’m patching on the road. looking forward to checking out your patches 😀

Thanks for the reply! Yeah, I’m using a Tascam Model 12 right now and it has a lot of hands on greatness but the Brooklyn apartment/desk/space crunch is getting real now haha. I agree too, the Bluebox is nice to just take wherever. Handles the Ciat signals ok? @@innersonicsoundsystem

@@ITATTRACTS there’s plenty of headroom and i pan everything hard L/R for strong CL vibes :) hit me up on IG messages, if you want to go back and forth quicker. always happy to talk about CL

Thanks man!! Good vibes. ❤​@@innersonicsoundsystem

ha! they’re good clean fun - highly recommend 😀

@@mrd4747 thanks! i keep forgetting you have the Czochralski cells. you can make some mean beats with that! 😀

thank you! 🙏 i’ve been working through the Serge thread on lines and saw a lot of comments from you. did you start building a Serge system yet? i’ve been digging your Buchla posts on IG. i’d love to hear what you do with a Serge panel 😀

@@innersonicsoundsystem I wound up picking up a few more Buchla modules, so my focus will be on that system for the foreseeable future! Don’t know if Serge is even still in the cards for me, but if we’re talking about my dream studio there will be a few panels around 😜

@@ParliamentLiteOfficial that’s exciting! your Buchla setup should definitely keep you busy - enjoy 😀

thank you and thank you for checking it out! everything Ciat Lonbarde is quite special. the Peterlin is price wise an easy entry point, but quite a challenging instrument to get anything consistent out of it. i often walk away frustrated, but it’s been good for me :)

thank you for checking it out 🙏♥️🙏

thank you for your in depth listening🙏 can’t wait to learn more about patching the Rolzer 😀

between Coco and DK, i would just watch out for the Yellow, as that’s a really hot signal, but it might not be a concern. i’d ask the question on the lines forum to make sure. usually the only issue between CL and LM are the browns from PB and Rolzer and i’ve heard the Oranges from the MWTRS of PB. thanks for checking out my patch 🙏

@@innersonicsoundsystem absolute legend matey!

@@The_Sound_Technician i didn’t catch that it was you - early morning! let’s catch up on IG! 😀

thank you - so happy you enjoy my patches 🙏 i can’t wait to go in deeper with your guides. i have such a surface level understanding of what’s actually going on, especially with the Rolzer. thank you so much for sharing your knowledge with the community!

thank you! listening back, i miss patching just one or two CL instruments at a time. i feel like i went in deep. it’s a lot to manage when you’re patching 6 of them :) i see you’ve got a Peterlin. that’s the one that’s had me scratching my head the most. are you looking to grab a PB?

thank you! 🙏 deerhorn encourages it 😀

yes! 😀 did you catch how i did it?

yeah! I have the format jumbler but not the right cables, so I’ll have to get some of those and then give this a whirl! Thank you for the detailed patch notes!

@@evnander i’m always listening for your new CL patches, but definitely hit me up when you do that :)

man, thank you - happy you dug it! if the link below isn’t clickable, search for Ciat Lonbarde (brand of synths). Patch Point has all of them.

patch-point.com/collections/ciat-lonbarde

thank you! happy you enjoyed it 🙏😀

thank you! 🙏 listening back, i don’t know if it needed to be 15 min though 🤣 i hope you hung in there to when the overdrive kicks in - my favorite part 😀

@@innersonicsoundsystem that’s my favorite part

happy you like it - thank you! 🙏 the Rhodes has some interesting qualities to the sound when you slow it down. hope to do more with tape soon :)

thank you! 🙏 i do have an album of two Double Knots + Keyed Mosstone (the other Lorre Mill instrument) + Ventris Dual Reverb + Meng Qi Wingie. it’s on Bandcamp under my other identity, Sonic Relaxation Lab. the recording is called Energetics. if you like this, i think you’ll really dig Energetics 😀

best comment ever - thank you! 🙏 i’ve got a ton of groovy-moody jams on my channel. hope you find some more you enjoy 😀

