8 ай бұрын
Жыл бұрын
2 жыл бұрын
Пікірлер
@NigelBaines 11 күн бұрын
Great video. There is one thing I am unclear about. My project contains Rec.709, HLG BT 2020 and S-log footage, am I right in thinking I should be using DR Color Managed Setting, Rec.709 input and working space and CSTs for the HLG and S-log footage?
@themercerguy 11 күн бұрын
Clean setup. I'm kinda wishing now that I hadn't jumped on the 6k pro as the pyxis looks like it can be rigged up as much or as little as you need. Subscribed, looking forward to footage from it.
@RaoulEnoiu 11 күн бұрын
Thank you! And yes with the right parts you can make it as simple or complicated as you need which is always good.
@baharam98 20 күн бұрын
You're the MAN! This helped me setup my color management to the correct settings for my camera and editing monitor. Thanks! RESPECT!!!
@baharam98 20 күн бұрын
This was very helpful; Finally getting the results expected from these LUTs; Thank you!
@eddieblanquiz2542 Ай бұрын
THANK YOU, for informing us of your project color settings. There are TONS of vids that don't give that info making their instruction almost useless IMO.
@himalpathak2.0 Ай бұрын
Pauses can be deleted at once in premiere .
@arthurpolin8194 Ай бұрын
Probably the most cogent explanation of this subject that I have watched. Thanks very much.
@sbn0466 Ай бұрын
14:34 "la revedere"🤨 Esti roman?
@RaoulEnoiu Ай бұрын
Da, sint roman
@1_jesam Ай бұрын
Please I have been follow your channel for a long long time. Also learned more of color grading with your channel. But Please I need that DaVinci license. Can I buy it. Please
@KONDORBLUE Ай бұрын
Nice!!❤
@RaoulEnoiu Ай бұрын
Thank you! Appreciate you all stopping by 🙌🏻🙌🏻
@Sirwis Ай бұрын
To me one of the best channels about the topic. You need to squeeze a little bit the content, other than that the channel is amazing. Please upload more buddy!!! Thanks
@RaoulEnoiu Ай бұрын
Thanks for the encouraging words! More content coming out now for sure!
@RaoulEnoiu Ай бұрын
Thanks for watching everyone! More videos coming up soon about building out the rig, grading braw footage, and much more! Make sure you're subscribed! Hope you all had an amazing Thanksgiving!
@brianbrowm2630 Ай бұрын
Nice video, very informative, a lot of KZbinrs sometimes think their audience is as knowledgeable as them but beginners like me look to these videos for knowledge as well as the explanations
@RaoulEnoiu Ай бұрын
I appreciate that! Thank you so much. I try to make sure all my videos are accessible so they help out as many as possible.
@MachineLearningStreetTalk 2 ай бұрын
Speaking as a very experienced resolve editor myself, I am honestly struggling to see a single good reason to use this thing - if anything it will slow me down
@HiguysImgreat 2 ай бұрын
Thanks a lot! This is really useful!
@whitehorseproductions575 3 ай бұрын
The compound node tip is so helpful thank you!!
@justfryme 3 ай бұрын
how to control lift, gamma and gain with printerlight num pad?
@fsb5370 3 ай бұрын
If I set color management in Aces, input clog 3..., would I still need a Aces CST node in my grade or can I start grading? Would I still need to tell ACES this file is colog 3?
@Courtownman 3 ай бұрын
Thank you very much Raoul for your excellent video. Very much appreciated. Quick question if you dont mind please. I am shooting video on a Kodak Pixpro AZ421 1280x720 HD .mov H264 High L3.1 . I am trying to find the best input colour space setting . I have set input to REC 709 (scene) Timeline DaVinci WG Intermediate Output Rec 709 Gamma 2.4. Just wondering if I am correct in this? I have searched forums for correct .mov input settings to no avail. My monitor outputs are consumer devises ie phones tablets and television monitors viewing the content I upload to KZbin. Thanks again
@lineofGodcollection 4 ай бұрын
THANK YOU 🙏
@edielayland8211 5 ай бұрын
I get an error message saying "failed to retrieve still image from disk". Any suggestions? I realize you made this 3 years ago. I'm on version 18.6. Maybe I should update to 19? Please help. Thank you!!
@RaoulEnoiu 5 ай бұрын
Wow time sure does fly. Anyway I’ll be honest I’ve never run into this before. I did some digging online and apparently if you export the entire project, delete the project in project manager, and then import the project again that seems to have fixed the issue for some people. I can’t verify if this works though since I’ve never run into it so if you try it just make sure everything’s backed up.
