내용을 알고 들으니 한글 자막이 없어도 장면마다 다 이해가 됩니다, 내용을 다 알고 들어야 가슴에 와 닿는 것 같습니다 !!!

R.I.P. Mr Hvorostovsky.

where can I find the complete performance?

I think they're trying too hard to be sensual. It's already there in the music. All the fondling takes away from the moment. I really don't like to compare because each singer is different, but I'm reminded of the quiet passion in the Vickers/Verrett production.

Natürlich wunderbare Stimmen, aber musikalisch zäh. Und ob sie den Text beim Singen mitdenken??? Es lebe Carlos Kleiber

The Marschallin's "Ja Ja . . ." is one of the most deeply touching moments in opera. The trio--sublime beyond description.

And let's not forget that the Marschallin is 32, Sophie is 15 and Octavian is 17!

Räusper

Und ich weiss jaauch nex

Grande Dimitri, la tua voce e la tua umanità nobilitano ed elevano anche la pena di questa regia.... Tutto scompare...rimane solo la luce ,la tua luce.

Quest'uomo, questo baritono....ti fa dimenticare la pena della razza umana. Il #capobaritoni di sempre !

Goosebumps! Glorious

Magnificent!

Pietro Il Magnifico!

COMPLIMENTI A NEMORINO

In other productions of this, Dalila always treats this song as an aria in a vacuum. Most Dalilas stand off to one side and sing to the audience, while the Samsons look longingly in the background. The music is beautiful no matter what, but you don't get the ACTING that you get in this scene here. There's no simply standing around singing for Elina and Roberto. They are all over each other. Delila is singing about longing for him, while secretly she knows she loathes him and can't wait to betray him. You can see flashes of it here and there; that sly bit of deceit beneath the seduction. And Samson is completely lost. He no longer has control over his feelings; she has gotten to him, and we the audience know he will soon give in and be doomed. Absolutely wonderful staging here, and excellent ACTING to go with the excellent SINGING.

maravillosa interpretación que costara mucho superarlo

If there were a Heaven, this is what it would sound like.

They should have all stopped singing a long time ago.

Ma.....si sono dimenticati di "Sire", dopo "Princi" e prima di "Ma quanti favori"

Absolutely superb acting and singing beautiful artists ❤❤❤

روعه❤

Imagine your first Rosenkavalier, having not heard any of the music or even read the plot. Mine was in 1971 with Jurinac, Fassbender ,Popp.

Очень люблю эту певицу, но мне кажется эта партия не ее, она поет низко, и расширяет звук, тем самым теряя свой тембр.

This should only be staged in an 18th century setting. the story is formed around that specific society and period. Why does it have to be changed? It is a major artistic mistake

Kocham tę arię w wykonaniu Dmitria. Był na scenie królem bo posiadał wszelkie atuty : głos, charyzmę i niezwykłą urodę. Wspanialy czlowiek i artysta.❤

This performance moves me to tears. Toscanini always got the maximum expressivity from his singers--just compare this to Albanese's other performances of the aria. And the orchestra is also more expressive than I have heard from any other conductor. T. knew Puccini well and conducted the premiere of Bohème, so I am also moved to hear him singing along. He truly loved this opera and made the characters come to life.

A wonderful final with the Divas! I m impressed! In Gottes Namen! Wie schön! Viele Grüße from the Münsterland in Northwestern Germany, ​​​​​​​Bernd.

Υπάρχει για 4 χέρια;

Extraordinary performance by Dimitri, singers like him should never die 😢real master interpretation.

엘리나 가랑차가 이 곡의 최고봉으로 자리매김한 것 같습니다. ^^

შესანიშნავია

Αφθαστη η γλαφυροτης των συνθεσεων του.

Jetzt hätte ich beinahe Renee Fleming nicht erkannt, auch nicht im ersten Singen - wunderschön!

Magnifiques tous les deux ! Très belle mise en scène et superbes costumes! 👍

Mag heute so sein! Aber Verrett und Vickers sind für mich nach wie vor unerreicht!!!

Un très grand merci pour le partage, j’adore cet air chante si merveilleusement par Dmitri que je n’oublierai jamais.

L

До чего же у неё некрасивый,пустой голос!!! Звучит,как бабушка Далилы!!! Полета нет!!!

Les trois sont au sommet.

0:01 12. Τραγούδι του γάμου (Ρόδος) 1:31 13. Βοστσικάτα (Κάλυμνος) 2:13 14. Κάλαντα του Λαζάρου (Ρόδος) 3:09 15. Το Πάθος (Κάσος, βλ. Δωδεκανησιακή Λύρα αρ. 23) 4:10 16. Έλα να τα μοιραστούμε (Ρόδος) 4:37 17. Στα Μάρμαρα του Γαλατά (Κάρπαθος) 6:14 18. Δεν ημπορώ να καμ' αλλιώς (Ρόδος) 7:39 19. Κάτω χορός (Ρόδος) 8:40 20. Το Κωσταντάκι το μικρό (Ρόδος) 9:23 21. Στέκομαι και παρατηρώ (Κάρπαθος) 10:08 22. Γονατιστός Χορός (Κάρπαθος) 0:01 VIII 3:09 IX 4:10 X 6:14 XI 8:40 XII

0:01 1. Το Δυοσμαράκι (Κάρπαθος) 1:20 2. Ανάμεσα Πλημμύρι (Ρόδος) 1:57 3. Τραγούδι του γάμου (Καστελλόριζο) 2:37 4. Τούτο το καλοκαιράκι (Ρόδος) 3:22 5. Ζερβόδεξ(ι)ος χορός (Ρόδος) 4:34 6. Σαράντα χρόνια έκαμα (Ρόδος) 5:14 7. Η Ειρήνη (Τήλος) 6:16 8. Αρχαγγελίτικος σκοπός (Ρόδος) 8:23 9. Χορευτικός σκοπός (Λέρος) 9:31 10. Τραγούδι του γάμου (Ρόδος) 10:15 11. Σούστα (Ρόδος) 0:01 I 1:57 II 2:37 III 4:34 IV 6:16 V 8:23 VI 9:31 VII

Always a supremely sensuous performance from these two, none better

Thanks a lot for uploading this jem.

Giorgio Germont altra "Perla"del lungo repertorio del GRANDE Dmitri !! 👍 💯

❤

Exceptional performance!

Great-Great singing…thank you ladyes!

Безупречный, не земной, наш Димочка! Наш❤️❤️❤️

Absolutely divine. Elina and Roberto are true perfection in this difficult opera and as for The Met 2010 Carmen, no others could rival this duo anywhere. Sensational. I never can stop watching again and again.