LOVE this sound!

Amzing clarity even at this young age, playing like experienced Mastroe. Very good confidence . Never ever leave playing Mrudanga. You will get due recognition. Proud of you. God bless you.

Azing

Beautiful

It is an art that requires immense experience for many years before one can say that one has reached a position to impart the knowledge to others and those stalwarts continue to be students learning and improving themselves. But with the advent of KZbin as a money spinning source every one try to show their skills as teachers without much experience. This is not good for the art. I have no objection for anyone showing their skills but not convinced as claiming all other KZbin watchers as students and they are gurus

Wow, fist time I see an Indian explaining temperament, and even western musician are not aware about it! That is what I love in Indian music but not only. Centuries ago, even organs were tuned in inequal temperament. Great, magistral ! But you're more explaining scales than temperaments in fact. You know I did a database with all the scales in the world by cultures, with common scales also. And India is the huge winner in the sense of number of scales, like 411! And melakarta is a subset of them, with some rules like 7 notes, always the fifth, ie 72 scales.

are you a bpy

horrible video

For least common multiple, you can do one of the following to find it reliably: 1. LCM(a,b)= (a x b)/GCD(a,b). _Example:_ LCM(4,20)=(4x20)/2=40. 2. Prime factorisation. List out all the prime factors of your two numbers, then multiply the prime factors among them with the highest power. _Example:_ 12 has the prime factors 2x2x3 and 20 has the prime factors 2x2x5. Since both 12 and 20 have 2^2 as a prime factor, we just use it once so 2^2 x 3^1 x 5^1=60.

This all makes sense but I still don't understand the difference between polyrhythm and crossrhythm. Or rather I don't get the point of using the term crossrhythm rather than just saying polyrhythm.

So well done!!

wonderful teacher!

Very nice

Amazing

7:45 practice along 🎉

Skills young jedi

Less talking, more playing.

I can see umayalpuram sir's style

Just diacovered her today. Shes PHENOMENAL

👍🏻 bang on 🎯

Amazing sir 🙏🙏🙏

I follow her on insta

U look very unenthusiastic not even having a simple smile.

Does the car can reach to the front of the hotel’s main gate ?

Thanks for this... I prefer the the A-ca-de-my stuff 😁... The numbers wasn't just working for me... But I learnt the cross rythmn thanks 👏

If you play at 1:11 at 0,5x speed, you can hear that the beats not that complex, as you would to expect. But the speed,the technique and the accuracy is here on point and you need years of training to play it this clean. My respect! I think I want to learn a few things from the language to improve drumming. Thank you for sharing!

That aspect of music as reflecting physical life and experience, the illustrations of voice, footsteps and the Doppler effect is so compelling and beautifully expressed in Steve Tibbets' "Three Letters Part 2" (on the album Big Map Idea) : the shouting of the child, the sound of running. (Although I would guess that Steve Tibbets might attribute a different meaning and significance to music.) A wonderful talk by Mr. Iyer. (His choice to play "Human Nature" takes on new meaning.) Some thoughts: Many of the theories of evolutionary biology seem as teleological, in a different own way, as those of certain religion. This much tendency of thought seems much stronger by some in the discipline than others. (I don't see that here with Mr. Iyer.) I wonder, relatedly, if predicating upon considerations of utility, in itself, might similarly limit broader possibilities of understanding. (Mr. Iyer does seem to be going beyond this.) It would seem that the framing of empirical questions itself imposes constrictions on the range of understanding, and a strict adherence of only empiricism, however reasoned, itself contains a certain inescapable ontological bias. There is nowhere, in any system of faith or knowledge, a satisfactory explain of consciousness. Music, more than any other form of art and expression, seems clearly to involve states of extraordinary consciousness. I wonder if consideration of this aspect could be fruitfully approached, or if it is unbridegable. Thank you.

Sounds like Skype

music is such a beautiful marriage between science, math, and soul <3

What a beautiful impro session ! Easy flow and sharp rhythm, reminds me somehow of Don Cherry's Orient

Thank you

I'd love to hear 'Awgha rang ek zala ' in your voice Ganavya , it would be sublime

it's Majhya ( माझ्या), not majha , love your work 🤗🤗lots of best wishes

This is excellent. I learned a lot and Prof Patel made the math super-easy. Thank you!

Excellent breakdown of structures

Truly amazed to hear about Steven Pinker's views - since I would have thought that making a universal jump or connection from "The Language Instinct" to "The Frequency/Sound Instinct" would be totally self-evident. If we think of syntactic structures (in the Chomsky way) - then music and its evolution would have deeper and more fundamental syntactic (and semantic) structures than language...the atomistic embodied blocks with which we learn how to think, much before we have formed external representations of complex concepts, which is what language finally enables us to do....its almost like thinking in music is a completely parallel and different way of thinking as compared to thinking in language...

This is pure gold

Super but try getting ur speed up coz some songs need some speed mainly in mora korvai I can relate being a mridangist myself Good luck buddy

so is this what we call time signatures in western music?

Very nice presentation @NYU MusEDLab.. What Microphone have you used for this recording ?

still love it!!

I’ve been playing guitar for like 25 years and only now do I think I get it when it comes to Indian rhythms. I’m going to tinker with this. Ta = 1/4, Ta Ka = 1/8, Ta Ki Ta = 1/8 triplet…. Lol. It’s like the pieces all come together now. I feel so stupid.

Fun, but I think we still need people. :?|

Nandri , sagothari!

amazing! I have seen a video about the claps before, but I didn't know it's a drum language

Notes are clear as water

Waah! ! ! ! Waah! !!!!

மிகவும் பயனுள்ள தகவல்கள்

If you play 0:24 at 1.5x speed, it sounds like Manjunath

Interesting concepts, I appreciate your interest in explaining music’s origins