Thank you for letting me listen to the great music that gives me strength💪💪
@andriysavchuk985310 күн бұрын
Thank you my dear friend
@Pianomusicwithiuliia10 күн бұрын
Amazing, expressive concerto and very interesting information about composer,- thank you very much, Andriy !!!💜💜💜
@andriysavchuk985310 күн бұрын
Thank you ❤️
@Pianomusicwithiuliia11 күн бұрын
Very beautiful orchestral composition, Andriy !!!❤ I was surprised he wrote about 2 000 musical pieces, - really hard worker 🙃
@andriysavchuk985311 күн бұрын
2000 compositions from Christoph Graupner its cantatas, orchestral suites, sinfonias, concertos, sonatas, harpsichord partitas.
@steveegallo338411 күн бұрын
"....just six tunes....".. Astounding.....BRAVO from Mexico!
@guitarrasenamoradas706612 күн бұрын
Viva Vivaldi... Bellas obras.
@andriysavchuk985310 күн бұрын
Thank you. The best of Vivaldi
@steveegallo338412 күн бұрын
BRAVA from Mexico City!
@andriysavchuk98539 күн бұрын
Thank you❤
@calefonxcalectric12 күн бұрын
👍👍
@andriysavchuk985312 күн бұрын
Thank you❤
@Pianomusicwithiuliia13 күн бұрын
Amazing concerto, Andriy, - listened with a big pleasure !!!💛💛💛
@Pianomusicwithiuliia14 күн бұрын
Wonderful composition, - like it very much !!!😊💜
@Pianomusicwithiuliia16 күн бұрын
So beautiful music, my friend, - enjoyed listening !!!😍💛💛
@Pianomusicwithiuliia17 күн бұрын
Organ music and a'capella sounds absolutely amazing, - listening with a big pleasure, thank you, Andriy !!!💜💜💜
@andriysavchuk985317 күн бұрын
Thank you fof supporting Egidio Romualdo Duni - Les Moissonneurs. Overture kzbin.info/www/bejne/iXSrmZJ3bJp_edksi=jPEDFC1jJm48jHhx
@Pianomusicwithiuliia18 күн бұрын
It's fantastic that you're uploading not famous music, - i guess from baroque period only Bach's name is well known 🙃
@calefonxcalectric18 күн бұрын
👍👍
@andriysavchuk985318 күн бұрын
Thank you my dear friend
@andriysavchuk985318 күн бұрын
Johann Speth (1664-c.1720) - Magnificat kzbin.info/www/bejne/m3mXhYaDlquSabssi=l-EK0WXI8cPBWgvL
@Pianomusicwithiuliia18 күн бұрын
Very beautiful orchestral music, Andriy, - thank you !!!💛🕊
@steveegallo338418 күн бұрын
Great sextet......BRAVI from Mexico City!
@Pianomusicwithiuliia19 күн бұрын
Hi Andriy 😊 ! Heartfelt thank you for Bortnyanskiy's music,- amazing !!!❤🌹🌹🌹
@Pianomusicwithiuliia20 күн бұрын
Hi Andriy 😊 ! I have never heard this composition, but like choral music. Sounds amazing, - thank you for sharing and information about composer !!!❤🌹
@andriysavchuk985320 күн бұрын
Thank you! Alonso Lobo (February 25, 1555 (baptised) - April 5, 1617) was a Spanish composer of the late Renaissance. Although not as famous as Tomás Luis de Victoria, he was highly regarded at the time, and Victoria himself considered him to be his equal. Lobo was born in Osuna, and after being a choirboy at the cathedral in Seville, he received a degree at the University of Osuna, and took a position as a canon at a church in Osuna sometime before 1591. In that year, the Seville Cathedral appointed him as assistant to Francisco Guerrero, and he later became maestro de capilla during Guerrero's leave of absence. In 1593, Toledo Cathedral hired him as maestro de capilla; he remained there until 1604, when he returned to Seville, where he died. Lobo's music combines the smooth contrapuntal technique of Palestrina with the sombre intensity of Victoria. Some of his music also uses polychoral techniques, which were common in Italy around 1600, though Lobo never used more than two choirs (contemporary choral music of the Venetian school often used many more - the Gabrielis often wrote for as many choirs as there were choir-lofts at St Mark's Basilica). Lobo was influential far beyond the borders of his native Spain: in Portugal, and as far away as Mexico, for the next hundred years or more he was considered to be one of the finest Spanish composers. His works include masses and motets, three Passion settings, Lamentations, psalms and hymns, as well as a Miserere for 12 voices (which has since become lost). His best-known work, Versa est in luctum, was written on the death of Philip II in 1598. No secular or instrumental music by Lobo is known to survive today.