@edielayland8211 5 ай бұрын
@@RaoulEnoiu I’ll give that a try tomorrow morning. I did try copying the project to another location and saving the still there and I also tried saving it to a variety of places including my desktop. Hopefully your suggestion will do the trick.
@numinoos 5 ай бұрын
BG music way too loud to follow tutorial
@Eggs4Benedict 6 ай бұрын
Honestly what you're teaching here is what people would pay GOOD money to learn. Loved this. Thankyou
@RaoulEnoiu 5 ай бұрын
Making me blush! lol thanks though really appreciate that
@roman_prystaiko 6 ай бұрын
Rec2020 and Apple Log as input colour space. Why REC709?
@c9vision 6 ай бұрын
Your channel is the one I was searching for but just couldnt find until today. Thank you Bro for the great color grade vids, they are comin in clutch for me!
@RaoulEnoiu 5 ай бұрын
Thank you!
@TrapPhoneLoveMelodiesss 7 ай бұрын
Brother this is excellent... Thank you!
@sebleblan 7 ай бұрын
I only have the option for prores hdr on iphone 13 pro, no log.. is that normal?
@ausdoug974 8 ай бұрын
I'm really enjoying learning from your videos. Really nice work. Thank you.
@RaoulEnoiu 8 ай бұрын
Thank you so much! That means a lot!
@ausdoug974 8 ай бұрын
Very helpful. I just discovered your channel and enjoy your presentation style very much. Thanks for creating this video for us.
@ausdoug974 8 ай бұрын
very interesting. I really enjoyed watching this. Thanks for creating it for us.
@RaoulEnoiu 8 ай бұрын
Thank you!
@ramanandh1261 8 ай бұрын
I get a feeling that u would become a good channel on color grading n color mgmt. Btw,that light (whatever it is) on the right side ,near the monitor,is grabbing the attention more..subbed!❤
@RaoulEnoiu 8 ай бұрын
Really appreciate that! New setup soon and ya I removed that light lol. I realized it too after watching it back
@RyanPatrickOHara 8 ай бұрын
Could use a power window too if you just wanted to use the luminance slider on the qualifier.
@connormandalla6272 9 ай бұрын
Also, what I'm realizing is most 'creative' LUTs are built for rec 709. So does that mean in order to take advantage of them I'll need to change my working space in color managment to rec 709 as opposed to DaVinci WG?
@connormandalla6272 9 ай бұрын
How did you know that your Kodak 2383 D65 LUT required a cineon input? Is there a way to check LUT input requirements ? Additionally, do you have a good resource for free or paid LUTs that input and output DaVinci Wide Gamut? Thank you!
@RaoulEnoiu 9 ай бұрын
The LUTs that come with Resolve have their specifications in the resolve manual I’m pretty sure. It’s been a while since I looked it up but I/O comes from Blackmagic on those.
@paulschrank9757 10 ай бұрын
Can't watch. Background music 😢
@PatrickViebranz 10 ай бұрын
Thanks for sharing this great video,. Helped me a lot!
@KoolCreation 10 ай бұрын
Awesome tutorial I've been playing with Pro Res but still learning Color Grading and Resolve.
@artemyivanov2860 10 ай бұрын
Thanks for your work fam, helped a lot!
@garybarnett893 10 ай бұрын
Thanks for the great video! By sheer coincidence, I’ve been practicing on the exact same RED clip, and it was very reassuring to find your video, and to see that I was right on track with the same workflow and results. The only real difference is that I had a ‘balance’ node to get the image less warm at the beginning of the node tree, then added the split tone look node after that. My results were virtually identical. I guess it’s a positive sign that I’m getting there! Looking forward to watching for more of your videos.
@MaximoJoshua 10 ай бұрын
OK, there was a lot that was good about this, but I think you would benefit from reading the Apple Log White Paper... Apple Log specifically bypasses tone mapping and digital sharpening, or as the white paper says "minimal processing". The file size is big because of ProRes (the bitrate and lack of interframe compression), the file resolution is still 4k...not 48 mp or 24 mp (the resolution). 4k footage, is by definition, approximately 8.3 MegaPixels (3840 pixels X 2160 pixels = 8294400 pixels) The color gamut that Apple Log uses is Rec2020, not Rec709. You absolutely nailed that one should use Color Space Transforms (or the project settings color management which does basically the same thing) and I love that you showed the uncorrected log twitter account.
@RaoulEnoiu 10 ай бұрын
Love it! Thank you. Admittedly I didn’t read it but I found out later on by messing with it that Rec2020 is the correct option. I should make an updated video now that I’ve used it for a little longer.
