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@jonnmostovoy2406 15 күн бұрын

It's a very important and based stuff. There are a couple things that are kind of gross - 1. Žižek saying "imagine the outcry if russians would commit that sort of atrocities in Ukraine". They did. Perhaps Slavoj was asleep on Apr 1st, 2022. 2. The filmmaker person talking about marxism as a force against injustice. Of course, he-growing up in israel-he doesn't know that marxism doesn't help the working class, but rather oppresses it as there is no definition of proletariat in it. The guy with the rifle gets to decide. It's absolutely the same sort of fascism as italian, as german, as russian, as israeli. Even under definition of the person 55:00 it was.

@torquemaddertorquemadder2080 17 күн бұрын

32:30 Reminder - (Just like Zelensky in Ukraine) .... _'Mr Hitter and the Nazties'_ were jewish actors whose scripts and photoshoots were set up by the Zionist Movement to achieve only their own Zionist goals. Now listen again carefully to Udi Aloni's rant.

@juanmarcosrocha 18 күн бұрын

Merci!

@LJScott1974 20 күн бұрын

Thank you for uploading this Q&A. It’s very much appreciated.

@mjleger Ай бұрын

how does the project of greater Israel, as an identitarian project, relate to capitalist growth and the crisis of growth in terms of militarism etc - not so difficult to understand, but identity is about the limits of understanding. c.f. Richard Wolin, The Seduction of Unreason

@JatinpreetSingh-ld5me Ай бұрын

Thanks. 🙏

@descendre 2 ай бұрын

I really appreciate you sharing this. I wish I had discovered this earlier. Manfred Eicher is one of my heroes. Thank you.

@cidvasconcelos6919 4 ай бұрын

Tradução de verbete sobre o realizador: magiadoreal.blogspot.com/2024/09/filme-do-dia-parsifal-1982-hans-jurgen.html

@shoshanadomenech3101 4 ай бұрын

La plus Grande d'entre les Grandes : Sonia Wieder-Atherton !!😊❤❤❤

@silvinacarrizo2726 4 ай бұрын

Una de las películas más impactantes que vi en estos últimos años. Una epifanía

@TheOnlyAsAnd 5 ай бұрын

SETLIST / TIMESTAMPS 00:06 -1) Personagem (Salt, 2004) 04:24 -2) You Decide (Invoke, 2002) 09:52 -3) Simply Are (Noon Chill, 1997) 15:34 -4) Invoke (Invoke, 2002) 21:28 -5) Arto introduces the band 22:12 -6) Prefeelings (Prize, 1999) 27:54 -7) Prize (Prize, 1999) 32:45 -8) Arto says "Nothing to say" 32:50 -9) ?Don't know 34:26 -10) Illuminated (feat. Melvin Gibbs solo) (Invoke, 2002) 40:55 -11) Arto salutes Melvin 41:43 -12) Erotic City (Mundo Civilizado, 1996) 48:35 -13) Arto says "we'll talk later" 48:54 -14) Privacy (Ambitious Lovers/Greed, 1988) 52:15 -15) Combustivel (Salt, 2004) 59:29 -16) Arto utters some words in Portuguese, Band takes short break 1:00:52 -17) Encore: sounds like maybe deconstructed Pode Ficar from Prize, 1999 1:04:25 -18) ?Don't know (dank grooves, glorious skronk) 1:09:47 -19) Arto salutes the band, bids adieu, band embraces, fin

@outerotter 4 ай бұрын

The last song is Jardim Da Alma, from Salt.

@Omar28805 7 ай бұрын

Yea! Bravo!

@cristianochoa3904 7 ай бұрын

Que ser tan bello y tan lúcido!

@christophedevos3760 7 ай бұрын

Don DeLillo is an outstanding writer, one of the greatest American writers of the second half of the 20th century. Regarding the mention of Chamberlain, I believe his umbrella was present when he talked to the press after his visit to Munich and Hitler, declaring 'peace for our time', an act that has become the ultimate symbol of the failed appeasement politics towards Nazi Germany, I believe also referred to as 'umbrella politics'. That Joe Kennedy would have been an supporter of appeasement remains to be seen, I think on the contrary, also in the light of the book 'Lessons in courage' that JFK wrote afterwards. Anyway, thank you for sharing this interview.

