難しそうで哀愁のある 曲ですね！トリルが効いていますね！左手とのバランスが良いですね！

The way he swings the 8th notes at 1:53 is so satisfying, no other pianist would do that Edit: no other classical pianist would do that. It's something he learned as a Jazz pianist

great piece

Is it a four hand piano piece, is it possible to play this alone ??

Where are you?

I love this piece but it’s so hard like it’s killing me😂!

A work of a genius...

6:13 how ironic to name a piece in a Children’s album ‘Regrets’

9:40 II 10:03 III

6:01 idk why the performer playing an F instead of an A

what an ugly and uninteresting music.

nice.

เมื่อไหร่จะออกเพลงใหม่มาวะ รอมา 198 ปีแล้ว ยังไม่มาซักที 😔

What's the point of writing such complex rhythms if the pianist isn't going to play those rhythms? If it's too hard for you, then play something else, otherwise, figure it out and play it right!

3:25 ah I love a good Kapustin sopra section

12:59 Still D.R.E.

beautiful

ლიზი ფიზიოიო

I like the title.

For big hands and long fingers

A bit of heavy metal in the beginning

These are beautiful…

Insane tempo

In honour of St Trina, cast oneself into sleep

Одна из моих любимых фортепианных пьес вообще

If only my hands were big enough to even attempt this haha

Beautiful piece. Is the score available for this? Where did you get the pencil copy?

Utterly bizarre music, even while seemingly confining itself to standard late romantic harmony and other techniques - bizarre, yet fascinating. Medtner's originality is greatly, greatly underestimated. Just like Scriabin came out of obscurity beginning in the 1970s, to be almost as easy to access now as his friend Rachmaninov, now it's Medtner's turn to achieve the fame and prominence he deserves. He is every bit the equal of those other two composers.

💀

I really do love these tiny pieces by shostakovich as much as his huge works.

Krenek is so interesting composer. Very mystical choice.

Tchaikovsky didn't like it too much!

2:41 pianissimo?

Very good music,very evil.Mosolov has same level with Prokofiev and Shostakovich but,he's music has more dynamic and color,more understandable.

I discoverd Tansmann like a year ago, but I immediately fell love with his style: it’s sophisticated but also silly at moments it is improssinistically driven but romantic in scope. Me likey ❤ His 4th symphony is amazing, check it out if you havent

Is this really Mosolov? I can't find anything about this piece.

Um is that time signature bothering anybody besides me?

8:12 what a chord

The second theme is beautiful, the call alternating with the dotted melody... Prokofiev is definitely one of the greatest melodist.

There are anticipations here of Takemitsu. Glorious.

デュティユーに献呈 晩年のオーリックは現代音楽の作風 コラールが演奏 コラールの現代曲は珍しい

I wanna play these, but what do I do if Pan actually shows up?

Is it just me or does the first one sound a lot like Borodin's Polotsvian Dances?

Love these. Especially fond of the Georgian Song. They all evoke another world that seems lost.

Chalres valentine Alkan was the only composer not scared of odd time signatures

Very similar to Castiglioni's style in "Come io passo l'estate". Discovering obvious things is absolutely amazing!

Based Medtner!

Tansman is a truly interesting composer. All his music that I've listened to so far holds up really well. Thanks to You Tube, I've found so much fine and often great music, previously unknown to me. Bravo!

Quite a mixture of Bach and Chatschaturjan, hmm...

I have researched many children's albums for inspiration for the album I am writing for my children to play when they are old enough (my son is 2 and my daughter will be born in October). I find so much satisfaction in this set as well as the many exercises of Kabalevsky. Many other composers wrote very simple music for youths to both enjoy and play, but I find in both this and the works of Kabalevsky a so very subtle insertion of their complex style into such a simple medium. It is much easier to write a piece replete with complexity, to pull out every stop so to speak, to turn heads, to impress - but a true challenge is to constrain one's self so much yet still impart one's originality and style with every passage. Take Beethoven's Bagatelle Op. 126, No. 1 - such a simple subject yet Beethoven was able to distill his very complex late style into such a short and deceptively simple piece such that you keep coming back to listen and discover more hidden within it. These pieces are like that. Unless you play them daily, you will not unlock all of their subtle charm and secrets.