@andriysavchuk985320 күн бұрын
Spanish Renaissance music 🇪🇸
@Pianomusicwithiuliia22 күн бұрын
Awesome music, - thank you, Andriy !!!💜
@andriysavchuk985322 күн бұрын
Thank you for support
@Pianomusicwithiuliia22 күн бұрын
@@andriysavchuk9853 😊
@Pianomusicwithiuliia24 күн бұрын
Very beautiful concert, - thank you for sharing, my friend !!💜💜
@Pianomusicwithiuliia27 күн бұрын
Very nice symphony, Andriy, - enjoy listening now !!!💗💗💗
@PianomusicwithiuliiaАй бұрын
I like this overture, - thank you for sharing, Andriy !!!💜💜💜
@calefonxcalectricАй бұрын
👍👍
@andriysavchuk9853Ай бұрын
Thank you for supporting me and watching my videos. I think you also spread the content that is similar to others.
@user-mo6cq2mq2iАй бұрын
DON ANTONIO LUCIO VIVALDI 🇮🇹🎻MY IDOL 🙏FOREVER THE BEST MUSIC 👍👌✌️R. I. P. 🖤🙏
Very beautiful overture, Andriy, - I like listening kind of music !!!❤🌹🌹🌹
@steveegallo3384Ай бұрын
Exactly....Me too.....BRAVO from Mexico!
@PianomusicwithiuliiaАй бұрын
I like this symphony very much, - thank you for sharing, Andriy !!!❤😊
@andriysavchuk98532 күн бұрын
Thank you❤. Baroque orchestral music
@andriysavchuk9853Ай бұрын
Alessandro Rolla (Italian pronunciation: [alesˈsandro ˈrɔlla]; 23 April 1757 - 14 September 1841[1]) was an Italian viola and violin virtuoso, composer, conductor and teacher. His son, Antonio Rolla, was also a violin virtuoso and composer. His fame now rests mainly as "teacher of the great Paganini", yet his role was very important in the development of violin and viola technique. Some of the technical innovations that Paganini later used largely, such as left-hand pizzicato, chromatic ascending and descending scales, the use of very high positions on violin and viola, octave passages, were first introduced by Rolla. Rolla was born in Pavia, Italy, in 1757 and after his initial studies he moved to Milan where, from 1770 to 1778, he studied with Giovanni Andrea Fioroni, Maestro di cappella at Milan Cathedral, who was the most important musician in Milan after G. B. Sammartini. Charles Burney, in his musical tour in Italy, refers to Fioroni to acquire information about the Ambrosian Chant. In 1772, he made his first public appearance as a soloist and composer performing "the first viola concerto ever heard", as reported by a contemporary writer. In 1782 he was appointed principal viola and the leader of the Ducale Orchestra in Parma, playing violin and viola until 1802. In 1795 he received a visit by the father of the young Paganini, wishing him to teach his son. After the death of the Duke of Parma, Rolla was offered a position as leader and orchestra director of the La Scala Orchestra in Milan in 1802. Here the new governors, the French and later the Austrians, wanted to create the most important orchestra of Italy and therefore hired the best virtuosos of the time. Among his students during this period were Cesare Pugni, the prolific composer of ballet music, whom he taught the violin. Rolla would conduct many of Pugni's operas for La Scala, among them Il Disertore Svizzero (1831) and La Vendetta (1832). Rolla remained at La Scala until 1833. There he was usually identified as the "Primo violino, Capo d'orchestra" being so responsible for leading the orchestra. He conducted the first Milanese performances of Mozart's Don Giovanni, Così fan tutte, La clemenza di Tito and The Marriage of Figaro and Beethoven's first symphonies. During this period he also conducted about eighteen operas of the then most loved opera composer, Gioachino Rossini, as well as operas by Gaetano Donizetti and Bellini, whom he got to know personally. He conducted the premiere of Norma, for example. From 1811 he was also director of a Cultural