Wow time sure does fly. Anyway I’ll be honest I’ve never run into this before. I did some digging online and apparently if you export the entire project, delete the project in project manager, and then import the project again that seems to have fixed the issue for some people. I can’t verify if this works though since I’ve never run into it so if you try it just make sure everything’s backed up.

@@RaoulEnoiu I’ll give that a try tomorrow morning. I did try copying the project to another location and saving the still there and I also tried saving it to a variety of places including my desktop. Hopefully your suggestion will do the trick.

Making me blush! lol thanks though really appreciate that

Thank you!

Thank you so much! That means a lot!

Thank you!

Really appreciate that! New setup soon and ya I removed that light lol. I realized it too after watching it back

The LUTs that come with Resolve have their specifications in the resolve manual I’m pretty sure. It’s been a while since I looked it up but I/O comes from Blackmagic on those.

Love it! Thank you. Admittedly I didn’t read it but I found out later on by messing with it that Rec2020 is the correct option. I should make an updated video now that I’ve used it for a little longer.

This is great information!

Thank you! Glad to help 😁

Thank you!

He is using an Input Transform, which takes the image from the "capture space" which is apple log (should be Rec2020/Apple Log), to the "working space" which is Davinci Wide Gamut/Intermediate, that is the first node. In between, he is adding any other corrections, adjusting exposure, color balance, contrast, saturation, etc. Then he is taking the image from the working space to the delivery space using an output transform, which I think in his case he is outputting to Rec709. it should look like this Apple Log => Davinci Wide Gamut Intermediate => Rec709 The idea is that regardless of what color profile was used to capture the footage, we always work with it in the working color profile of Davinci Wide Gamut Intermediate, meaning I can mix other shots from an Arri or a Sony, but apply the same look to all shots, etc. As an example, let's say I wanted to make an HDR version of my video, I can just change the output transform node to convert the image to HLG for example. Cameras capture footage using their color profiles (Arri Log C, SLog 3, Apple Log) Color graders grade footage using their color profiles (Davinci Wide Gamut Intermediate, ACES cct) People watch footage using their display's color profiles, or the format in which it was delivered to them. (Rec 709, Rec2020, Rec2100, PQ, HLG, Dolby Vision, HDR10+, etc) Color Management is the process of working through these different stages in a mathematical automatic way.

@@MaximoJoshua Thank you for the detailed reply. I'm still learning and its a bit complex but I think I got the gist.

@@ZorzGaming no worries

Yeah not sure why it doesn’t but in Premiere when you copy/paste it’ll move clips and make cuts. DaVinci will not. You have to manually go in and cut in/out and re-arrange. It will point out where it is in your monitor but won’t make any of the edits.

also if i purchase premier pro do i have to compulsorily purchase adobe cloud as well?@@RaoulEnoiu and does premier pro inculde new AI features updating without adobe cloud of adobe firefly?

Thanks for the question! You can do it in both. I’ll cover it more specifically in another video for project settings but I usually color manage in nodes and I think grouping similar cams together and doing it in nodes is easier for me.

Thank you so much! For sure a lot more stuff coming now in 2024.

Love it! It’s a pretty fun place to chill on the roof lol

@@RaoulEnoiu I love this area, so many things to do.

I appreciate the feedback! Definitely working on this. My focus is on this with all new videos coming out.

@@RaoulEnoiu excellent

I definitely agree. I think I mentioned it in the video but the Premiere feature is much better thought out and a more full feature. Being able to affect the timeline directly is also a nice feature.

Yep - I agree! I use both and trying to edit a multicam timeline is much easier in PP with text-based editing

Never edited with Final Cut although I've heard some good things

Great suggestion! More videos on that to come 😊

Of course!

Love to hear it worked out! Thanks bro!

Thank you! That’s a great suggestion! I’ll put together a video on that.

I certainly try sometimes lol. But seriously a few actors can pull it off if well written

@@RaoulEnoiu yes some can. What I actually meant is that there are some people in real life who can talk for hours, I don't know how they do it, just in contrast that no one does long talks or monologues.

I haven't run into that yet. Maybe jumping between gamma and gain to see which one works better. If some shots aren't exposed properly you could also try doing overall sat and then working with sat v Lum to cut out the effects in the shadows?

Of course!