Wow! 😲❤️

oh gosh...came from english version...english voice is so much better 😄

Axel F.. I played this song in high-school band.. I played French horn! Solo!!❤

woah also first teehee

God if he could see people hundreds of years later, studying his painting with new tech

Love your videos, keep up the good work.

This Is my great plus grandfather ❤

That was beautiful

Hello Tavis, I just purchased your grid package, and I'm a bit confused about what I should do next. Specifically, I'm unsure which grid to print and what to ask the printer. I have a Fujifilm X-T3 camera with the following LCD screen specs: Type: 3.0-inch touchscreen LCD Resolution: Approximately 1.04 million dots Aspect Ratio: 3:2 Can you please guide me through the process? Best regards,

Hello Tavis, Thank you for your work. I follow your content closely and am a subscriber. I have a question regarding videography with my APS-C camera. I would like to add a grid to the back of my LCD screen to aid in composition. Could you please advise on the basic grid, aspect ratio, and settings an amateur like myself should use? Thank you

A child could do this

All these readings about “powers that be” make me feel like leave things the way they are. There’s no point in fighting power just get yours and keep it pushing 🤷🏾‍♀️😂

Uhhh.....

Nice lesson thanks

Also how the heck are you putting a stroke on the markee tool bro?!

Where do you learn all these techniques and their names, like Gamut and Arabesque, never heard of that. Is there a core book or site? I can't find anything about a gamut anywhere.

This is sooooo helpful. Especially for an overthinking amateur painter like me. Gives me some direction (no pun intended) of where to paint. Also noticed this in some of me earlier work

Thanks!

Thanks!

It's a joke, right? Richard Avedon of course, the rest is just copies and nonsense.

3:12 i think the ROT are way better than you are in this photo

Great video, what about doing something on the work of Alexey Titarenko

The "Fat over Lean" / "Thick over Thin" when it comes to layering with paint @ 07:00 made me think of layering an image in photography - will keep that saying "Fat over Lean" in mind when composing images (I know for paint you are speaking of drying times... For photography I was thinking of it as Subject over Noise/non-subject for compositions) Always enlightening content, very cool!

I disagree @ 10:46. Her body overlapping with the structure looks great and natural. Morphing the subject with the environment in a tasteful and geometric way.

Great video on composition and the colour pallet used, I do love Stanley Kubrick's work, especially Clock Work Orange

I'm a photographer and love your channel, however, I have to pick a few holes in your theory here. Afghan Girl was published by National Geographic in June addition in 1985. I use both PhotoShop and LightRoom but neither was around in 1985. in fact, PhotoShop was not launched until Fed 1990, Steve McCurry used a Nikon FM2 35mm film camera to shoot Afgan Girl so any photo manipulation had to be done in the darkroom. And to my knowledge, the kind of manipulation you are talking about has only become available in recent years. So I can't speak for his later work but I certainly don't think Afgan Girl had any heavy manipulation. Steve McCurry did not start using digital cameras till 2005 prior to that he was shooting color slide film

Great video.

isn't movie work exceptional❤

mirrors!

Thanks so much

25:48 terrible chromatic abberation also the guy does not stand out against the sheets, it might be planned though

the green takes to much focus in 25:48. they should have lowered saturation or decreased bightness

Thanks for sharing. The story of Penn vs Avedon is stuff of movies both from their styles as well as their personalities. BTW, "the man" on that pic referenced in the O'Keefe image is Truman Capote - pretty famous image in it's own right. Thanks again for sharing

I still come back to these videos

终于知道自己为啥成不了大师了

Leibovits just took the photo i feel..

If you superimpose an endless number of grids lines over any given painting, you will invariably find that some lines in the painting do actually match a couple of your grid lines. Open for debate is whether the majority of painters actually drew lines first and then filled in the "content". I tend to doubt that. Yes, there are a number of compositional and artistic heuristics for painting - like: fill the canvas, limit the number of colours or angles, balance the painting (do not put everything into one corner, except you have very good reason to do so), use brightness to accentuate the important stuff etc.

Non of his technique is done in PS. He creates his look with mixed lighting in low light with long exposures. He either files in with light painting or pops multiple strobes in the midst of a long exposure. ALL done in camera.

Bravissimo!

Seems like he had diagonal lines from the tableware to the people

Maybe I'm wrong but in some pics (like for example the one you're showing at 1:58) it looks more like a double/multiple exposure than a long one.

The abundance of Dynamic Symmetry lines you're presenting saturates the entire canvas, making it apparent that everything will eventually lock in place regardless of the composition's quality, unless if there is a blank canvas.

It’s easy to find out how Paolo lights these images with a little research. He paints light with a flashlight over long exposures. Freezing certain elements while mixing motion blur can be achieved with a mix of strobe and tungsten lighting with a rear synced strobed (pops just before the shutter closes).

Mucho thanks,from ye olde england

Brilliant

You're the man! Diamond! In the depths! The very pits! But a DIAMOND!

Oh shit….. around the 6 minute mark does everyone see that payphone?? Did she have access to communication other than the radio??

its distraction instead of substance for me

Showing people Photoshop processes to try and replicate Roversi's techniques will only lead to a cheap approximation of his work, and goes against the very essence of his work. He originally shot on large format Polaroid film - so the print that came out of the camera was the final result. If you want to shoot like Roversi, shoot like Roversi, don't use Photoshop for anything other than a curve. His work is about how you take the photograph, not what you do with the pixels afterwards - if there even are pixels afterwards. “We are the victims of a pollution of photography, with increasing numbers of photos taken any time, any place, anyhow. This has a detrimental effect on this form of language. We lose the sense of beauty.” - Paolo Roversi

Discovered Emmanuel Kant destroyed composition.