Society where musicians would perform chamber music works by Haydn, Mozart and Beethoven, among others. In 1813 at this Cultural Society he gave private performances of Beethoven's 4th, 5th and 6th symphonies. He also frequented the aristocracy drawing rooms, meeting artists and poets, playing for them and dedicating several compositions to them. In 1808 the Conservatoire of Music in Milan was inaugurated and Rolla was appointed professor of violin and viola. In this capacity he composed many didactic works for his own pupils, graded in difficulty, many of which were published by the newly established publishing house Ricordi. Although involved in opera conducting in a period when in Italy opera was dominating over instrumental music, Rolla continued to compose, maintaining the Italian instrumental tradition high. He wrote about 500 works, from didactic compositions to sonatas, quartets, symphonies, concertos for violin, and at least 13 concertos and other works for viola and orchestra. Significant was his contribution to the dissemination of Beethoven's works in Italy and his familiarity with Beethoven and other Viennese composers is shown in his compositions. He continued to compose and play chamber music until few months before his death at 84. As an example of his fame in Italy and abroad, it is worth noting that during his lifetime his compositions were published by publishers such as Le Duc and Imbault in Paris, Artaria in Vienna, Breitkopf & Hartel in Leipzig, Monzani & Hill in London, André in Offenbach, Ricordi in Milan from 1809, and many more. This information about Rolla's life and multifarious musical activity helps us interpret his work. He was a musician of European vision, an innovator in his own field who was also able to learn from the best of his contemporaries. Also being so deeply immersed in opera environment undoubtedly had an influence on his style as a composer. He often used themes from operas for his variations. Many of his works have been published in modern times and are therefore available. His works and performances as a violin and viola player, as well as conductor at La Scala, were often reviewed and appreciated in the Leipziger Zeitung. Rolla deserves a more important position in viola repertoire. His pedagogical works, conceived especially for the viola, are of special interest for students and teachers.
@chiefkevАй бұрын
I love these gems! Fanstastic! They are no less inspiring and beautiful than the famous concertos. Thank you for finding this and sharing it!
@PianomusicwithiuliiaАй бұрын
Awesome music, Andriy, - thank you for sharing !!!💜🌹
@edisonhasso830Ай бұрын
It's a great work of music indeed, this is Beethoven that can surely write music for ages ...love the man..
@PianomusicwithiuliiaАй бұрын
Absolutely fantastic composition by Beethoven, not very famous but beautiful !!!❤🌹
@PianomusicwithiuliiaАй бұрын
Very beautiful music, Andriy, - thank you !!!❤🌹
@W.ClassicMusicАй бұрын
Thank you for the wonderful music today
@PianomusicwithiuliiaАй бұрын
What a wonderful music, - thank you for sharing, my friend !!!💚🌿⚘
@HarazhRecordsАй бұрын
@PianomusicwithiuliiaАй бұрын
Amazing music, Andriy, especially flute solo !!!❤🌹
@user-mw4sc5hp7mАй бұрын
❤❤❤
@andriysavchuk985310 күн бұрын
Спасибо за комментарий
@PianomusicwithiuliiaАй бұрын
Very beautiful symphony, Andriy, - enjoyed listening !!!❤🌹
@andriysavchuk9853Ай бұрын
Thank you
@W.ClassicMusicАй бұрын
Thanks to the wonderful music, I gain strength today
@W.ClassicMusicАй бұрын
Thank you for the wonderful music today Feel strong.
@PianomusicwithiuliiaАй бұрын
Very beautiful variations of this concert, - I listened with a great pleasure !!!💛💛💛