@zelone651 8 ай бұрын

18:02 タイトル 23:29 エンディング 33:06 オリヴェイラのオマージュ

@vermasvidrio 9 ай бұрын

minuto 24: la gente que se va pasando por delante de la cámara es una vergüenza imperdonable.

@vermasvidrio 9 ай бұрын

Minuto 23. La gente que se va. ¿No tiene ni conciencia, ni corazón, ni memoria? Yo si hubiera podido estar ahí habría escuchado como si leyera. Hasta el final, y luego hubiera escuchado incluso el silencio de las pisadas de Erice al retirarse. De hecho, vengo escribiendo un poema a propósito de la película. No debería, pero lo comparto: (Ya había pescado lo de Borges, antes de esta charla, por supuesto) Cerrar los ojos: Western español Una película inconclusa, la triple ausencia del padre (suicidado o enfermo, loco o perdido, apicultor o actor, pintor o zahorí, pero siempre antifranquista). La hija abandonada -congelada- en su juventud. Un caso policial: el pasaje del enigma al misterio. Movimiento pendular, el milagro: una casa poblada de silencios, la quinta de Adrogué (Triste-Le-Roy), "La muerte y la brújula" Borges & El tango, Gardel & Discépolo, Buenos Aires y el sur. El sur marino. El norte lluvioso. El nombre olvidado. La película inconclusa. Paso doble, en Río bravo. Caligrafía de los sueños. Castaños de indias. Puntos cardinales. Arboleda del sur. Memoria residual. Identidad. El viejo cine de las salas. Luz & oscuridad.

@MilkPatonai 10 ай бұрын

Is the insanely hot mic distorting their voices a post-modern stylistic choice?

@vinchesPaul Жыл бұрын

🐝

@NichaelCramer Жыл бұрын

Likewise: Thank you, Ron Padgett, thank you everything you gave us.

@orangewarm1 Жыл бұрын

Why hasn't he been good in movies? He had already been great in 2 or 3 movies.

@ggghhjd Жыл бұрын

its a good interview but this kid doesn't know how to ask a straight concise question...he goes on & on & Friedkin ends up just giving up on waiting for the question to end & interrupts to deliver a monologue on a key word from the questioner's ramble eg 'The Exorcist' or 'Citizen Kane.' I myself didn't understand one question,but i understood every answer

@ewertongtr Жыл бұрын

Acabei de assistir um filme dele. Schwarze Insel (Ilha Negra). Muito bom!!!

@sonpham32 Жыл бұрын

"The Exoricst is about the mystery of faith, it's not a horror film." RIP William Friedkin

@alejoh3179 Жыл бұрын

Idola

@jesusmarigarcia Жыл бұрын

No se puede ir fumado a una masterclass

@iangrant3615 Жыл бұрын

Lovely to watch these interviews, especially now we have lost him. Stopping to make a pot of tea to share, such a genial host. A class act. Not hiding behind a publicist and restricting interviewers to a few minutes of filtered questions like the new generation of actors and directors. He was comfortable to speak for himself and to give the time to really ruminate on the subject. We will miss such people.

@carlosrodriguez4214 Жыл бұрын

NO HAY NADIE COMO VILA MATAS :)

@MySeb69 Жыл бұрын

Branco est un agent d'Israel et il n'est pas ce qu'il prétend.Vous pouvez observer sur sa page d'accueil Branco et Associés, il y a un Bouc donc le Diable qui sacrifie un enfant et cette illustration est une scène qui se passe à Jérusalem.Quand les politiques instrumentaient le peuple afin de les contrôler.C0est comme MR Bolloré qui à fait fortune sur les français avec les politiciens et ils voulaient créer une guerre civile en France, secret d'état bien sûr!