hope so - this little bugger is a pain to tune without a coarse tuning knob. i spend a lot of time with it :) it’s funny, i’m very well aware of Kraftwerk, but i’ve never checked them out. they were just in the periphery while i was in college studying jazz. i guess it’s time i check them out :) thanks for checking out the patch! 🙏

thank you and happy you’re checking out the extended versions! 🙏 i like to keep things short on IG, but sometimes you miss out on the best parts. that’s funny - i do use implied chord suspensions a lot! it’s a little tricky to get any suspension to resolution with the limited options for pitch CV modulation, but it’s a lot of fun trying 😀 i’ve got two v2s and i think even if v3 was available when I bought both of mine, i still would have chosen the v2. that said, i would love to own them all at some point :)

@@innersonicsoundsystem what are the main differences/features between v2 and v3?

@@heliumsoundzzz i haven’t completely gone through the v3 manual yet, but v3 doesn’t have the clock dividers and XOR logic, but it does have slew and more control over the envelope from what i can see. the snappy/clicky sound of v2 which you either love or hate (i absolutely love it) isn’t present on v3. hope that helps 😀

@@innersonicsoundsystem Thanks for details, will investigate more about version differences

thank you! 🙏 enjoying the solo time with the DK, but I think this one would have sounded great with it’s Mosstone buddy 😀

go to the “Mobenthey / Ciat-Lonbarde (synthmall) thread” on the lines forum and search for manual or it might be easier to find on the FB Ciat Lonbarde Cool Kids group. you can post the question there and one of us will give you a link.

happy you’re digging the old patches - thank you! i’ve got playlists of the individual instruments and certain combinations for easy access :)

looking forward to hearing your first patch!

i think what you’re getting at is the fact that the DK locks into a grid and has defined/snappy envelopes. i like them for different things. as much fun as i’m having patching the DK by itself, i’ll eventually hit a wall and run out of ideas or ways to manipulate the sound. the modulations are a bit limited. i think the DK is a blast and everyone should have one, but you’ll want more. i wish Lorre Mill had more instruments in their family like CL does. i love adding the DK to everything, but it can’t be my everything :)

@@innersonicsoundsystem Are you implying that Plumbutter is superior in the aspect of how much deeper it is sonically?

@@NealCaen sort of… since PB is way more than 2 oscillators with shift registers, there are more colors to choose from and you can do more with them, however, the PB cannot do or sound like the DK. i think it’s really a matter of taste and budget.

sitting down to patch now. i think i know what you mean 😉

just making sure - like this one?

cool! this isn’t necessarily a patch that i’m excited about, but every time i do something out of my comfort zone, i gain some benefits in my other patches. thanks for checking it out! 🙏

thank you - happy you enjoyed it! if you’d like to check out more with this instrumentation, i’ve compiled the best of these sessions on Bandcamp under my other identity - sonic relaxation lab. the recording is called energetics.

happy you liked it - thanks! i’d like to get a v3 at some point, but there are a few features of the v2 that I would miss for sure. PB2 is my favorite synth that i own, hands down. i could spend a lot of time patching the PB and never get bored. it’s a much more versatile and robust (and more expensive) machine than the DK, but neither of them can do what the other does. the DK is a blast to patch! it’s a great Buchla buddy and it can even be clocked by Eurorack modules. feel free to hit me up on IG, if you want to talk further 😀

you’re in luck - this is all i’ve got for the next week and a half 😀

it looks like you’ve got a lot of modular experience, so i think you’d figure them out quite quickly with a little info. one CL user has created some very detailed manuals which really lifts the veil on the mystery. hit me up on IG if you have any more questions or want to talk further about CL :)

@@innersonicsoundsystem Thanks for the answer! I have too much equipment at the moment to get started with something new, but possibly in the future I will be looking into their synths more.

