I sang this to wrap my senior recital.

Maravillosa interpretación.!!

D onto fotget she had undergone drastic surgery for cancer about 9 months previous which was the beginning of the decline of her stamina and breath support.

OMGosh. How I simply adore this Woman. Can’t nobody sings this song the way she does!!!

Gran cabeceador !!!

Where the rest of the service can be found

Beautiful at her mature age, she deserves a great performance ❤

!!! M ontserrat Caballé , inolvidable voz. Sienpre maravillosa.!!

Ancora stupenda ❤

Gorgeous sound from a master

O ma lyre immortelle, Qui dans les tristes jours A tous mes maux fidèle Les consolait toujours! En vain ton doux murmure Veut m'aider à souffrir, Non, tu ne peux guérir Ma dernière blessure; Ma blessure est au coeur Seul le trépas peut finir ma douleur. Adieu, flambeau du monde, Descends au sein des flots, Moi, je descends sous l'onde, Dans l'Eternel repos. Le jour qui doit éclore, Phaon, luira pour toi, Mais, sans penser à moi, Tu reverras l'aurore. Ouvre-toi gouffre amer Je vais dormir pour toujours dans la mer.

Todah rabbah! Learning this for services with Rabbi Sam Stern in Topeka!

In my mind, there have only been 3 sopranos who were successfully able to master Lucia di Lammermoor: Maria Callas, Joan Sutherland, and of course Beverly Sills!! BRAVA to all 3 perfect Lucias!

The One and Only........Bevrezia Silgia !!!!!!! Caballe, Sutherland and others had to learn from her and study deeply her art and technique !

62 años tenía en 1995!!!!!

Um timbre de rara beleza. 👋👋👋

Still so beautiful

Just stunning!

sublime!!!ª

Wonderful voice - thank you for singing!

....troppo verismo ..in troppi accenti..per il.resto è questione di gusti....senza nulla togliere alla statura dell'interprete....

One of the most beautiful songs I have ever heard or played. Thank you and bless you Ben Steinberg.

👏 Bravo, Bravo, an extraordinary performance

MERAVIGLIOSA

Like butter. And, it made me melt.

Beautiful! Done with such zest! Kol haKavod.

MARAVILLOSA

Puisqu'on ne peut fléchir ces jalouses gardiennes Ah laissez-moi conter mes peines et mon émoi Vainement ma bien aimée On croit me désespérer Près de ta porte fermée Je veux encore demeurer Les soleils pourront s'éteindre Les nuits remplacer les jours Sans t'accuser et sans me plaindre Là je veux rester toujours toujours Je le sais ton âme est douce Et l'heure bientôt viendra Où la main qui me repousse Vers la mienne se tendra Ne sois pas trop tardive A te laisser attendrir Si Rozenn enfin n'arrive Ah je vais hélas mourir hélas mourir

1:47

Oh no what is this….

No soprano can touch Sutherland's Esclarmonde . She fully understood the role and it's requirements

One of my favorite modern arias. Excellent singing!

He is my favourite tenor, this song is also my favourite one.

This is my favourite tenor as well asmy favourite song.

Beautiful!

Bought this album in February of 1974, and it's my favorite Judy Collins record.

Along with Deutekom's performance of the final scene of 'Armida', the two most astonishing pieces of vocalism I have ever heard.

no bad word about caballe, she was a great singer... but, compare with this young french mezzo heloise mas! kzbin.info/www/bejne/eqO2pHeKeqqAqa8

The most beautiful voice as well as the most touching song I have ever heard. Every time I have to repeat at least twice before I stop.

ESPELHO MEU No 2º ato da ópera de Massenet, Thaïs, a cortesã, Deitada, em luxuosa alcova, mira-se no espelho, Ao lado a estatueta de Vênus e a cesta de romã. Nos sinais de velhice, pede a deusa um conselho Para ficar sempre jovem, onde pode desfrutar As delícias do prazer que o belo corpo consome. Na ária "L'amour est une vertu rare", ato de amar Eleva aos pensamentos celestiais. A isto some Os 4 pilares: simplicidade, humildade, alegria, E Transparência. As pessoas estão empurradas Pela consequência da pandemia global. Na guia De orientações, buscam o que há para se viver Sem as atribulações que provocam enxurradas De dores, a fim de que possam bem sobreviver. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - ESPELHO MEU (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.

ooooof

I wish she had sung this role about 10 years earlier and without cutting the da capo.

This is Sills at her very worst she was a lyric coloratura and this role requires heft to sing. Don't know why she attempted this role

♥ What a beauty!

What a wonderful performance by a wonderful singer. Can we talk about diction? His is perfect!

To me it is the best interpretation I’ve heard especially on the emotional level. She was 63 when she recorded this piece and we should take this into consideration. C’était une grande dame et très peu lui arrive à la cheville.

I saw one of the Lucrezia performances in this series at the New York City opera. I dearly love Beverly, but this just wasn’t her role. She was still able to conjure up some fantastic performances after this date in Manon, Thais, and I think even Traviata and Devereux. But the voice and, more importantly, the empathy with the character, just wasn’t there for Lucrezia. (I just referred back to my computer list of opera performances, and I saw Beverly sing a spectacular Lucia at the Met on New Year’s Eve 1976. I mean, the audience sat stunned after the mad scene. Perhaps she had given a lot more thought to Lucia, but my point is that she still had some incredible nights after this Lucrezia series.)

OK, so why is it that you can understand everything he says and even transcribe it, yet conservatory-trained sngers are unintelligible? So what were they doing in the past that they can't do today?

I remember listening to this post my junior year of high school ‘11. And, I’m still here... Timeless

Who are you? This is quite beautiful- but we have no idea who you are!