thanks bruh bruh

Cant listen to enough of these tutorials! High End piano playing is new to me. I like your explanations alot as well as the clear and comprehensible sound!

Useful tips as always!

Thanks Graham! Very helpful comments on the opening of that beautiful and tricky Sonatine first movement - thank goodness it's marked "Modere".

Best interpretation here of all performed here on KZbin.

Thanks for this video. What model and year of Bechstein are you playing in this video? I am looking for a similar one. What do you think of yours?

Fred Karpov and his piano on-line school Entrada is one of the best Piano teaching school. Comprehensive, detailed and with lots of technique videos. For beginners and advanced alike through all levels. Fred is the best teacher. Unfortunately completely underrated and pretty unknown in the piano community. Give Entrada a try and you will be enthusiastic about it.

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This is very helpfull, thank you! It immediately transformed my playing, better tone, more ease, even when playing slower. I notice a better connection of the fingers with the arm. The hand stays much more stable, and the fingers take the keys almost “on the wing” instead of notewise.

Maestro Fitch, che onore poter visionare il materiale che ci propone! La ringraziamo in tanti dall'Italia. Con stima e amminirazione.

So beautifully explained. Feel confident I can master this! Many thanks

i went to a great concert by Grimwood - all Tchaikovsky programme. I remember him saying that Daniel was able to play anything the guests asked him to at some evening or other...

Thank you for making this. I've been searching for piano technique training and I'm really glad to have found your video.

Simply Beautiful 👏🏾

I wish she was my personal teacher tbh

Great tip!! Also love your book - Graham recommended to me 👏🏼

Two minutes in and I just had a lightbulb moment!! can’t wait to listen to the rest later today thank you so much!!!

Thanks Graham 🎉🎉

There is no pedal in Les barriades mystérieuses for a simple reason : the piece was written for hapsichord, an instrument with no pedal ;-)

thx, wonderful

Thank you so much for these practice clinics, they are always full of valuable insights and advice. I always want to get straight back to the piano bench after listening to you!

Thanks Graham, for another great Practice Clinic

💖💖💖💯

FANTASTIC breakdown!! Great lesson.

SO very interesting! Thank you.

This is really sound instructions on scale technique. It's not 'every single' thing, but the big two she mentioned the arm leading and the release on certain notes at speed will solve about 95% of problems people have with smooth speed. Amazing details here, many thanks.

thanks , very helpful

This was written for harpsichord. The piano had not yet been invented in Couperin's time. On the harpsichord, there is no sustain pedal. But, the note would ring on as long as you held the key down after it was played, slowly dying away, until you lifted your finger. That's why the so-called "finger pedaling" is so effective in Baroque music. It provides for an illusion of a sustain pedal, when really, it is all done with the hands. And that is why Couperin notated it that way.

We can't see what you are playing.

Graham: I am a huge fan. You have a Yamaha now I see! Which model if I may ask - and are you a Yamaha artist now? I hope.

Thank you on your valuable tips and information, Wat is your advice on play white keys between black keys (in the back keyboard area), with thick or wide fingers , as 3rd and fourth finger?

phone typo

You may want to obtain an external overhead camera. So your ph9ne as 1 Camara where it is positioned now and another camera for overhead filming your hands. Otherwise,nice demonstration and analysis!

You may want to obtain an external overhead camera. So your ph9ne as 1 Camara where it is positioned now and another camera for overhead filming your hands. Otherwise,nice demonstration and analysis!

Woooooooow .. Thank You ....

I've got this in an Associated Board keyboard anthology for Grades 3 & 4! No wonder I'm finding it hard!

Thank you for the video. Could you tell me your fingering for the downward arpeggios? Play them with the right hand only or break them up into two hands?

Love this video and thanks for spreading the knowledge. I just started this piece today I’m so excited.

first time on your channel. 2 minutes into watching ur video and im already your subscriber. thanks!

Hello Graham, I got surprised to see that my "old" question was featured in this practice clinic. Thank you for taking the time to answer it with much details and correct my misunderstandings. I have also asked my teacher in-between and she was also the one explaining me about the importance of developing reflexes for fast tempo practice.

kzbin.info/www/bejne/oH7VlGiropJ6h68si=1lSWcBNoLoebTFsi

Beautiful playing

Most wonderful piece of music, has not changed in it's magic in 50 years pour moi. Debussy ah!!

Interesting comparisons. Thank you Fred.

A clear performance of a complex piece!

I played this Debussy about nearly thirty years ago. 🤣

Thank you Graham.

New Ollerton, near Mansfield.

i used 2-1-2-1-2-1 a it is a 3-8 meter.

Fantastic explanation here! The "ta tata ta" really helps. This piece (as with any difficult piece) for me, is going to be practiced VERY slowly until I can get it to speed and more importantly, being able to distinguish the notes and not a blur! I really enjoyed Daniil Trifonov’s version even after hearing Horowitz! (Gasp!)Trifonov is amazing. Here he is and thx for this. it really helps. kzbin.info/www/bejne/faqYhnuBaaqYg5osi=0b5ApYC6LK0OL7qC