It is Esir-i Zülfünüm Ey Yüzü Mâhım by Şevki Bey.

Hello, actually the first piece doesn't have certain name. It is a Taksim in Uşşak Makam. In classical Turkish music we use different musical tone system from western music. And we call them Makams. Each makam has different vibes and specific rules. We have hundreds of them. And this piece is an impromptu which made in Uşşak Makam. We call these impromptu: "Taksim". If you like the vibe of this Makam you can listen the song named "Gamzedeyim Deva Bulmam". I suggest you to listen from Müzeyyen Senar. Actually classical Turkish music is very very complicated. And it is kinda hard to explain. Do you use instagram? I can make recommendations to you. My account is irsad_alpaydin. I hope I helped to you.

And second piece is a song named "Cana rakibi handan edersin" it is also composed in Uşşak Makam by Giriftzen Asım Bey. Lyrics belongs him to. You can listen it from Müzeyyen Senar or Safiye Ayla. They are one of the master singers of classical Turkish Music

@@mrnobody5787 The introduction is taken from Cana Rakibi Handan Edersin, but the song itself is actually Esir-i Zülfünüm Ey Yüzü Mâhım by Şevki Bey, which is a different şarkı in makam Uşşak.

Hello, Thomas. This song was composed by Turkish music composer Zekai Dede Efendi (1825 - 1897)

London Power Lmao😂😂😂 asia huns a greek?

London Power It is very similar to Byzantine music. Ottomans were Muslim Byzantines in many sense. But I don’t agree with the DNA part. Those ancestral tests aren’t scientific at all. They are pseudoscience.

@London Power hahahaha Lmao 😂😂

Turkish Ney

Bizde de Bayatı ve bayatı yürük diye benzer adlı iki makam var ama pek bir bilgim yok musıkîde ne gibi bir karşılığı olduğuna dair.

Also morocco was a ottoman's city

Yașasaydın görseydin ne oldugunu osmanlinin kaymagini gayri müslimler yedi sefasını sürdü. Türklerin eline arapca bir kuran basina bir seyh bir imam koyun gibi güdüldü. Sırası gelen askere gitti gidenlerin, çogu geri dönmedi kalanlar sadece arkasından fatiha okuyarak kendini avuttu.

@@yukselocakverdi1638 buna inanan sen de sefalet içinde Türkiye'de hayatını sürdürmeye devam ettin

العروبة ليست أولا من الاسلام يا أخي وبلعكس قد تاثرت اللغة والثقافة التركية كثيرا بالعربية فلا تفرق بين عربي او اعجمي الا بالتقوى واعتبر العثمانيين مثل الأمويين والعباسيين

The classical maqam is originally Kurdish and Persian. Arabs did copy the Persian dastgah, by the way all the maqams hold Persian names. The pioneers of classical music Ziryab and Ishaq Almawsili were Kurdish and Persian respectively!

@@abdennourbenabbas844 Also a lot of the maqams are Turkish invention.

@@ustadspencertracy7195 that's not true, even turks copied Persians, Greeks and Syriacs. Turks didn't have any classical music before crossing the Iranian world to get to minor Asia where Kurdish, Aramaic and Greek cultures flourished.

@@abdennourbenabbas844 I've excessively studied theory of music and the history of oriental music-I've read the original scriptures from Abdulkadir Meragi(Cami'ul Elhan) , Ebuishakzada's Atrabu'l Asar, Seydi's al Matla, all of the works of Rauf Yekta, al-Farabi's Musik al Kebir, Bobowski, countless number of tractates and music theoriticians who wrote in Aramean, Arabic, Persian(multiple dialects) , Turkish and some Hebrew. So I claim authority when I say that Turks have also contributed to Eastern music excessively -both in religious and folkloric- as much as Persians and more than Arabs!!! To such an extend that they formed an individualistic form of music. If you listen Arabic and Islamic Turkish and fail to differentiate, you haven't listened enough. Udi Nevres Bey was the greatest oud player of his time, Tanburi Cemil-wjo invented the tanbur with strings- and the other turkish tanbur players were the best in history. Lastly, hundreds of maqams have been invented by Turks, despite your claim.