Um I you pat yourself on the back a lot and didnt help us....

This was a really lovely doc, almost elegiac. But their films are mesmerising & fascinating and their minor characters resemble the plethora of different shaped creatures under a particularly productive sea-weeded rock at furthest extent of an ebbing tide; a whole and complete universe of life all bumping into each other. // Thks !!

You have alot people here not wanting to admit that Jews are the indigenous peoples of the land which Israel is founded. They’ve been there over 20,000yrs. You’re disgusting for not shutting these people down

Amidst all the love shown for his work, I'll voice my utter dislike of his work. Pretentious and artsy for arts sake. Check out what Christopher Plummer had to say about working with "Terry".

This movie brilliantly kept the horror in the peripheral-Just quick glimpses and barely audible. This made it much more unnerving...

And it's the studios right to say this is our movie. We own it and you, the director, work for us.

-Тревога персонала!

I love your videos but if you want a cinematic aspect ratio on 16:9 monitors you should know that you can just upload a 21:9 video and get the same effect. It'll get letterboxed on 16:9 displays and be full screen on 21:9 displays. You shouldn't bake in the letterbox on a 16:9 video because that'll both letterbox and pillarbox the video on 21:9 displays.

I was so emersed in the story that I felt like I was exposed to nuclear radiation while watching the series. Masterpiece.

Hey is there any way to watch your "How Should Movies Depict Real Suffering" for free. Really wanted to see that one

this is me personally, but while I understand that jaws was made well theactrically wise and is a good example, jaws was also responsible for people seeing sharks as mindless monsters and is responsible for the death and endangerment of shark species. otherwise this is a really good analysis

Compare a well written, well acted, well produced show such as this with the forced woke, DEI garbage that's coming out now. This show pulls it all together so damned well.

Brilliant analysis! Love it! Always felt that scene was in slow mo for me watching Pacino eloquently expressing the depths and transition to cold blooded murderer of Michael as he embraces his leadership with that simple gesture. Good job!

As well as the sound there are so many visual images in the film that represent the depth and horror of the subject matter. It all brings it into a true cinematic scope of genius. The black horse, the family dog and the little dog petted at the end...all black animals. The red tone of the flower interjected in the bedroom scene and the party at the end. The mother dressed in black at the family gathering...her awareness clothed in morning. The more you watch the film the more is exposed and astonishing to view. Thank you for your own in depth explanations of this Masterpiece! Madelyn

27:12 exploded my brain

Wow, I started this movie and stopped it like 10 minutes in because I just wasn't in the mood for something dark and mysterious at the time but I had heard it was good so I always meant to come back to it but DAMN, the story of the people who lived NEXT to Auschwitz?! Talk about a filmmaker's wet dream of a true story lol. That's wild stuff.

Bravo 2:52

I come from a oretty dysfunctional family in both sides. Especially on my 100% Italian Mother's side. There's trauma, alcoholism, divorce, estrangement, depression, you name it, weve got it. My mother inferlnbecame hypercritical and I believe narcissistic as a result of her upbringing. We've been estranged for months now, which is very sad since I have my own kids now and my parents never see them.

1990, what a Year.

your video is almost.... ALMOST as boring to watch as andor was

Such a great analysis! Thank you!

8:44 just in case you thought Thomas would stoop to the level of reality tv, nope, thank god it was just for research…

SPOILERS There is one thing i didnt understand about JJ , why did it spit back the crushed people on top of the house? 1: if its hungry , why does it spit its food out? 2: why on top of the house? Why no where else? I always thought that it was like a scratched thing in the middle of shooting or something, why say its hungry then show this scene

i love that they use the actual sound of a rocket taking off when the sandworm is coming towards him. they dont even try to blend it in with the other sounds or hide it lol

watching this film for the first time on shrooms felt like a non stop slipnslide that never reaches the pool

not to mention the best thing imo about BB and BCS is the emptiness of +18 scenes, which can be so uncomfortable and awkward most of the times. So kudos to that.

Andor reminded me of those old DK Star Wars visual encyclopedia books. The books would show how everything is made despite being a work of fiction. Andor captures the believability that the star wars universe is could be real, almost like an alternate universe to our own.