@kd9k4h8d Жыл бұрын

Thanks so much for this

@nandaborghetti9890 Жыл бұрын

É a melhor cantora, compositora, interprete portuguesa!!!!!!! ❤❤❤❤

@patmos789 Жыл бұрын

Si un restaurante tiene mesas vacías, es un buen restaurante. Si está lleno, es un mal restaurante. Ortega y Gasset. Una simple historia para hablar del cine y las masas. Un genio.

@Michiloqui Жыл бұрын

Hermoso!!

@adamwalcott_official Жыл бұрын

I honestly want to know what tuning that guitar is in.

@thegrimyeaper Жыл бұрын

29:43 Amen, Paul. Amen.

@rinassimiento2896 Жыл бұрын

I'm touched to listen the Maestro's relating his Violin's expérience 🎻 This film is a 💎

@nico.pravda Жыл бұрын

epico llinas en portugués

@nathanmauricio1040 Жыл бұрын

Kudos to the venue and ppl who setup , it really set whole vibe for this video 🙂

@sidasida5752 Жыл бұрын

I didn't watch any of his movies except the time of the gypsies but I know he's the one who's the best directors ever because this movie is something else it is so deep and meaningful it is just great

@mucaslatos Жыл бұрын

names of the musicians please

@ninajey7547 Жыл бұрын

Thanks so much for this! ❤

@sergiosmerieri7284 2 жыл бұрын

unique

@jesusbarreraperez1893 2 жыл бұрын

Genial y muy interesante. Muchas gracias por compartir.

@lubini6880 2 жыл бұрын

Unknown by most, but a true maestro. The band is pure honey.

@TheMaddav 2 жыл бұрын

Détruire la plupart des buildings post-1945 : le bilan carbone ? C'est bien gentil toutes ces conversations intellectuelles mais jusqu'à quel point peut-on s'affranchir de la réalité quand on discute de choses... réelles ?

@alter5102 2 жыл бұрын

Je suis étudiant en architecture et c'est pas tout à fait vrai.on peut faire ce qu'on veut lors de nos études en évitant tout formatage des esprits si on se donne les moyens de faire ce qu'on veut. Face à la tyrannie écologiste, je me permets d'avoir une manière de faire que je pense juste et qui ne convient pas trop à notre enseignement cependant, il faut savoir défendre ses idées lors du projet sinon on est un légume. De plus l'architecture post 1945 est extrêmement riche dans ses systèmes de fabrication, l'emploi qu'elle a créé et sa durabilité dans le temps. Je conviens que l'architecte de style international est assez pauvre mais des mouvements particuliers comme le brutalisme, des courants modernistes nationaux ont mêlés archaïsme et modernité dans des réalisations magnifiques et profondes, poétiques. Je suis donc contre la destruction de ce patrimoine car quoi qu'on en pense c'est une trace de notre histoire qu'il ne faut pas effacer ni arrêter à 1945. De nombreux architectes tels que riccioti,nouvel et autres font parfois des quartiers mille fois plus inhumains et durs à vivre que des quartiers créés au XXeme par des modernes comme chemetov, Dubuisson... Les villes des postmodernes et des architectes contemporains sont souvent froides et technocratiques. De plus la ville du XIXeme est peut être belle mais elle est répressive dans sa fabrication et elle est créé pour réprimer le peuple et les mouvements populaires. (Haussmann)

@precioustraveler 2 жыл бұрын

15:52 porridge 🥹

@AstonishingSodApe Жыл бұрын

@jeffwatkins352 2 жыл бұрын

These are two remarkably intelligent artists, both of them giving sharp insights which waste no words. Dangerous Liaisons remains one of my favorite movies, one I re-watch frequently and always with intense delight. Like these two men speaking about the film and their art generally, there's not a wasted moment.

@mitsushiro 2 жыл бұрын

Amazing.

@Gmjffm 2 жыл бұрын

Sous titres please😢

@faradillaramadhita1782 2 жыл бұрын

The best feeling or the better way for Alicia Vikander, as she and director Olivier Assayas discussed about the plot, Alicia's character Mira Harberg, and how the 1996 remake became very modern and the difference of a Hongkong actress and an American actress as well.

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