it depends on what you’re interested in doing. i use mine as a massive modulation board and more importantly, a way to sync all of my CL instruments together. at a certain point, i felt like i was running out of rolls, especially if you’re trying to interlock them all together and get glitchy type grooves out of them. if you like the noisier/avant garde side of CL, Rolzer is invaluable. i feel like i will be even more pro-Rolzer once i work my way through the new PB + Rolzer manual, but in the past i sometimes have thought i would rather have 2 PBs since they’re not that different in price.

thank you and yes! IG has me doing my reels in portrait mode, but if upload them like that to YT, i get that weird formatting, so i just flip to landscape. if i had more time i’d record two versions 😀

Watching this on my phone and it actually flips the right way when entering full screen

@@nilsqvis4337 ah yes, i forgot about that. a little less perplexing perspective:)

thank you! funny that you say that because there’s someone in the community who has been writing very thorough, easy to understand documentation. msg me on IG and we can talk further. i’d be happy to answer your questions in depth.

making music with CL gear is a bit of a conversation. there are tools you have to influence where the conversation goes, but you can’t completely control it. i don’t think it’s that hard to learn, but there’s years of discovery available to you. i’d consider PB, Coco, and Deerhorn or Sidrax or Rolzer. Peterlin isn’t really part of the family. it’s a fun tool, but it’s Peter’s take on someone else’s instrument. if you’re immersing yourself in the CL experience, i’d skip the Peterlin for now.

a stereo Peterlin would be so awesome! i guess there’s that new benjolin inspired instrument coming out soon. could run in tandem :) i’ve still got the patch hooked up. let me know what minute marking you’re talking about and i’ll see if i can figure it out 😀

thanks! happy you got to check it out. it’s become one of my favorites 😀

thanks! 🙏 so happy i finally brought the two families together :)

i guess i should preface this - i’ve been patching for a couple of years now and my woodwind chops have been suffering. just starting to get reeds together and start shedding again. testing the waters for what instruments work in this setup and what do not. hope to have some technique together in the near future and my posts/sonic sketches won’t be so aimless :)

thank you! 🙏 now that i’ve got the whole gang on my table, you’ll be hearing more from them 😀

thank you! still tweaking it. having a hard time getting the right balance with the harmonizer. it would be easy to just to power chords, but i’d like to get more of open strings ringing type of sound with distortion. more experimentation needed :)

@@innersonicsoundsystem have you tried sax through wingie? "open strings ringing" just made me think of that.

@@evnander interesting… i’ll give that a try! before or after other effects or no other effects?

thanks! fun putting it all together:)

thank you - happy you enjoyed it! 😀

thank you! 🙏 saxophonification coming later this evening 😀

thank you and thanks for checking it out! 🙏 got to get back to a few things, but i will be returning for more of this :)

thank you! coco is good. i really appreciate it after playing bari with the TMMM - too clean (but so versatile and easy)!

happy you enjoyed it! i keep going back and forth as to whether to sell the TMMM, but this is certainly swaying me towards keeping it 😀

within the Buchla framework of patching, they work well together. With all banana synths, make sure you’ve got their grounds patched together. if you have any specific patching questions, the Buchla or Lorre Mill threads on the lines forum are a great place to get technical questions answered. let me know when you post some patches with the two of them! check out the link below. this is a more interesting patch i did with the Easel and 2 double knots 😀

kzbin.info/www/bejne/hnPKhZmIjpZ2iassi=bGESbf-Y4p34w2Q7

@@innersonicsoundsystem thank you so much! What connections are you making so they’re in sync with each other timing wise? Like the buchla sequencer pulsar and the double knot?

@@cougarman8 are you on IG? you can msg me there @innersonicsoundsystem . what version of DK do you have?

happy the jam is speaking to you and insightful comments to boot! 😀 thank you for listening and spreading the good word 🙏🙏🙏

happy you’re digging these - thank you! i’ve been planning on doing this from the beginning. i was just waiting until i got faster and more confident with my patching. still need to get better at patching on the fly before i take this live 😀

makes me happy to hear my friend - thank you 🙏

thank you for letting me know 🙏