This is one of the best scenes in the entire history of cinema. Hands down.

Wooow, this video is top quality. Great job :)

My favourite performances would be Robert DeNiro in Taxi Driver and Raging Bull, Al Pacino in The Godfather Part 2, Scarface, Dog Day Afternoon, and The Irishman, Joe Pesci in The Irishman, Ryan Gosling in Drive and Blade Runner 2049, Ralph Fiennes in Schindler's List, The Constant Gardener, The Grand Budapest Hotel and The Menu, Daniel Day-Lewis in There Will be Blood, Gangs of New York, and Phantom Thread, both Heath Ledger and Joaquin Phoenix as the Joker, Joaquin Phoenix and Phillip Seymour Hoffman in The Master, Phillip Seymour Hoffman in Synecdoche, New York, Before the Devil Knows You're Dead, and Mission Impossible 3, Jason Momoa in Fast X, Alan Rickman in Die Hard and Harry Potter, Josh Brolin in Sicario, Only the Bravest, Everest, Dune, and Avengers Infinity War, Leonardo DiCaprio, in Titanic, Wolf of Wall Street, The Revanant, Django Unchained, Once Upon a Time in Hollywood, Inception, Blood Diamond, Shutter Island, and The Killers of the Flower Moon, Brad Pitt in Once Upon a Time in Hollywood, Bullet Train, Fight Club, The Assassination of Jesse James by the Coward Robert Ford, Casey Affleck in The Assassination of Jesse James by the Coward Robert Ford, Gone, Baby, Gone, and Mancester-by-the-Sea, Chiwetel Ejiofor in 12 Years a Slave, Djimon Honsou in Blood Diamond, Brendon Fraiser in The Whale, Natalie Portman in Black Swan, Annihilation, V for Vendetta, and Leon The Professional, Mickey Rourke in The Wrestler, Cillian Murphy in Red Eye, Inception, Oppenheimer, and 28 Days Later, Rutger Hauer in Blade Runner, Michael Caine in Get Carter, Michael Fassbender in X-Men Days of Future Past and First Class, The Killer, Hunger, and Shame, Matthew McConaughey in Wolf of Wall Street, Lincoln Lawyer, Dallas Buyer's Club, Interstellar, and True Detective, Choi Min-sik in Oldboy, and pretty much all of the performances in Scum, Requiem for a Dream, I, Daniel Blake, Challengers, The Lighthouse, The Favourite, Poor Things, Singin' in The Rain, 12 Angry Men, Panic Room, Memories of Murder, Zodiac, Prisoners, The Prestige, The Social Network, The Departed, Breaking Bad, and Better Call Saul.

"Okay . . . okay." Would have been very easy to have ruined the scene with a cheesy, "I must not fear . . ."

"Sometimes dead is better." -Pet Cementary

Sorry, but poor things is utter dogshit. Pretentious, horrible writing, zero subtlety, and absurd in the worst possible way. No one knows how to write satire or allegory skillfully anymore.

I like the movie. Don't know if I'd call it masterpiece as I felt the ending/final shootout was kinda a bit too much action movie compared to the rest of the film, I think if Mud just kinda left in the middle of the night with maybe some kinda chase scene, that would've been enough than pretty much 4-5 or how many murders happened. It didn't hurt the movie I'd say, but that's when the up to that point very solid, earnest, plain and upfront storytelling about coming of age, one doomed love, one odd rascal living in the backwoods (Mud) went Hollywood and it didn't need to. Otherwise great movie, felt true, authentic and McConaughey's best performance for sure as he is both him, but Mud is also kind of a crooked, dirty vagrant, which is not his usual style and he played it well.

Omni

Gpto

Get your mind out of your overwrought university epistemological bubble. Go work a manual labor job in Alaska and Florida and Rwanda.

