Hi Marc! Verstehe dich total, :) Je nach Projektanforderungen verwende ich verschiedene DAWs. Bitwig zeichnet sich durch seinen einzigartigen Denkansatz aus, der eine andere Vorgehensweise erfordert. Ich benutze Logic, Pro Tools, Cubase/Nuendo, Abelton und Studio One. Jetzt kommt Bitwig dazu. Leider gibt es keine DAW, die die meisten DAWs vollständig ersetzen kann. Aber aus irgendeinem Grund gefällt mir Bitwig sehr gut, und ich benutze es im Moment für Live-Auftritte. Ich hoffe, dass ich mehr Bitwig-Videos auf deinem Kanal sehen werde. 😊 Beste Gruße aus den Philippinen 🌴☀

I also think that the automatic setting of the loop after a recording doesn't work at all, unlike in Ableton, and you ALWAYS have to correct it. Why?

Nice vid. What was the Moog filter you were using?

Even Virus doesn't give such beautyful bass. Maybe Virus XL (rack version) give similar bass

Baseline reminds me of Solange - Messages (Gouryella Remix)

👋🏾

Drum and bass where

So.. you took, sorry borrowed, your son's rocket.

There’s something magical about the sound of the JV1080. I can never put my finger on it, but I know it can’t be duplicated with software.

Great song and video! 😊😎

cool

Dance ❤

Schöne synthie Sammlung, grüße aus berlin

This is the type of DnB I've experimented with in 2017 & up, i'm so glad I found your site, keep showing us the way Brother, you are very inspirational.

You can send feature requests to support, they seem relatively open to atleast hearing them.

Absolutely delightful!

Awesome

❤

Bitwig 😎

Drums are sounding full 🔥

What's the name of the software? I love node patches!❤

I _almost_ hate that I've become _that_ guy, but: After years of believing and attempting otherwise, I finally concluded that physical modular is only good for three things: 1. analog feedback patching, 2. dedicated physical controls, 3. custom all-in-one synths/grooveboxes. Physical modular is literally the worst of all worlds in every other way. Go with software, modular or otherwise, for everything else. You'll save your money for great monitors, controllers, and a new god-level audio workstation, you'll save your mind for creativity, and you'll save your time for actually making music.

yeah

Dope!

It's unbelievable the number of hostile comments on this video. Marc freely admits that he is still getting used to Bitwig, and the video is him highlighting pain points that he has come across. While it is true that some of the things exist but are different, and it is clear Marc is still on his journey, there are indeed frustrating missing features and annoyances. People rushing in with ad-hominem attacks first and saying he needs to RTFM or go use another DAW are extremely discouraging to see. As I said, hostile. My interpretation, watching the video is it is a video from someone trying to wrap their head around the product, and simply being open about their experiences. There is nothing wrong with that. Larger companies pay good money for this kind of customer feedback on user experience, so from my perspective it is good that this exists.

Thank You for doing this!

I have a JP8000 and feel that I need to add a lot of reverb to make it sit well with other instruments, what external effects do you find useful for it?

For Samurai Horo or Auxiliary tune

Die Pads sind super atmosphärisch, top! Und danke fürs erklären wo die einzelnen Sounds herkommen in der Beschreibung 👍

Re: Problem 1, use the inspector on the left. After you've figured out your sampled track's tempo, you can just type it into the clip's tempo field. Done. The entire track will be strethed to your project tempo. No need to mess around with the stretch markers.

... why does Bitwig not support the Clavia Nord Lead, sadly not on their list of controllers, shame. that drives us crazy

tbh most of them are your problem not bitwig problem and you need to figure put the solution or work around yourself

80% of issues are not issues, they are just "you are not used to Bitwig yet" things. Melodyne like tool is the major thing which Bitwig or Ableton should work on. Both DAWs don't seem to include this necessary functionality. Even Reaper has it's own melodyne like pitch correction plugin.

Ableton is stil lfar superior in the very high end of production but Bitwig is just so much nicer to use, i am actually switching back to Ableton after 5 years Bitwig, i still use Ableton for so many thing bitwig just cant do

strg+Enter in Bitwig opens commander, the most important thing when learning bitwig. you can search anything there and see the shortcut/name or click on the function and more, learn the commander asap! the mapping of Bitwig is extremely powerful because you can map almost anything, you can search for either the functioin or the shortcut, you can save it in a profile file,

12. i mapped a shortcut to "Global Solo Off" , i used shift+S to un-solo everything i also mapped S to "Toggle Track Solo" also to emulate the Ableton function of S to solo current track, i also have C to mute

11. Toggle button, Yes there is, i loved that function from Ableton as well. just map your 0 to "Toggle Active" it works on clips tracks plugins etc, super useful

6. Arranger/Mixer overview hmm i don'T see anything bitwig could not do in the mixerview it is basically the same, ofc you have to hide your clips and in/out and show the plugins, bitwig has the track controls in the mixer as well, huge meters etc, oyu can adjust width etc, should be no hassle, just try out different buttons to show hide things.

5. you have to favorite your plugins / create collections, then you can drag them in or doubleclick from the right side just like in ableton, except you have as many "colors" as you want, you can even save different snappshots of the collection or search there (check the rightclick menu) Bitwig had a perfect system but they decided to complicate things with the new terrible browser, you will get through it over time and it will work fine, it's just a lot initially

1. i only watched the first complaint, you are doing it wrong. instead of markers, plainly duplicate the whole track first just to find out the exact bpm. you cut away the intro/garbage till the beats start and consolidate now you put the start on 0 and now the crucial part, you shift drag the tempo numbers to fine adjust, (in the top left corner in your video). you also have to start the drag on the rightmost number as this will be a difference in how fine it changes. lastly you can cmd click to type in values, and this one goes in far more detail than what is showed, you can go many decimals more resolution when you found the exact tempo you adjust it on the original one with a copy paste, now everything is "extrapolated" how you wanted it.

RTFM

You aren't mentioning about the freeze option in Ableton. I've been requesting this option THOUSAND of times. And people just don't get how easy is just to freeze a channel and don't have to bounce it, disable a track. that occupies space in the arrangement view. I've been using bitwig since 2014! I don't understand when will this freeze option come.

Maybe the best daw for you is the Studio One.

Lovely work on this Marc !

It's fascinating how much bad faith, forced transplantation of other DAW workflow and simple ignorance is in this video. Why you're using Bitwig?

Best sound mix.

On your first point. Something is up with your import settings because it should just detect the tempo and work pretty well. Regarding the stretching there is a function called scale 50 and 200 that you can set a keyboard shortcut. There’s a difference between onsets and warping as well. Find the start point of where you want it to fix and then create the end point so that wait it’s constrained. You can also right click and quantize audio or type in the og tempo in the inspector if you get a wonky import. I never get bogged down by audio warping like this

About the tempo, switch the inspector on and you see all the information 😉 additionally you can change a lot of things within the loop direct in the inspector 👍🏻

Agreed, needs new Audio and Midi track (replicated) with empty version, please.

Hardcore Junglist come with it!