@fujicinema 5 ай бұрын
This is great information!
@iamVinnyK 10 ай бұрын
First time coming across someone making use of two "colour space transform" nodes and learned a lot!
@RaoulEnoiu 10 ай бұрын
Thank you! Glad to help 😁
@oleg1956 11 ай бұрын
Thank you very much for your work!
@RaoulEnoiu 10 ай бұрын
Thank you!
@ringingthebells307 11 ай бұрын
Pl make a video on timeline level as u spoke on 5.15 min of the video pl
@dinokurtovic5661 11 ай бұрын
Awesome, thank you!
@ZorzGaming Жыл бұрын
Why the nodes ? Please explain.
@MaximoJoshua 10 ай бұрын
He is using an Input Transform, which takes the image from the "capture space" which is apple log (should be Rec2020/Apple Log), to the "working space" which is Davinci Wide Gamut/Intermediate, that is the first node. In between, he is adding any other corrections, adjusting exposure, color balance, contrast, saturation, etc. Then he is taking the image from the working space to the delivery space using an output transform, which I think in his case he is outputting to Rec709. it should look like this Apple Log => Davinci Wide Gamut Intermediate => Rec709 The idea is that regardless of what color profile was used to capture the footage, we always work with it in the working color profile of Davinci Wide Gamut Intermediate, meaning I can mix other shots from an Arri or a Sony, but apply the same look to all shots, etc. As an example, let's say I wanted to make an HDR version of my video, I can just change the output transform node to convert the image to HLG for example. Cameras capture footage using their color profiles (Arri Log C, SLog 3, Apple Log) Color graders grade footage using their color profiles (Davinci Wide Gamut Intermediate, ACES cct) People watch footage using their display's color profiles, or the format in which it was delivered to them. (Rec 709, Rec2020, Rec2100, PQ, HLG, Dolby Vision, HDR10+, etc) Color Management is the process of working through these different stages in a mathematical automatic way.
@ZorzGaming 10 ай бұрын
@@MaximoJoshua Thank you for the detailed reply. I'm still learning and its a bit complex but I think I got the gist.
@MaximoJoshua 10 ай бұрын
@@ZorzGaming no worries
@TimePass-wi6by Жыл бұрын
so da vinchi doesnt edit timeline with text but primier does?
@RaoulEnoiu Жыл бұрын
Yeah not sure why it doesn’t but in Premiere when you copy/paste it’ll move clips and make cuts. DaVinci will not. You have to manually go in and cut in/out and re-arrange. It will point out where it is in your monitor but won’t make any of the edits.
@TimePass-wi6by Жыл бұрын
also if i purchase premier pro do i have to compulsorily purchase adobe cloud as well?@@RaoulEnoiu and does premier pro inculde new AI features updating without adobe cloud of adobe firefly?
@RichB-78 Жыл бұрын
If working colour managed, what input do you select if you have mixed cameras in the timeline? Or is it best in this instance to go the node based route? Thanks. BTW. I paused the video to ask. Apologies if this is addressed later in the video.
@RaoulEnoiu Жыл бұрын
Thanks for the question! You can do it in both. I’ll cover it more specifically in another video for project settings but I usually color manage in nodes and I think grouping similar cams together and doing it in nodes is easier for me.
@Squatrecords Жыл бұрын
youtube algorithm suck so back, i took so longer to find a well explained video like yours, hoping to see more real time colour grading in your channel this is why im subscribing! thanks for the effort and attention! you rock! keep up bro
@RaoulEnoiu Жыл бұрын
Thank you so much! For sure a lot more stuff coming now in 2024.
@drewfl Жыл бұрын
thanks so much, helps a lot. its tampa airport I live near by.
@RaoulEnoiu Жыл бұрын
Love it! It’s a pretty fun place to chill on the roof lol
@drewfl Жыл бұрын
@@RaoulEnoiu I love this area, so many things to do.
@peterplantec7911 Жыл бұрын
Raoul. What you have to teach is very important. Unfortunately your presentation is a bit disorganized and you use esoteric terms that are impossible to follow. We’re watching this because we don’t know this stuff. So using specialized terms we get lost almost immediately. My suggestion is that you work your presentation down to plain language for we beginners. I'm not actually a beginner and i’m having trouble following. That said, I appreciate the time you put into this.
@RaoulEnoiu Жыл бұрын
I appreciate the feedback! Definitely working on this. My focus is on this with all new videos coming out.
@peterplantec7911 Жыл бұрын
@@RaoulEnoiu excellent