I really love the sincerity of Tom Cruise movies, they actually take themselves seriously and don't undermine themselves by cracking inappropriate jokes during serious scenes. We desperately need more of that. I love both straightforward sincerity like in Top Gun Maverick and I also love when a movie or TV show does what seems like a setup for a joke but then the payoff is either tragic like pretty much everything in Better Call Saul or sincerely wholesome like in Top Gun Maverick when Tom Cruise drops down off the balcony but lands in front of his new girlfriend's daughter and you think that hilarity will ensue but instead she genuinely and sincerely pleads with him not to break her mother's heart this time and the scene ends on that poignant note, or in Moral Orel when they do a setup for the reverend to make an inappropriate joke like he normally does throughout the rest of the show but instead he responds to his daughter's retort that it's because she is a lesbian by sincerely stating, no, she can do better because her object of desire didn't truly love her and was just using her, like some kind of reverse-bathos. I am glad we're getting more sincere movies again like The Whale, Top Gun Maverick, Avengers Infinity War, Oppenheimer, Killers of the Flower Moon, Spaceman, Blade Runner 2049, and Dune 1 and 2. It had gotten to the point whereby whenever I watched a movie that had no jokes in it, it caught me off-guard, like when I watched The Godfather part 2. There were definitely really great movies from the past that were incredibly silly, satirical, and fun like Terminator 1 and 2, Starship Troopers, Total Recall, and Robocop and obviously the comedies like Trading Places and the Beverly Hills Cop movies, but nowadays most movies do not take themselves seriously, even dark indie movies tend to have cynical affable cool characters who don't care or trashy self-centred jerks which is fine but leaves me wanting more movies that actually take themselves seriously for a change. You have no idea how much I breathed a sigh of relief when I watched the new Denis Villieneuve Dune movies and at no point did one character turn and say to another character, "wow, these helicopters are kinda like mosquitoes aren't they, huh? How crazy. Hey what does this button do?" Whilst practically turning and winking at the audience, despite Dune being such a unique sci-fi setting it didn't feel the need to debase itself by acting silly, all of the characters took the situation completely 100% seriously 100% of the time which was incredibly refreshing to see because if the characters don't care, why should we?

It is excruciatingly and infuriatingly terrific (in both senses of the word) what we humans can acclimate to, or be acclimated to, with any three, in part, combination or in whole, of these factors at work -- a sufficient amount of time, a certain level or a resoundin' abundance of necessity, or a horrifyingly extreme amount of apathy. The hefty majority of us humans -- after some varying degrees of time -- either, are, or, eventually could be, capable of if not 'ok' livin' or existin' in direct or near proximity of nearly any place or thing which can/could only be described as unpleasant or offensive or unpleasantly offensive or offensively unpleasant, such AS: under or beside a subway/train line or depot; right next door to hustling bustling airport runways, or busiest of stretches of multilaned highway; anywhere near enormous, on-going and debilitatingly deafenin' sites of either, construction, destruction, or, both; within a close noseshot of an up-and-runnin' paper mill, a sewage treatment facility, a factory farm, or processing plant for livestock and/or for making dog food, etc.; places like crematoriums, landfills/county dumps, fisheries, or wharves/ports, etc. Most of us can after some amount of conditioning, still 'live' alongside and in time, possibly even thrive by the most egregious or eerily subtle houses or factories of death, being of human, or animal. It depends on what type of person you are mostly as to determining which of the two you'd find the more/most offensive to either/or your senses or morals/beliefs! One commentary, in regard to everything previously mentioned could be "how crazy"/"that's crazy"! And, well...YEAH! LmMFaO! ;) :P :o)

This style of filmmaking cannot be replicated by younger generations.

you're terrible at captions

i legitimately think about this video like every day like this changed something in my brain. i love sound AHHH i need to get better at sound design

Avon was barely punished . his main thing was just his relocation. he would have been able to have women in , it happens . him being so high up and all he had would have zero problems unless the warden or some outside people did a tour he would play normal. yeah his punishment was forced relocation mostly

the most interesting and fun character the show had with out doubt. still hurting after hearing the actor passed and especially in the way.

Just re-watched the show and again came to the conclusion that it is great. still . one of the best and most important to watch

oops, i came here from an arg T-T guess the lead was wrong XD, still, great video!

When it comes to making anti-war movies or movies with the theme of learning from the past and not repeating mistakes, Germany is the absolute master, by far no 1. Hollywood doesn't even make the top 10.